TABLE OF CONTENTS
Overview of the
Collection
Biographical
Note
Scope and
Contents
Arrangement
Restrictions
Index
Terms
Administrative Information
Detailed
Description of the Collection
Series 1 - Personal Documents (Boxes
1-2) 1900-1978
Series II - Educational Training - Yale
University (Boxes 3-5)
Series III - Educational Activities
(Boxes 6-10)
Series IV - Writings (Boxes
11-12)
Series V - Lectures (Box
13)
Series VI - Notated Scores (Box
14)
Series VII - Performances (Boxes 14 -
15)
Series VIII - Correspondence (Boxes
16-17)
Series IX - Miscellaneous Professional
Activities (Box 18) 1939-1976
Series X - Miscellaneous Research
Activities (Box 18)
Series XI - Card Files (Boxes
19-31)
Series XII - Visual Works (Boxes
32-39)
Series XIII - Audio Works (Boxes
40-41)
Series XIV - Music Scores (Boxes
42-44)
Series XV - Rudolf von Laban (Boxes
45-46)
Series XVI Notation (Box
47)
Series XVII - Miscellaneous Notated
Scores (Boxes 48-49)
Series XVIII - Ruth St. Denis (Boxes
50-51)
Series XIX Miscellaneous Visual Works
(Boxes 52-54)
Series XX - Miscellaneous (Box
55)
Series XXI - Oversized (Boxes
56-63)
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| Accession No.: |
MA 91-9 |
| Repository: |
Texas/Dallas History & Archives, Dallas Public
Library
1515 Young St
Dallas, TX 75201 |
| Creator: |
Juana de Laban |
| Title: |
Juana de Laban Collection |
| Dates: |
1924-1976 |
| Quantity: |
45 cubic feet (63 boxes) |
| Abstract: |
When Juana de Laban learned in 1978 that her life was coming to
an end, she instructed her cousin Elizabeth Hecht Miller, executrix
of her estate, to transfer ownership of her extensive dance
collection to Robyn Baker Flatt. Juana de Laban and Flatt met in
1954 when Flatt's father, Dr. Paul Baker, founding director of
the Dallas Theatre Center (DTC), engaged Laban as Associate
Professor for the drama department at Baylor University in Waco,
Texas. Although Laban had instructed her cousin to give the
collection to Flatt, both Miller and Flatt believed it best to
donate the collection to the DTC for tax reasons. Following
Laban's death in 1978, her cousin Elizabeth Miller transferred
ownership of the dance collection to the DTC. This collection
remained housed at the DTC for four years. In 1982, the DTC was in
a period of turmoil. Paul Baker was fired from his twenty-six year
position as Artistic Director of the DTC. Fearing that the
collection was about to be given to a repository in another city
Flatt quickly arranged for the transfer of the collection to the
Dallas Public Library (DPL). |
| Language: |
The records are in English, German, Hungarian, French, and
Spanish. |
Juana de Laban von Varalja was an
internationally recognized teacher, performer, choreographer,
director, author, critic, and theatre and dance history scholar. As
a dance educator, Laban influenced the development of the pedagogy
of dance history and research. Juana de Laban, the eldest daughter
of Rudolf von Laban and Maya Lenares, was born on October 21, 1910.
Laban's mother was a famous Italian opera singer and her father
was a world-famous movement analyst, philosopher, writer, director,
choreographer, and dancer who developed the Labanotation dance
notation system. Laban's early years were dominated by the
tutelage of her father. By 1934, she had earned a diploma from the
Royal Hungarian Academy in Budapest where she specialized in the
national dances of Hungary. During the mid-1930's, she toured
Austria, Switzerland, and Germany as a solo danseuse and served as
a critic for The Dancing Times and Der Tanz. Her understanding of
the arts and fluency in five languages provided her with a world
picture that was to guide her professional career.
At the onset of WWII in 1938, she
immigrated to the United States. In 1939, Laban and dance partner,
Frances Bartha, toured together and opened the Laban Dance Studio
in New York City. In 1941, she began her American academic training
at Yale University, completing a Master of Fine Arts in 1943 and a
Doctor of Philosophy degree in theatre arts in 1947.
After graduation, Laban shifted her
focus away from performing to concentrate on her role as educator.
She built her career in academia through a series of posts in
American public institutions, teaching and speaking on modern
educational dance, folk dancing, and the role of dance as part of a
fine arts curriculum. In 1954, Paul Baker, chairman of the drama
department at Baylor University, recruited Laban to head the
graduate division for drama, where she taught stage movement and
theatre history. The next eight years were exceptionally fruitful
for Laban: developing new courses; spearheading a national trend to
train actors in movement; directing and choreographing student
productions; and teaching in South America on a Fulbright
Lectureship.
In 1963, Laban accepted a position at
University of California, Los Angeles (UCLA), where she returned to
a position within a dance department. Here she concentrated on
teaching, publishing, and speaking about the importance of
scholarly research and the study of dance history. As an early
member of the Committee on Research in Dance (CORD), Laban helped
shape the development of this organization. By 1967, Laban became
so committed to scholarly research that she founded a private
business, the Dance Research Associates, to perform research
assignments on a request basis.
Because of her distinguished
reputation, Southern Methodist University in Dallas recruited Laban
to head the burgeoning graduate dance program in 1971. Upon her
return to Dallas, Laban renewed her association with the DTC and
Paul Baker. Robyn Baker Flatt, a former student and Baker's
daughter, appointed Laban to the DTC graduate program in 1973. Ill
health forced her retirement to Temple, TX where she died of cancer
in 1978, at the age of 68.
Return to the Table of Contents
The scope of the Juana de Laban Dance
Collection housed at the Dallas Public Library is so broad that it
can serve as an important general resource for international
research on the many idioms of dance and for the study of human
movement. The size of the collection is impressive. The collection
consists of 45 cubic feet of manuscript and non-manuscript items,
1,000 volumes of printed materials and 1,100 issues of 20 serial
subscriptions.
The manuscript and non-manuscript items
in the Juana de Laban Dance Collection consist of 63 boxes of
materials stored in the Texas/Dallas History and Archives Division.
The handwritten and typed manuscript items include correspondence,
notebooks, card files, drafts of articles, book reviews, lectures,
and speeches. Non-manuscript materials, such as photographs,
slides, glass transparencies, motion pictures, film strips, audio
tapes, music scores, and dance notation scores are also present in
the collection.
One seventh of the collection's
books were written in foreign languages. Most of these required
original Library of Congress cataloging. The books, journals, and
phonograph recordings have been dispersed into the Fine Arts
Division holdings. Other textual items which do not bear a direct
relationship to Juana de Laban's research and writings were
incorporated within the vertical files of the Fine Arts
Division.
The collection is strongest in those
materials which pertain to: Laban's professional life and
contributions to dance; her father, Rudolph von Laban, and his
theories regarding dance and human movement; Albrecht Knust, a
researcher who aided in the development of Labanotation; Ruth St.
Denis, an early architect of modern dance; dance in Germany at the
turn of the century; and various contemporary and historical
movement notation systems.
Return to the Table of Contents
Following are repeated practices
observed by the compiler of this register:
Abbreviations: The names used most
frequently throughout the register, Juana de Laban and Rudolf von
Laban, have been abbreviated to JdL and RvL respectively.
Correspondence: The name of the writer
of a letter is given first, the recipient, after the slash. Two or
more writers indicate a joint letter.
Fragments: Incomplete documents have
been designated as fragments. In many cases, only a portion of the
identifying information regarding the document is available. In
this case, what is known is given and what is not known is
omitted.
Photographs: Photographs from the same
piece, taken at the same time, have been grouped in a single folder
or series of folders. The same is true for portraits. Whenever
photographs of a single artist appear in separate folders, it has
been assumed that they represent different dance pieces, costumes,
or time periods. Unless otherwise designated, performers in a
titled work were photographed in costume.
Titles: Most titles have been taken
from the manuscripts themselves. Titles of articles, lectures,
dance concerts have been placed in quotation marks. Titles of books
and journals and performances of plays and major dance works have
been underlined. Minor works have been placed in quotation marks.
At times, a title has not been identified and a descriptive title
has been supplied within brackets by the compiler to elucidate the
subject matter. Entries that have not been capitalized, such as
miscellaneous research materials, indicate a description of the
contents of a folder rather than a title.
?: A question mark denotes uncertainty
on the part of the compiler. For example, a question mark following
a name has been placed there because the handwriting was
illegible.
Return to the Table of Contents
Restrictions on Use
Photocopying of fragile materials is
not permitted. Reproduction of photographs is permitted under the
guidelines of the Dallas Public Library photography reproduction
policies.
Return to the Table of Contents
This record series is indexed under the
following controlled access subject terms.
Persons:
Juana de Laban
Places:
Dallas (Tex.)
Subjects:
Dance - history
Return to the Table of Contents
MA 91-9 Juana de Laban Dance
Collection, Texas/ Dallas History & Archives Division, Dallas
Public Library
Processed by Linda H. James
Return to the Table of Contents
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| Series 1 - Personal Documents (Boxes 1-2)
1900-1978 |
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This series contains two subseries spanning the
years 1900 to 1978: LABAN FAMILY PAPERS and VISUAL WORKS. LABAN
FAMILY PAPERS consists of miscellaneous official documents,
professional papers of other family members, JdL personal notes,
financial receipts and correspondence. Folder arrangement is
hierarchical and chronological. VISUAL WORKS consist primarily of
photographs of family and personal associates. Folder arrangement
is chronological. |
| Box |
Folder |
| 1 |
|
LABAN FAMILY PAPERS |
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1 |
Official document granting nobility
to JdL's grandfather and all legal offspring (carbon copy in
Hungarian), 1928 |
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2 |
Maria Laban de Varalja's Will
(photostat in German), 1961/1969 |
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3 |
Announcement of Maria Laban von
Varalja's death (in German), post Dec. 14, 1975 |
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4 |
"Technical Meeting on Problems
of Nomadism and Sedentarisation" (typescript) by JdL's
Aunt Renee, Apr. 1964 |
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5 |
"Das Bewegunserlebnis"
(carbon copy in German) by JdL's brother, Roland Laban, Aug.
1950 |
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6 |
"Doe Motrik" (carbon copy
in German) by Roland Laban, Oct. 1951 |
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7 |
"Franz Kafka" (carbon copy
in German) by Roland Laban, Dec. 1953 |
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8 |
"Die Formen des Raumlichen"
(typescript in German) by Roland Laban, 1960 |
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9 |
"Berichte: uber die Durchfuhrung
des Schulversuches `Uberwindung zivilisationsbedingter
Lernschwierigkeiten bei intelligenten Kindern'" (carbon
copy in German) by Roland Laban, n.d. |
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10 |
Draft of ad seeking roommate
(holograph), ca. 1942 |
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11 |
Notes (holographs in English and
German): a) Lambasting American dance world that claimed JdL was
not of the same caliber as her father; b and c) Ideas taken from
RvL's Die Welt des Tanzers, ca. 1947 |
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12 |
Note (holograph) to herself reminding
her where she stored grant materials, ca. 1960 |
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13 |
Architectural drawings,
correspondence, and bid for JdL's residence in Santa Monica,
CA, 1967 |
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14 |
Note (holograph) criticizing the
Dallas business ethic toward the arts, ca. 1973 |
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15 |
Note (holograph) lamenting the lack
of time to pursue knowledge, n.d. |
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16 |
Financial receipts and related
correspondence from Ver Bibliographisches Institut (in German),
Nov. 8, 1965-Feb. 28, 1978 |
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17 |
Financial receipts from
Blackwell's, May 29, 1969-June 1, 1973 |
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18 |
Misc. financial receipts and related
correspondence, June 16, 1948-July 10, 1978 |
| Box |
Folder |
| 2 |
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VISUAL WORKS |
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1 |
Ruth Lederer ?, and mother,
photograph - portrait, ca. 1900 |
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2 |
Rezso Laban, JdL's grandfather,
photograph - candid, ca. 1900 |
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3 |
JdL, photograph - portrait, ca.
1913 |
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4 |
Grandmother Laban, photograph -
candid, 1922 |
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5 |
"Tanzerin" by George Kolbe,
photograph of bronze sculpture done in 1912, ca. 1934 |
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6 |
Laban family, photograph - candid,
Mar. 1940 |
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7 |
Maria Laban de Varalja, photograph -
candid, Mar. 1940 |
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8 |
JdL, photograph - candid, 1943 |
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9 |
JdL, two photographs - candid,
1945 |
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10 |
JdL, photograph - candid, ca. July
1947 |
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11 |
Etelka Laban, photograph - protrait,
Nov. 7, 1947 |
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12 |
Unidentified musicians, photograph -
candid, ca. 1948 |
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13 |
JdL, three photographs - candid, ca.
1948 |
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14 |
Grand Canyon, eight photographs, ca.
1948 |
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15 |
Unidentified church and landscape,
three photographs, ca. 1948 |
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16 |
JdL with Hanya Holm and Alwin
Nikolais at Colorado College, two photographs - candid, ca.
1948 |
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17 |
JdL with Hanya Holm and Kapila Malik
at Colorado College, photograph - candid, ca. 1948 |
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18 |
Kapila Malik at Colorado College,
photograph - candid, ca. 1948 |
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19 |
Hanya Holm with Alwin Nikolais at
Colorado College, photograpn - candid, ca. 1948 |
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20 |
Hanya Holm with students at Colorado
College, two photographs - candid, ca. 1948 |
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21 |
Hanya Holm at Colorado College, three
photographs - candid, ca. 1948 |
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22 |
JdL at Colorado College, photograph -
candid, ca. 1948 |
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23 |
Kapila Malik at Colorado College,
photograph - candid, ca. 1948 |
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24 |
JdL with Kapila Malik, Murray Gitlin,
Bernice and Melva Weinberger, two photographs - candid, May 8, 1949
and June 1949 |
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25 |
JdL with Murray Gitlin, Bernice and
Melva Weinberger, two photographs - candid, May 8, 1949 |
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26 |
JdL, two photographs - candid,
1949 |
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27 |
Kapila Malik, three photographs -
portraits, 1950 |
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28 |
Kapila Malik, four photographs - in
costume, 1950 |
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29 |
JdL with Grace ?, photograph -
candid, 1950 |
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30 |
JdL, photograph - candid, 1950 |
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31 |
JdL, two photographs - candid, ca.
1950 |
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32 |
JdL with two unidentified women, two
photographs - candid, ca. 1950 |
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32a |
JdL, photograph - candid, ca.
1950 |
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33 |
Maria Laban de Varalja, photograph -
candid, Sept. 15, 1955 |
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34 |
Roland Laban, photograph - portrait,
1955 |
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35 |
Renate Laban and Maria Lederer von
Laban, photograph - candid, Sept. 1956 |
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36 |
Laban house, two photographs, Sept.
1956 |
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37 |
JdL, photograph - candid, 1957 |
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38 |
7th Century A.D. painting at
Monastery of St. Catherine at Mt. Sanai, 1958 |
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39 |
Roland Laban, photograph - portrait,
1958 |
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39a |
Roland Laban, photograph - candid,
1959 |
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40 |
Fulbright Lectureship - South
American military parade, 11 photographs, 1959 |
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41 |
Fulbright Lectureship - Chile and
Brazil, nine photographs, 1959 |
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42 |
Fulbright Lectureship - Chilean
street performance, six photographs, ca. 1959 |
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43 |
Fulbright Lectureship - misc., eight
photographs, ca. 1960 |
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44 |
Fulbright Lectureship - misc., 15
photographs, ca. 1960 |
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45 |
Fulbright Lectureship - Argentina, 20
photographs, ca. 1960 |
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46 |
Fulbright Lectureship - Chile, San
Juan, Isla de Chile, 15 photographs, ca. 1960 |
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47 |
Fulbright Lectureship - "An
Inspector Calls," photograph, ca. 1960 |
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48 |
Roland Laban, photograph - candid,
1960 |
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49 |
Roland Laban, two photographs -
candid, 1960 |
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50 |
JdL with members of the Ebrahim
family, two photographs - candid, 1967 |
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51 |
Members of the Ebrahim family, seven
photographs - candid, 1967 |
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52 |
JdL with members of Ebrahim family on
JdL's birthday, seven photographs - candid, 1967 |
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53 |
Members of the Ebrahim family on
JdL's birthday, four photographs - candid, 1967 |
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54 |
Maria Laban de Varalja and Etelka
Laban, photograph -candid, July 1970 |
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55 |
JdL with Marie-Lise Gazarian and
unidentified woman at Orient Pt., Long Island, NY, four photographs
- candid, Aug. 14, 1970 |
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56 |
JdL, photograph - candid, ca.
1976 |
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57 |
? Horvath, pencil drawing by
Alessandro Morssi ?, 1929 |
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| Series II - Educational Training - Yale
University (Boxes 3-5) |
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This material is divided into two subseries
reflecting JdL's years at Yale University, 1942-1947. The first
subseries, MASTER of FINE ARTS, contains holograph and typescript
notes of class lectures, holograph drafts of thesis components, and
JdL's diploma. The folders are arranged chronologically. The
second subseries, DOCTOR of PHILOSOPHY, includes correspondence
pertaining to JdL's dissertation. In addition, this subseries
contains original and photostat copies of historical research
materials, holograph drafts of dissertation components, and
JdL's diploma. Again, the folders are arranged chronologically.
See also oversized box 56, folders 1-3. |
| Box |
Folder |
| 3 |
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MASTER OF FINE ARTS |
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1 |
"Medieval Theatre,"
collection of student papers written for seminar studies course
(carbon copy), 1937 |
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2 |
Drama class notes (typescript and
holograph), 1941-1942 |
| Box |
Folder |
| 4 |
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MASTER OF FINE ARTS (cont.) |
|
1 |
Drama class notes (holograph), Jan.
5, 1942- May 12, 1942 |
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1a |
Yale International Society square
dance event, May 2, 1942 |
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2 |
Drama 130 class journal (holograph),
Instructor: McMullen, June 1942 |
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3 |
Drama 136 class journal (holograph),
Instructor: Nicoll, June 1942 |
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4 |
Drama 129 class journal (holograph),
Instructor: Beran ?, Sept. 1942 |
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5 |
Drama 140 class journal (holograph),
Instructor: McMullen, Sept. 1942 |
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6 |
Drama 124 class journal (holograph),
Instructor: Tucker-Brooke, Oct. 1942 |
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7 |
Misc. drama class notes (holograph
and typescript in English and German), ca. 1942 |
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8 |
Television class notes (holograph and
clipping in Hungarian), ca. 1942 |
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9 |
Stage lighting class notes (holograph
and typescript), ca. 1942 |
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10 |
Diction class notes (holograph), ca.
1942 |
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11 |
Theatre history bibliography
(typescript), ca. 1942 |
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12 |
Musical composers and works
(typescript), ca. 1942 |
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13 |
Subject headings for dance
(typescript), ca. 1942 |
|
14 |
xcerpts from plays (holograph and
typescript), ca. 1942 |
|
15 |
Dialogue for characterization
development (holograph and typescript), ca. 1942 |
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16 |
Drama 131 class journal (holograph),
Instructor: Cole, June 1943 |
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17 |
Drama 137 class journal (holograph),
Instructor: Fortou ?, June 1943 |
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18 |
Drama 124 class journal (holograph),
Instructor: Tucker-Brooke, 1943 |
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18a |
Notes (holograph) and visual
reproductions used for Thesis, ca. 1943 |
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19 |
Thesis - Outline (holograph), ca.
1943 |
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20 |
Thesis - Introduction (holograph),
ca. 1943 |
|
21 |
Thesis - Draft (holograph), ca.
1943 |
|
22 |
Thesis - Conclusion (holograph), ca.
1943 |
|
23 |
Thesis - Bibliography (holograph and
typescript), ca. 1943 |
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24 |
Thesis - The Masque as Forerunner of
the English Opera, June 1943 |
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24a |
Diploma (original), June 1943 |
| 4 |
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DOCTOR OF PHILOSOPHY |
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25 |
Correspondence - James T. Babb/JdL,
Dec. 12, 1946 |
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26 |
Correspondence - Oscar James
Campbell/JdL, Oct. 10, 1946; Dec. 9, 1946 |
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27 |
Correspondence - Walter
Eaton/JdL, |
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Feb. 19, 1947 |
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Mar. 9, 1947 |
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Mar. 13, 1947 |
|
28 |
Correspondence - Zoltan
Haraszti/JdL, |
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Oct. 29, 1946 |
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Dec. 17, 1946 |
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Jan. 18, 1947 |
|
29 |
Correspondence - Lillian
Moore/JdL, |
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Dec. 10, 1946 |
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Jan. 26, 1947 |
|
30 |
Correspondence - George C. D.
Odell/JdL , |
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Mar. 10, 1946 |
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Jan. 15, 1947 |
|
31 |
Correspondence - W. R.
Richardson/JdL, |
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Sept. 4, 1945 |
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32 |
Correspondence - Kenneth A.
Robinson/JdL, |
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Jan. 20, 1949 |
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Jan. 29, 1949 |
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33 |
Correspondence - Minnie Adams
Segar/JdL, |
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Feb. 20, 1947 |
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Mar. 13, 1947 |
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Mar. 19, 1947 |
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34 |
Correspondence - Hartley
Simpson/JdL, |
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Oct. 18, 1946 |
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Jan. 9, 1947 |
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35 |
Correspondence - Irene
Steidl/JdL, |
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Oct. 15, 1946 |
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36 |
Correspondence - Mary Edith
Thomas/JdL, |
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Dec. 22, 1946 |
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37 |
Correspondence - Sarah M.
Usher/JdL, |
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Oct. 21, 1946 |
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38 |
Correspondence - William Van
Lennep/JdL, |
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Feb. 17, 1947 |
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Mar. 7, 1947 |
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39 |
Correspondence - JdL/Ocar James
Campbell, |
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Oct. 7, 1946 |
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Dec. 2, 1946 |
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40 |
Correspondence - JdL/Dissertation
Committee, |
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Jan. 23, 1947 |
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41 |
Correspondence - JdL/Walter
Eaton, |
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Mar. 11, 1947 |
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41a |
Correspondence - JdL/George C. D.
Odell, |
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ca. Jan. 1947 |
|
42 |
Historical research materials used
for dissertation (original and photostat), ca. 1946 |
|
43 |
Dissertation - Description and
Dedication (holograph and typescript), ca. 1947 |
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44 |
Dissertation - Sayings on the dance
put before each chapter (holograph), ca. 1947 |
|
45 |
Dissertation - Preparation and
research quotations (holograph), ca. 1947 |
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46 |
Dissertation - Bibliography of
illustrations (holograph), ca. 1947 |
|
47 |
Dissertation - Thoughts on Romantic
Ballet Chapter (holograph), ca. 1947 |
|
48 |
Dissertation - Ballets 1733-1817
(holograph), ca. 1947 |
|
49 |
Dissertation - Survey portion/Closing
(holograph), ca. 1947 |
|
50 |
Dissertation - Museum of City of NY
exhibit notes (holograph), ca. 1947 |
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51 |
Dissertation - Preparation for
section on Operas (holograph), ca. 1947 |
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52 |
Commencement Exercises and Diploma
(originals and reproductions), July 1947 |
|
53 |
Notes (holograph and fragment) taken
on dissertation topic post completion of degree, ca. 1952 |
| Box |
Folder |
| 5 |
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EDUCATIONAL TRAINING (cont.) |
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1 |
Dissertation - The Dance in the
American Theatre: An Analytical History Based on the New York Stage
from 1750 to 1821 (corrected draft copy), June 1947 |
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| Series III - Educational Activities (Boxes
6-10) |
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JdL's professional educational career from 1937
to 1976 is reflected in this series. The first subseries includes
JdL's resumes. After which, educational affiliations comprise
the major divisions within this series. There is an alphabetical
arrangement of folders for each university, college, studio or
dance camp subseries. Based on the presence of documents in the
collection, each subseries is hierarchically ordered from the
general to the specific. For example, general university and
departmental information precedes more specific course materials.
Within each folder, the records are arranged chronologically.
College catalogs, lesson plans, class and lecture notes, reports,
student papers, bibliographies, clippings, research materials, and
photographs make up the remaining contents of this series. An
exception to this order is the arrangement of the South American
universities associated with JdL's Fulbright Lectureship and
Rockefeller Grant. These have been grouped under the heading
Fulbright Lectureship. See also oversized box 56, folders 4-8. |
| Box |
Folder |
| 6 |
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CURRICULA VITAE |
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1 |
Through 1947 |
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2 |
Through 1950 |
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3 |
Through 1952 |
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4 |
Through 1954 |
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5 |
Through 1963 |
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6 |
Through 1971 |
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7 |
Through 1977 |
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8 |
ADELPHI COLLEGE, Garden City, NY -
Catalogs and broadside, 1951-1953 |
|
9 |
ADELPHI COLLEGE, Garden City, NY -
Report of Dance Department, 1950-1951 |
|
10 |
ADELPHI COLLEGE, Garden City, NY -
Report of Dance Department, 1951-1952 |
|
11 |
ADELPHI COLLEGE, Garden City, NY -
Misc. departmental information, Oct. 11, 1950 - May 22, 1952 |
|
12 |
ADELPHI COLLEGE, Garden City, NY -
Misc. classroom materials, n.d. |
|
13 |
ADELPHI COLLEGE, Garden City, NY -
Dance students, six photographs - in class, ca. 1950-1952 |
|
14 |
ADELPHI COLLEGE, Garden City, NY -
Hanya Holm with dancers, two photographs - in class, ca.
1950-1952 |
|
15 |
ADELPHI COLLEGE, Garden City, NY -
Henry Cowell with students and faculty, four photographs - candid,
ca. 1950-1952 |
|
16 |
ADELPHI COLLEGE, Garden City, NY -
Program for Creative Arts Workshops at Adelphi Community Institute
of the Arts, Oct. 9, 1950 |
|
17 |
BAYLOR UNIVERSITY, Waco, TX -
Catalogs, 1957-1963 |
|
18 |
BAYLOR UNIVERSITY, Waco, TX - Misc.
university and departmental information, Feb. 8, 1956-May 15,
1963 |
|
19 |
BAYLOR UNIVERSITY, Waco, TX - Misc.
university information, n.d. |
|
20 |
BAYLOR UNIVERSITY, Waco, TX - Area
report, n.d. |
|
21 |
BAYLOR UNIVERSITY, Waco, TX - Listing
of drama-related books in library, n.d. |
|
22 |
BAYLOR UNIVERSITY, Waco, TX - Exhibit
on Chilean experimental theatre company, Oct. 21, 1960-Nov. 21,
1960 |
|
23 |
BAYLOR UNIVERSITY, Waco, TX - JdL at
exhibit on Chilean experimental theatre company, three photographs
- publicity, ca. Oct. 1960 |
|
24 |
BAYLOR UNIVERSITY, Waco, TX - Exhibit
on Chilean experimental theatre, two photographs, ca. Oct.
1960 |
|
25 |
BAYLOR UNIVERSITY, Waco, TX - Ford
Foundation Report, Oct. 10, 1962 |
|
26 |
BAYLOR UNIVERSITY, Waco, TX - Theatre
Communications Group Executive Committee Report, Feb. 25, 1961 |
|
27 |
BAYLOR UNIVERSITY, Waco, TX - Theatre
Communications Group Report by Pat Brown, July 15, 1961 |
|
28 |
BAYLOR UNIVERSITY, Waco, TX - Theatre
Communications Group Report by Pat Brown, Dec. 7, 1961 |
|
29 |
BAYLOR UNIVERSITY, Waco, TX - JdL
with Virgil Beavers, Chi-Jim Yoo, and Mary Sue Birkhead, photograph
- posed, ca. Feb. 1, 1957 |
|
30 |
BAYLOR UNIVERSITY, Waco, TX - JdL
with Gene McKinney and Mary Sue Birkhead, photograph - posed, ca.
1957 |
|
31 |
BAYLOR UNIVERSITY, Waco, TX - JdL
demonstrating movement with students, five photographs - in class,
June 1962 |
|
32 |
BAYLOR UNIVERSITY, Waco, TX -
Students demonstrating movement, 11 photographs - in class, June
1962 |
|
33 |
BAYLOR UNIVERSITY, Waco, TX -
Students in movement class, 11 photographs and 28 negatives -
candid, ca. July 1962 |
|
34 |
BAYLOR UNIVERSITY, Waco, TX - JdL
with Preston Jones and Tommy Mathis ?, two photographs - candid,
1962 |
|
35 |
BAYLOR UNIVERSITY, Waco, TX - JdL,
photograph - portrait, 1962 |
|
36 |
BAYLOR UNIVERSITY, Waco, TX - JdL,
photograph - candid, 1962 |
|
37 |
BAYLOR UNIVERSITY, Waco, TX - JdL
with two unidentified men, photograph - posed, ca. 1962 |
|
38 |
BAYLOR UNIVERSITY, Waco, TX -
Unidentified, thirteen gesture drawings, n.d. |
|
39 |
BAYLOR UNIVERSITY, Waco, TX -
Unidentified, costume plate, n.d. |
|
40 |
BAYLOR UNIVERSITY, Waco, TX -
Unidentified, costume plate by Konig Marke, n.d. |
|
41 |
BAYLOR UNIVERSITY, Waco, TX -
Programs for movement demonstrations, Feb. 20, 1957-Nov. 8,
1958 |
|
42 |
BAYLOR UNIVERSITY, Waco, TX - Drama
106 Integration of Abilities, taken by JdL, notebook (holograph),
Instructor: Baker, Mar. 7, 1957-May 17, 1957 |
|
43 |
BAYLOR UNIVERSITY, Waco, TX - Drama
106 Integration of Abilities, taken by JdL, assignments (holograph
and typescript), Instructor: Baker, Mar. 8, 1957-May 17, 1957 |
|
44 |
BAYLOR UNIVERSITY, Waco, TX - Drama
106 Integration of Abilities, taken by JdL, notes and drawings
(holograph and typescript), n.d. |
|
45 |
BAYLOR UNIVERSITY, Waco, TX - Drama
109 Introduction to Basic Principles of Movement, notebook by Jere
Bob Bowden, ca. May 1959 |
|
46 |
BAYLOR UNIVERSITY, Waco, TX - Drama
109 Introduction to Basic Principles of Movement, movement
demonstrations, Mar. 9, 1962-May 14, 1962 |
|
47 |
BAYLOR UNIVERSITY, Waco, TX - Drama
124 Beginning Acting, not taught by JdL, study guide, ca. Jan.
1958 |
|
48 |
BAYLOR UNIVERSITY, Waco, TX - Drama
214 Acting, not taught by JdL, study guides, ca. Jan. 1958-Oct.
1960 |
|
49 |
BAYLOR UNIVERSITY, Waco, TX - Drama
214 Acting, not taught by JdL, study guides and student papers,
n.d. |
|
50 |
BAYLOR UNIVERSITY, Waco, TX - Drama
224 Play Directing for Stage and Television, not taught by JdL,
study guides, n.d. |
|
51 |
BAYLOR UNIVERSITY, Waco, TX - Drama
278 Basic Principles of Movement, lesson plans, Jan. 2, 1956-Jan.
27, 1959 |
|
52 |
BAYLOR UNIVERSITY, Waco, TX - Drama
278 Basic Principles of Movement, misc., Dec. 5, 1955-Jan. 31,
1963 |
|
53 |
BAYLOR UNIVERSITY, Waco, TX - Drama
278 Basic Principles of Movement, misc., n.d. |
|
54 |
BAYLOR UNIVERSITY, Waco, TX - Drama
311 Basic Production Techniques ?, not taught by JdL, study guides,
n.d. |
|
55 |
BAYLOR UNIVERSITY, Waco, TX - Drama
366a Advanced Directing, not taught by JdL, study guide, ca. Oct.
1958 |
|
56 |
BAYLOR UNIVERSITY, Waco, TX - Drama
376 Technical Analysis of Repertory Program, not taught by JdL,
misc., Sept. 14, 1956-Nov. 16, 1956 |
|
57 |
BAYLOR UNIVERSITY, Waco, TX - Drama
382/410 History of the Theatre, misc., Sept. 17, 1956-Feb. 27,
1963 |
|
58 |
BAYLOR UNIVERSITY, Waco, TX - Drama
382/410 History of the Theatre, lecture notes, n.d. |
|
59 |
BAYLOR UNIVERSITY, Waco, TX - Drama
382/410 History of the Theatre, bibliographic materials, n.d. |
|
60 |
BAYLOR UNIVERSITY, Waco, TX - Drama
382/410 History of the Theatre, misc., n.d. |
|
61 |
BAYLOR UNIVERSITY, Waco, TX - Drama
390 The Play and Its Integrated Story, misc., ca. Apr. 1957-May
1958 |
|
62 |
BAYLOR UNIVERSITY, Waco, TX - Drama
390 Commedia dell'Arte, misc., ante Feb. 1962-ca. Apr.
1963 |
|
63 |
BAYLOR UNIVERSITY, Waco, TX - Drama
390 Commedia dell'Arte, misc., n.d. |
| Box |
Folder |
| 7 |
|
EDUCATIONAL ACTIVITIES (cont.) |
|
1 |
BAYLOR UNIVERSITY, Waco, TX - Drama
396 Mime, misc., Mar. 1957-1958 |
|
2 |
BAYLOR UNIVERSITY, Waco, TX - Drama
396 Mime, misc., Feb. 1959-1963 |
|
3 |
BAYLOR UNIVERSITY, Waco, TX - Drama
396 Mime, misc., n.d. |
|
4 |
BAYLOR UNIVERSITY, Waco, TX - Drama
408 Seminar of Movement and Related Arts, lecture notes, Feb. 12,
1957-Mar. 9, 1962 |
|
5 |
BAYLOR UNIVERSITY, Waco, TX - Drama
408 Seminar of Movement and Related Arts, student papers, ca. Apr.
1962-July 1963 |
|
6 |
BAYLOR UNIVERSITY, Waco, TX - Drama
408 Seminar of Movement and Related Arts, Noh lecture notes,
n.d. |
|
7 |
BAYLOR UNIVERSITY, Waco, TX - Drama
408 Seminar of Movement and Related Arts, misc., n.d. |
|
8 |
BAYLOR UNIVERSITY, Waco, TX - Drama
409 Advanced Production Techniques, not taught by JdL, misc.,
n.d. |
|
9 |
BAYLOR UNIVERSITY, Waco, TX - Drama
450 Thesis, progress reports, Feb. 4, 1959-July 8, 1963 |
|
10 |
BAYLOR UNIVERSITY, Waco, TX - Drama
450 Thesis, misc., n.d. |
|
11 |
BAYLOR UNIVERSITY, Waco, TX -
Diction, not taught by JdL, misc., n.d. |
|
12 |
BAYLOR UNIVERSITY, Waco, TX - Misc.
classroom materials, Sept. 12, 1956-Feb. 6, 1963 |
|
13 |
BAYLOR UNIVERSITY, Waco, TX - Misc.
classroom materials, n.d. |
|
14 |
BAYLOR UNIVERSITY, Waco, TX - Misc.
classroom materials, n.d. |
|
15 |
BOSTON YWCA, Boston, MA - Health
Education Department Program, Jan. 20, 1940 |
|
16 |
COLLEGE OF THE PACIFIC FOLK DANCE
CAMP, Stockton, CA - Hungarian folk dance steps and misc.
information, Aug. 8, 1953-Aug. 7, 1954 |
|
17 |
COLLEGE OF THE PACIFIC FOLK DANCE
CAMP, Stockton, CA - Syllabus and broadside, Aug. 6, 1955 |
|
18 |
CULTURAL ACTIVITIES CENTER, Temple,
TX - Clippings, Oct. 27, 1974-Aug. 29, 1976 |
|
19 |
DALLAS THEATER CENTER, Dallas, TX -
Promotional materials and clippings, ante Sept. 9, 1959-1976 |
|
20 |
DALLAS THEATER CENTER, Dallas, TX -
Theater History, misc., 1973 |
|
21 |
DALLAS THEATER CENTER, Dallas, TX -
History of Styles, misc., ca. Sept. 1974-ca. May 1975 |
|
22 |
DALLAS THEATER CENTER, Dallas, TX -
Latin American Theatre Project, Sept 8, 1961-Nov. 1961 |
|
23 |
DALLAS THEATER CENTER, Dallas, TX -
JdL with Fernando Colina, Frank McMullan, Gabriela Mora, and Pedro
Mortheiro at premiere of "Let the Dogs Bark," photograph
- candid, ca. Mar. 1962 |
|
24 |
DALLAS THEATER CENTER, Dallas, TX -
"Faces of the U. S.," Mime Troupe programs, Mar. 4,
1976-Sept. 9, 1976 |
|
25 |
DALLAS THEATER CENTER, Dallas, TX -
"Lady Liberty," Mime Troupe materials, 1976 |
|
26 |
DALLAS THEATER CENTER, Dallas, TX -
"Shakespeare's Lovers," misc., ca. 1976 |
|
27 |
DUNHAM SCHOOL OF DANCE AND THEATRE,
New York, NY - Misc., June 1947 |
|
28 |
EASTERN ILLINOIS STATE COLLEGE,
Charleston, IL - Misc. 1952-1953 |
|
29 |
FULBRIGHT LECTURESHIP, Latin America
- University of Chile, Santiago, Chile, catalogs (in Spanish), Jan.
1960 |
|
30 |
FULBRIGHT LECTURESHIP, Latin America
- University of Chile, misc. university and departmental
information (in Spanish), July 1959-Sept. 20, 1960 |
|
31 |
FULBRIGHT LECTURESHIP, Latin America
- University of Chile, lesson plans, Aug. 28, 1959-Oct. 27,
1959 |
|
32 |
FULBRIGHT LECTURESHIP, Latin America
- JdL with students at University of Chile, photograph - posed,
1959 |
|
33 |
FULBRIGHT LECTURESHIP, Latin America
- JdL's Final Report on Fulbright Lectureship in Chile, post
Aug. 21, 1960 |
|
34 |
FULBRIGHT LECTURESHIP, Latin America
- University of San Marcos, Lima, Peru, misc. (in Spanish), July
1960 |
|
35 |
FULBRIGHT LECTURESHIP, Latin America
- JdL's official opening lecture to Theatre Arts students and
faculty, seven photographs - candid, July 1960 |
|
36 |
FULBRIGHT LECTURESHIP, Latin America
- JdL with students at University of San Marcos, six photographs -
in class, ca. July 1960 |
|
37 |
FULBRIGHT LECTURESHIP, Latin America
- Ministry of Education, Lima, Peru, clipping (in Spanish), July 9,
1960 |
|
38 |
FULBRIGHT LECTURESHIP, Latin America
- University of Bahia, Salvador, Bahia, Brazil, misc. (in Spanish),
July 8, 1960-Sept. 9, 1960 |
|
39 |
FULBRIGHT LECTURESHIP, Latin America
- JdL with students at unidentified institution, six photographs -
in class, ca. 1960 |
|
40 |
FULBRIGHT LECTURESHIP, Latin America
- Students at unidentified institution, 14 photographs - in class,
ca. 1960 |
|
41 |
FULBRIGHT LECTURESHIP, Latin America
- Clippings (in Spanish), Aug. 19, 1959-June 28, 1960 |
|
42 |
HENDRIX COLLEGE, Conway, AR -
"Discovery 75" program, Feb. 1975 |
|
43 |
HENRY ST. PLAYHOUSE, New York, NY -
"History of the Dance" text, 1950-1951 |
|
44 |
HOFSTRA COLLEGE, Hempstead, Long
Island, NY - Announcement of summer session, June 1952 |
|
45 |
JUANA DE LABAN DANCE SCHOOL, Berlin,
Germany - Misc. (in German), ca. 1938 |
|
46 |
LABAN DANCE STUDIO, New York, NY -
Misc., ca. 1938-Nov. 15, 1939 |
|
47 |
LEWIS and CLARK COLLEGE, Portland, OR
- Misc., July 23, 1961-Aug. 14, 1961 |
|
48 |
LEWIS and CLARK COLLEGE, Portland, OR
- Misc., n.d. |
|
49 |
LEWIS and CLARK COLLEGE, Portland, OR
- Students, four photographs - in class, ca. July 1961 |
|
50 |
NEW YORK CITY COLLEGE, New York, NY -
Notes (typescript) taken by student in JdL's course
"Survey of the Dance" with line drawing, Jan. 29,
1947-Mar. 25, 1947 |
|
51 |
NEW YORK COLLEGE OF MUSIC, New York,
NY - Announcement of workshop, 1939-1940 |
|
52 |
NEW YORK COLLEGE OF MUSIC, New York,
NY - Program of folk songs and dances from Haiti, May 1, 1940-May
3, 1940 |
|
53 |
NEW YORK UNIVERSITY, New York, NY -
"The Development of Guidelines for Classifying and Writing
Abstracts of Dance Research" by Patricia A. Rowe, June 6,
1967 |
|
54 |
NEW YORK UNIVERSITY, New York, NY -
Summer Dance Institute, misc., ca. July 6, 1970-July 30, 1970 |
|
55 |
NEW YORK UNIVERSITY, New York, NY -
Summer Dance Institute, misc., ca. July 1970-Aug. 4, 1970 |
|
56 |
NEW YORK UNIVERSITY, New York, NY -
Summer Dance Institute, misc., Aug. 13, 1970 |
|
57 |
NEW YORK UNIVERSITY, New York, NY -
Summer Dance Institute, misc., Aug. 13, 1970 |
|
58 |
NEW YORK UNIVERSITY, New York, NY -
Summer Dance Institute report, ca. Aug. 14, 1970 |
|
59 |
OKLAHOMA COLLEGE FOR WOMEN,
Chickasha, OK - Misc. university and departmental information, July
22, 1953-May 19, 1954 |
|
60 |
OKLAHOMA COLLEGE FOR WOMEN,
Chickasha, OK - Committee for TV Production reports, Sept. 29,
1953-ante Oct. 10, 1954 |
|
61 |
OKLAHOMA COLLEGE FOR WOMEN,
Chickasha, OK - Scripts and notes for OCW Miniatures, Jan. 20,
1954-Oct. 22, 1954 |
|
62 |
OKLAHOMA COLLEGE FOR WOMEN,
Chickasha, OK - "Why a Women's College" panel
discussion, ante Dec. 2, 1954 |
|
63 |
OKLAHOMA COLLEGE FOR WOMEN,
Chickasha, OK - "The Open Window" television script, Feb.
21, 1954 |
|
64 |
ROKA GYULA, Budapest, Hungary -
Broadside (in Hungarian), ca. 1934 |
|
65 |
SAN JOSE STATE COLLEGE, San Jose, CA
- Broadside, Feb. 5, 1967 |
| Box |
Folder |
| 8 |
|
EDUCATIONAL ACTIVITIES (cont.) |
|
1 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - Misc. university and departmental information, Sept.
2, 1971-Aug. 29, 1973 |
|
2 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - JdL with Ethel Winters, Nakita Talin, Bob Beard, and
Betty Ferguson, photograph - candid, Feb. 6, 1972 |
|
3 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - JdL with Suzanne Paine, Carla Graham, and unidentified
students, photograph - candid, Sept. 11, 1972 |
|
4 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - Dance 2325/3325 History of the Dance, misc., Sept. 7,
1971-May 18, 1972 |
|
5 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - Dance 2325/3325 History of the Dance, misc., n.d. |
|
6 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - Dance 4362 Basic Principles for Dance Theory II,
misc., Jan. 24, 1973 |
|
7 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - Dance 5362 Twentieth Century Concepts, misc., ca.
Sept. 1971-Dec. 15, 1971 |
|
8 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - Dance 5362 Twentieth Century Concepts, misc., ca. Jan.
1972-May 1972 |
|
9 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - Dance 5362 Twentieth Century Concepts, misc., Sept. 6,
1972-Apr. 11, 1973 |
|
10 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - Dance 5362 Twentieth Century Concepts, student papers,
May 8, 1973-May 9, 1973 |
|
11 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - Dance 5362 Twentieth Century Concepts, misc.,
n.d. |
|
12 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - Dance 5362 Twentieth Century Concepts, misc.,
n.d. |
|
13 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - Dance 6198 Directed Studies, student projects, May 8,
1973-May 10, 1973 |
|
14 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - Dance 6395 Advanced Dance History, bibliographic
materials, ca. Sept. 1971 |
|
15 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - Thesis concert program, Dec. 11, 1971 |
|
16 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Misc. university information, Mar. 31, 1964-Jan. 25, 1971 |
|
17 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Misc. university information, n.d. |
|
18 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Misc. dance department information, Mar. 12, 1965-Oct. 1975 |
|
19 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Program in Dance Ethnology, misc., July 28, 1965-Nov. 11,
1968 |
|
20 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- JdL with Jose Limon, photograph - candid, ca. 1965 |
|
21 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Jose Limon with JdL and two unidentied persons, photograph -
candid, ca. 1965 |
|
22 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- JdL with Jose Limon, Alwin Nikolais, and other unidentified
person, two photographs - candid, ca. 1965 |
|
23 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- JdL with Alma Hawkins, Alwin Nikolais, and two unidentified
persons, photograph - candid, ca. 1965 |
|
24 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- JdL with Alwin Nikolais, photograph - candid, ca. 1965 |
|
25 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, broadside, Nov. 6, 1966-Apr. 2, 1967 |
|
26 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, JdL with Bella Lewitzky, photograph - candid,
Nov. 6, 1966 |
|
27 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, "Denishawn Revisted," misc., Nov.
20, 1966 |
|
28 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, Ruth St. Denis and her dancers, 11 photographs
- candid, Nov. 20, 1966 |
|
29 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, Hazel Chung, Mantle Hood, and performers, 10
photographs - candid, Dec. 11, 1966 |
|
30 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, David Lichine with dancers, three photographs
- candid, Jan. 8, 1967 |
|
31 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, Gene Kelly, five photographs - candid, Jan.
22, 1967 |
|
32 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, Tony Charmoli with unidentified dancer; JdL
with unidentified observers, four photographs - candid, Feb. 12,
1967 |
|
33 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, Jose Fernandez with performers, six
photographs - candid, Mar. 5, 1967 |
|
34 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, Alma Hawkins and Mary Whitehouse; John Martin
and Alma Hawkins; JdL with Alma Hawkins and unidentied woman, three
photographs - candid, Mar. 19, 1967 |
|
35 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, Trudi Schoop; JdL with Trudi Schoop and
unidentied dancer, four photographs - candid, Mar. 19, 1967 |
|
36 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, Jeri Salkin and children dancers, four
photographs - candid, Mar. 19, 1967 |
|
37 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, JdL with Eugene Loring, two photographs -
candid, Apr. 2, 1967 |
|
38 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, JdL with Michael Baird, photograph - candid,
ca. 1967 |
|
39 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, misc., six photographs - candid, ca. 1967 |
|
40 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance 2, misc., ca. Jan. 1968-ca. Feb. 25, 1968 |
|
41 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance 2, "A Portfolio of Impressions" by
Elizabeth Talbot-Martin, ca. Feb. 1968 |
|
42 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance 2, student paper, ca. Feb. 1968 |
|
43 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Proposal for field study researching dance as communication,
author unidentified, ca. 1967 |
|
44 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- JdL with Laban Award recipients Bob Small and Mike Weddle, ca.
1969 |
|
45 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- African Studies, misc., Nov. 1, 1966-May 17, 1967 |
|
46 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- African Studies, "African Art--A Social Anthropologist's
View" (mimeograph draft) by John Beattie, Jan. 22, 1967 |
|
47 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- African Studies, "The Affecting Symbol--Remarks on Its
Nature, Its Function, and Its Study" (mimeograph draft) by
Robert Plant Armstrong, Jan. 25, 1967 |
|
48 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- African Studies, "Critical Standards for the African
Arts" (mimeograph draft) by Frank McEwen, Feb. 1, 1967 |
|
49 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- African Studies, "Music and the Musician in Igbo and Hausa
Societies: A Comparative Examination" (mimeograph draft) by
David Ames, Mar. 15, 1967 |
|
50 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Latin American Studies, Play Competition (in English and
Spanish), ante Mar. 10, 1966-June 29, 1967 |
|
51 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Latin American Studies, Play Competition (in English and
Spanish), Feb. 1, 1966-Dec. 18, 1966 |
|
52 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Latin American Studies, Peace Corps Syllabus, ante Mar. 10,
1966 |
| Box |
Folder |
| 9 |
|
EDUCATIONAL ACTIVITIES (cont.) |
|
1 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 20 Movement for the Stage, misc., Apr. 23, 1965-Dec. 20,
1967 |
|
2 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 20 Movement for the Stage, misc., n.d. |
|
3 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 34 Movment for the Stage, misc., Oct. 16, 1963-ca. Oct.
1966 |
|
4 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 34 Movement for the Stage, misc., n.d. |
|
5 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 37 Creative Dance, not taught by JdL, study guide,
n.d. |
|
6 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 112 Advanced Dance, not taught by JdL, student paper, ca.
Jan. 1970 |
|
7 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 151 History of the Dance, misc., Oct. 1963-Sept. 1964 |
|
8 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 151 History of the Dance, lecture notes, Oct. 1964 |
|
9 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 151 History of the Dance, misc., Jan. 1965-Mar. 1968 |
|
10 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 151 History of the Dance, student papers and test, June
1968 |
|
11 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 151 History of the Dance, misc., Oct. 1968-Dec. 1968 |
|
12 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 151 History of the Dance, misc., June 1969- May 21,
1973 |
|
13 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 151 History of the Dance, misc., n.d. |
|
14 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 158 Philosophical Bases and Trends in Dance, lecture notes,
Nov. 24, 1964-Dec. 1, 1964 |
|
15 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 158 Philosophical Bases and Trends in Dance, study guides,
n.d. |
|
16 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 170 Ethnic Dance of Eastern Cultures, not taught by JdL,
misc., n.d. |
|
17 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 202 Research Methods and Bibliography, misc., Aug.
1963-Jan. 26, 1966 |
|
18 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 202 Research Methods and Bibliography, misc., May 13,
1966-Aug. 26, 1969 |
|
19 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 202 Research Methods and Bibliography, misc., Sept. 22,
1969-Dec. 11, 1969 |
|
20 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 202 Research Methods and Bibliography, misc., Dec. 16,
1969-Jan. 20, 1970 |
|
21 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 202 Research Methods and Bibliography, misc., Aug. 12,
1970-Nov. 1970 |
|
22 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 202 Research Methods and Bibliography, student papers, Dec.
7, 1970-Dec. 9, 1970 |
|
23 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 202 Research Methods and Bibliography, misc., post Dec. 9,
1970-post 1975 |
|
24 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 202 Research Methods and Bibliography, misc., n.d. |
|
25 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 202 Research Methods and Bibliography, misc., n.d. |
|
26 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 210 Aesthetics, misc., Apr. 9, 1964-Dec. 8, 1965 |
|
27 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 210 Aesthetics, misc., Jan. 1966 |
|
28 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 210 Aesthetics, misc., Oct. 1966-Apr. 1967 |
|
29 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 210 Aesthetics, misc., May 1967 |
|
30 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 210 Aesthetics, misc., June 1967-Sept. 1969 |
|
31 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 210 Aesthetics, misc., Jan. 1970-Mar. 1970 |
|
32 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 210 Aesthetics, misc., Jan. 18, 1971-Oct. 10, 1972 |
|
33 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 210 Aesthetics, misc., n.d. |
|
34 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 220 The History of the Ballet, lecture notes, Mar. 9,
1965-May 23, 1966 |
|
35 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 220 The History of the Ballet, misc., 1967-Jan. 1968 |
|
36 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 220 The History of the Ballet, misc., Sept. 1968-Nov.
1970 |
|
37 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 220 The History of the Ballet, lecture notes and student
paper, n.d. |
|
38 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 226 Dance Expressions in Selected Cultures, misc., Nov. 8,
1968-Mar. 1969 |
|
39 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 226 Dance Expressions in Selected Cultures, misc., July 9,
1969-Mar. 1970 |
|
40 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 226 Dance Expressions in Selected Cultures, misc.,
n.d. |
| Box |
Folder |
| 10 |
|
EDUCATIONAL ACTIVITIES (cont.) |
|
1 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, misc., Jan. 1963-July 30, 1964 |
|
2 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, lecture notes, ante Sept. 21, 1964-Apr. 2,
1965 |
|
3 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, misc., ante Sept. 20, 1965-June 6, 1966 |
|
4 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, misc., Oct. 3, 1966-Dec. 1966 |
|
5 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, misc., ante Jan. 6, 1967-May 29, 1967 |
|
6 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, misc., ante Oct. 2, 1967-May 23, 1968 |
|
7 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, misc., Oct 1968-Oct. 14, 1970 |
|
8 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, course development project, Oct. 4, 1966-Mar.
19, 1967 |
|
9 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, notes on the Romantic and Neo-Classic Ballet,
n.d. |
|
10 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, notes on the Baroque Period, n.d. |
|
11 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, notes on the Renaissance, n.d. |
|
12 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, notes on Greek and Roman Periods, n.d. |
|
13 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, notes for Spanish Dance lecture, n.d. |
|
14 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, misc., n.d. |
|
15 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, misc., n.d. |
|
16 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, misc. materials not generated by JdL, 1946-Mar.
1966 |
|
17 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, misc. materials not generated by JdL, n.d. |
|
18 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Student papers written for unidentified courses, 1965-Feb.
20-1969 |
|
19 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Student papers written for unidentified courses, n.d. |
|
20 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Student papers written for other teachers saved by JdL, Jan.
1970-Mar. 1970 |
|
21 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Thesis information, misc., Mar. 5, 1965-Oct. 17, 1968 |
|
22 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Thesis information, misc., n.d. |
|
22a |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Notes (holograph) on An Experimental Investigation of the
Phenomonology of Kinesthetic Perception in Its Relation to Certain
Measures of Movement Capacity by Elizabeth Vickery Hubbard,
n.d. |
|
23 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- PE 10B Introduction to Kinesiology, not taught by JdL, misc.,
Feb. 5, 1969-Feb. 9, 1969 |
|
24 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- PE S200 Philosophy in Physical Education, not taught by JdL,
study guides, ca. June 21, 1971-July 30, 1971 |
|
25 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- PE S215 Social Correlates of Human Movement, not taught by JdL,
study guides, June 21, 1971-July 30, 1971 |
|
26 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- PE 410 Towards Century 21, not taught by JdL, bibliographic
materials, n.d. |
|
27 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- The New Physical Education, not taught by JdL, misc., n.d. |
|
28 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Misc. classroom materials, Mar. 2, 1966-Oct. 5, 1972 |
|
29 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Misc. classroom materials, n.d. |
|
30 |
UNIVERSITY OF CALIFORNIA, SANTA
BARBARA, Santa Barbara CA - Misc. workshop materials, Apr. 11,
1965 |
|
31 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- Misc. university and departmental information, Aug. 29, 1947-June
29, 1950 |
|
32 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- Misc. university and departmental information, n.d. |
|
33 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- Departmental curriculum, ca. 1948 |
|
34 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- Drama dance class, lesson plans, Oct. 7, 1947 - Dec. 16,
1947 |
|
35 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- Lesson plans and notes for children's dance, Jan. 8,
1948 |
|
36 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- Syllabus and lesson plans for high school level dance, Nov. 8,
1948-Dec. 13, 1948 |
|
37 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- Notes on rhythm, ca. 1948 |
|
38 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- Education F 130 The Dance in Folkways, Art, and Education, study
guides, ca. 1948 |
|
39 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- Student translation of 1738-1938 History of Ballet Department of
Petersburg Theatre School Today Leningrad State School of
Choreography (typescript) by M. Borisoglevsky for Education F 130
The Dance in Folkways, Art, and Education, ca. 1948 |
|
40 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- Flint Folk Festival, misc., Nov. 20, 1947-Nov. 1949 |
|
41 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- Flint Folk Festival, two photographs - candid, Nov. 18, 1948 |
|
42 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- JdL with students, photograph - candid, 1950 |
|
43 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- Commemorative program celebrating "50 Years of Curricular
Theatre at the University of Michigan," 1965 |
|
44 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- JdL with students, six photographs - in dance class, Jan. 14,
1947 |
|
45 |
UNIVERSITY OF WISCONSIN--MILWAUKEE,
Milwaukee, WI - Misc. classroom materials, Feb. 7, 1971-ca. June
1971 |
|
46 |
YOUNG MEN'S HEBREW ASSOCIATION,
New York, NY - Announcement of courses and recitals, 1939 |
|
47 |
UNIDENTIFIED INSTITUTION - Listing of
Renaissance and Baroque Dances to be taught each week day (in
Hungarian), ca. 1938 |
|
48 |
UNIDENTIFIED INSTITUTION - Catalog
description, ca. 1940 |
|
49 |
UNIDENTIFIED INSTITUTION - Notes for
the development of a dance and choreography department based on the
Laban method, n.d. |
|
50 |
UNIDENTIFIED INSTITUTION -
Instructions for folk and social dances, n.d. |
|
51 |
UNIDENTIFIED INSTITUTION - Notes on
the teaching of rhythm, n.d. |
|
52 |
UNIDENTIFIED INSTITUTION - Misc.
classroom materials, n.d. |
|
53 |
UNIDENTIFIED INSTITUTION - Student
paper, n.d. |
|
54 |
UNIDENTIFIED INSTITUTION - Student
papers, n.d. |
|
55 |
UNIDENTIFIED INSTITUTION - Student
papers, n.d. |
|
56 |
UNIDENTIFIED INSTITUTION - Student
prepared dance bibliography, n.d. |
|
57 |
UNIDENTIFIED INSTITUTION - Visual
Work - film positive, student prepared, n.d. |
|
58 |
UNIDENTIFIED INSTITUTION - Visual
Work - oil stick, student work, n.d. |
|
|
|
|
|
|
|
|
|
|
|
|
| Series IV - Writings (Boxes
11-12) |
|
|
Scope and Contents |
|
|
This series concentrates on JdL's professional
role as critic, interpreter, researcher, historian, and scholar.
The first subseries titled PUBLISHED comprises JdL's own
writings which began in the early 1930's and continued through
the remainder of her life. While not comprehensive, this subseries
reflects the broad scope of her interests and the international
recognition she received as a dance scholar. See also oversized box
56, folder 9. Grouped in the second subseries are UNPUBLISHED which
were found in the collection but have no apparent publisher.
Finally, the third subseries, ABOUT JdL, contains only three
pieces, representing an anomaly in contrast to her acknowledged
stature as a dance educator. The folders within each subseries are
arranged chronologically, including not only bound journals, but
also research notes and materials, holograph drafts, and annotated
typescripts. |
| Box |
Folder |
| 11 |
|
PUBLISHED |
|
1 |
"Tanzberichte: Budapest--50
jahriges Jubilaum des Opernballetts" (in German), In: Der
Tanz, Berlin, p. 13, Dec. 1934 |
|
2 |
"Tanzberichte: Budapest"
(in German), In: Der Tanz, Berlin, pp. 12-13 Apr. 1935 |
|
3 |
"The Dance in Hungary", In:
The Dancing Times, London, pp. 168, 179, May 1935 |
|
4 |
"Tanzberichte: Budapest -
Gyongyosbokreta" (in Hungarian), In: Der Tanz, Berlin,, pp.
12-14 Oct. 1935 |
|
5 |
"Notes from Budapest", In:
The Dancing Times, London, pp. 559, 561, Jan. 1936 |
|
6 |
"Tanzberichte: Budapest"
(in German), In: Der Tanz, Berlin, pp. 9-11, Mar. 1936 |
|
7 |
"Tanzberichte: Budapest"
(in German), In: Der Tanz, Berlin, pp. 21-22 Apr. 1936 |
|
8 |
"Notes from Budapest", In:
The Dancing Times, London, p. 179, May 1936 |
|
9 |
"The Month in Budapest",
In: The Dancing Times, pp. 293-294 June 1936 |
|
10 |
"Tanzberichte: Budapest"
(in German)In: Der Tanz, Berlin, pp. 24-25, July 1936 |
|
11 |
"Tanzberichte: Budapest"
(in German)In: Der Tanz, Berlin, pp. 13-14, |
|
|
|
Oct. 1936 |
|
|
|
Two draft copies (holographs), ca.
Sept. 1936 |
|
12 |
"Tanzberichte: Budapest"
(in German), In: Der Tanz, Berlin,, pp. 12-13 Dec. 1936 |
|
13 |
"Tanzberichte: Budapest"
(in German), In: Der Tanz, Berlin, pp. 8-9, Jan. 1937 |
|
14 |
"Budapest: A New Ballet at the
Opera House", The Dancing Times, London, p. 663 Feb. 1937 |
|
15 |
"Tanzberichte: Budapest"
(in German), In: Der Tanz, Berlin, p. 22, Mar. 1937 |
|
16 |
"Tanzberichte: Budapest"
(in German), In: Der Tanz, Berlin, p. 15 July 1937 |
|
17 |
"An Air Raid Ballet: The Dance
in Budapest: A New Ballet at the Royal Opera--Ballet as
Propaganda," plus clipping, In: The Dancing Times, London, pp.
436-438 July 1937 |
|
18 |
"Tanzberichte: Budapest"
(in German), In: Der Tanz, Berlin, p. 15 Jan. 1938 |
|
19 |
"Tanzchor" (in German), In:
Der Tanz, Berlin, p. 19 June 1938 |
|
20 |
"Basic Laban Principles and
Methods", In: F. R. Rogers (Ed.), Dance: A Basic Educational
Technique, New York: Macmillan, pp. 193-213 1941 |
|
21 |
"Scenery for the Dance: Part I:
A Little Bit of History", In: Dance Observer, New York, pp.
48-49 Apr. 1942 |
|
22 |
"Scenery for the Dance: Part II:
A Little Bit of Actuality", In: Dance Observer, New York, p.
62 May 1942 |
|
23 |
"The Need for Realism, Courage,
and Invention in Modern Dance", In: Journal of Health and
Physical Education, Washington D.C., pp. 442-443 Dec. 1945 |
|
24 |
"A Critical View of Televised
Dance", In: Telescreen, Newark, NJ, p. 8 Winter 1945-1946 |
|
25 |
"Introduction to Dance
Notation", In: Dance Index, New York, pp. 89-127 Apr.-May
1946 |
|
26 |
Reference notes and materials
(holograph, typescript, and photostat) for "An Introduction to
Dance Notation," ca. 1946 |
|
27 |
"What is the Trend in Dance
Education?", In: Journal of Health and Physical Education,
Washington D.C., pp. 472, 513-514, 533 Sept. 1948 |
|
28 |
Review of The American Square Dance
by Margot Mayo, In: Southern Folklore Quarterly, Gainesville, FL,
pp. 298-299 1948 |
|
29 |
"Revival of American Square and
Country Dancing", In: Michigan History, Lansing, MI, pp.
163-164 June 1949 |
|
30 |
Review of Hungarian Folk Dances, Vol.
I, 15 Couple and Group Dances, with Complete Description and Dance
Notation, with the Melody Line of the Respective Tunes, edited by
Emma Lugossy and Gonyey Sandor, plus notes (holograph) and
clippings, In: Dance Observer, New York, p. 88 June-July 1949 |
|
31 |
"Modern Dance in
Education", In: The University of Michigan School of Education
Bulletin, Ann Arbor, MI, pp. 41-44 Dec. 1949 |
|
32 |
"Modern Educational Dance",
In: American Turner Topics, Detroit, MI, pp. 12-13 Jan. 1950 |
|
33 |
Review of The Folk Dance Library by
Anne Schley Duggan, Jeanette Schlottmann, and Abbie Rutledge, In:
Southern Folklore Quarterly, Gainesville, FL, pp. 112-115 June
1950 |
|
34 |
"For a Fine Arts Core
Curriculum--The Dance", In: Michigan Education Journal,
Lansing, MI, pp. 178-180 Oct. 1950 |
|
35 |
Reprint of "What is the Trend in
Dance Education?" In: The Laban Art of Movement Guild News
Sheet, Dartington, England, pp. 18-21 Jan. 1951 |
|
36 |
"Dance Program Most Stimulating,
Reviewer Reports" (fragment), In: The Daily Courier,
Charleston, IL, April 16, 1953 |
|
37 |
"Movement Notation: Its
Significance to the Folklorist", In: Journal of American
Folklore, pp. 291-295 July-Sept. 1954 |
|
38 |
Review of On Dramatic Method by
Harley Granville-Barker, In: Players Magazine, Lawrence, KS, p. 18
Oct. 1957 |
|
39 |
Review of The Kabuki Handbook by
Aubrey S. and Giovanna M. Halford, plus draft copy (typescript),
In: Players Magazine, Lawrence, KS, p.163 Apr. 1958 |
|
40 |
Review of Finnegans Wake by James
Joyce, In: Players Magazine, Lawrence, KS, p. 16 Oct. 1958 |
|
41 |
"Laban at Addlestone", In:
The New Era in Home and School, London,, pp. 91-93 May 1959 |
|
42 |
Review of A Primer for Playgoers by
Edward A. Wright In: Educational Theatre Journal, Washington D.C.,
pp. 159-160 May 1959 |
|
43 |
Review of The Best Plays of 1957-1958
edited by Louis Kronenberger, In: Players Magazine, Lawrence, KS,
pp. 190-191 May 1959 |
|
44 |
"Encanto Personal" (in
Spanish), Printed by Asociacion Cristiana Femenina, Santiago,
Chile, pp. 1-21 1960 |
|
45 |
"El Movimiento Aplicado al
Actor" (in Spanish), In: Histrion, Lima, Peru, p. 17 Mar.
1961 |
|
46 |
Review of Canada On Stage: A
Collection of One-Act Plays, edited by Stanley Richards, In:
Educational Theatre Journal, Washington D.C., pp. 140-141, May
1961 |
|
47 |
"Lazarus Laughed," plus
draft copy (typescript), In: Christian Drama, London, pp. 13-18
Winter 1962 |
|
48 |
"Training of Movement for
Religious Drama", In: Players Magazine, Lawrence, KS, pp.
107-108 Jan. 1963 |
|
49 |
"Training for Religious Drama in
an American University", In: Laban Art of Movement Guild
Bulletin for Overseas Members - No. 4, Dartington, England, pp. 3-7
Feb. 1963 |
|
50 |
Abstract of "Existential Thought
and Feeling in Modern Dance," plus two draft copies
(typescript), In: Report of the Thirty-Ninth Annual Conference of
the Western Society of Physical Education of College Women,
Asilomar, CA, Nov. 7-10, pp. 82-83 1963 |
|
51 |
"Modus Operandi", In:
Quest, Tucson, AZ, pp. 15-18 April 1964 |
|
52 |
"The Art of Movement for the
Stage", In: The Secondary School Theatre Conference News,
Harvey, IL, pp. 9-10 Fall 1964 |
|
53 |
"A Collection of Dance Programs,
1909-1963," plus draft copy (typescript), In: UCLA Librarian,
Los Angeles, CA, pp. 55-56 May-June 1965 |
|
54 |
Reference materials and notes
(holograph and Dance Index, Apr.-May 1948) for "A Collection
of Dance Programs, 1909-1963," ca. 1965 |
|
55 |
Review of Dances of Anahuac by
Gertrude P. Kurath amd Samuel Marti, In: Ethnomusicology, Urbana,
IL, pp. 104-105 Jan. 1966 |
|
56 |
Program notes titled "About the
Artist" in playbill for Murray Louis performance, p. 29 Mar.
26, 1966 |
|
57 |
Review of The Phenomenology of Dance
by Maxine Sheets, plus draft copy (typescript), In: Educational
Theatre Journal, Washington D.C., p. 184 May 1966 |
|
58 |
Reviews of The Dance in Ancient
Greece by Lillian B. Lawler and Dances of Anahuac by Gertrude P.
Kurath and Samuel Marti, In: Archaeology, New York, p. 225 June
1966 |
|
59 |
"Emile Jaques-Dalcroze
Centennial Conference" and review of Tanzerin, Choreographn,
Padagogin: Rosalia Chladek, edited by Gerda Alexander and Hans
Groll, plus three draft copies (holograph and typescript in French
and English), In: Ethnomusicology, Urbana, IL, pp. 322-324 and pp.
345-347 respectively, Sept. 1966 |
|
60 |
Daily report on the proceedings of
the Dalcroze Conference (typescript in English, French, and
German), Aug. 9, 1965 |
|
61 |
Daily report on the proceedings of
the Delcroze Conference (typescript in English, French, and
German), Aug. 10, 1965 |
|
62 |
Daily reports on the proceedings of
the Dalcroze Conference (typescript in English, French, and
German), Aug. 11-12, 1965 |
|
63 |
Daily report on the proceedings of
the Dalcroze Conference (typescript in English, French, and
German), Aug. 13, 1965 |
|
64 |
"Medievals Don't Dig
Dancing" (fragment), In: UCLA Daily Bruin, Los Angeles, CA,
Oct. 14, 1966 |
|
65 |
Program notes titled "The Paul
Taylor Dance Company" for playbill (fragment), Dec. 4,
1966 |
|
66 |
Program notes titled "About the
Artist" in playbill (fragment) for Carmen de Lavallade
performance, Jan. 15, 1967 |
|
67 |
Review of Behind Spanish American
Footlights by Willis Knapp Jones, In: The American Society for
Theatre Research Newsletter, Princeton, NJ, pp. 12-14, Feb.
1967 |
|
68 |
"The Creative Are Our Most
Valuable Commodity Today" In: Journal of Health, Physical
Education, and Recreation, Washington D.C., pp. 52, 60 June
1967 |
|
69 |
Review of Tanzbibliographie, Vols.
1-3 edited by Kurt Petermann (typescript), plus draft copy
(typescript) and broadside, In: Ethnomusicology, Urbana, IL, pp.
289-291 May 1968 |
|
70 |
"The Ruth St. Denis Dance
Collection", In: UCLA Librarian, Los Angeles, CA, pp. 39-40
Sept. 1968 |
|
71 |
Review of Three Pamphlets Collected:
Blast at Ballet, 1937; Ballet Alphabet, 1939; What Ballet is All
About, 1959 by Lincoln Kirstein and Modern Dance Forms in Relation
to the Other Modern Arts by Louis Horst and Carroll Russell
(typescript), plus draft copy (typescript), In: Journal of
Aesthetics and Art Criticism, pp. 116-118 Fall 1968 |
|
72 |
Review of Monodrama, Attitudes,
Tableaux Vivants by Kirsten Gram Holmstrom (typescript), In:
Theatre Research Recherches Theatrales, London, Vol. XI, No. 2, pp.
118-119 1968 |
|
73 |
"The ITUCH in USA"
(typescript), In: Latin American Theatre Review, Vol. I/II, pp.
71-72, n.d. |
|
74 |
"Choreography with Film,"
plus research notes, In: Research In Dance: Problems and
Possibilities: The Proceedings of the Preliminary Conference on
Research in Dance held May 26-28, 1967, New York, pp. 129-132
1968 |
|
75 |
Review of American Folk Art: The Art
and Spirit of a People by Peter Welch, In: Western Folklore, pp.
70-71 Jan. 1969 |
|
76 |
"Exhibit of Arthur Todd
Collection on Isadora Duncan" In: UCLA Librarian, Los Angeles,
CA, pp. 1-2 Jan. 1969 |
|
77 |
Review of Folk Song Style and Culture
by Alan Lomax (typescript), In: Journal of Aesthetics and Art
Criticism, pp. 106-108 Fall 1969 |
|
78 |
Review of Tanzbibliographie, Vols.
1-6, edited by Kurt Petermann, In: Western Folklore, pp. 64-65 Jan.
1970 |
|
79 |
"Institute at New York
University - Summer 1970", In: CORD News, New York, p. 6 Apr.
1970 |
|
80 |
Review of Song, Dance and Poetry of
the Court of Scotland under King James VI by Helena Meanie Shire
(typescript), In: Modern Language Journal, pp. 359-360 May
1970 |
|
81 |
Reviews of Alphabet of Movements of
the Human Body by V. I. Stepanov; Pre-Classic Dance Forms by Louis
Horst; Dance, A Short History Theatrical Dancing by Lincoln
Kirstein; Artists of the Dance by Lillian Moore; and Anthology of
Impulse: Annual of Contemporary Dance, 1951-1966 edited by Marian
Van Tuyl (typescript), In: Journal of Aesthetics and Art Criticism,
pp. 556-557 Summer 1970 |
|
82 |
"Perspective Retrospective:
Conference Summary," plus draft copy (photostat), In: Dance
History Research: Perspectives from Related Arts and Disciplines:
The Proceedings of the Second Conference on Research in Dance held
July 4-6, 1969, New York, pp. 107-112 1970 |
|
83 |
"Urgent Research in Dance",
In: Bulletin of the International Committee on Urgent Anthropology
and Ethnological Research, Vienna, Austria, No. 12, pp. 13-16
1970 |
|
84 |
Review of Tanzbibliographie, Vols.
7-10 by Kurt Petermann (typescript), plus research notes
(holograph), In: Western Folklore, pp. 154-155 Apr. 1971 |
|
85 |
"Selected Reference Materials
for Dance", In: Theatre Documentation, pp. 21-30
1971-1972 |
|
86 |
Annotated reviews of Body Movement
for Children by Marion North; The Use of Stanislavsky Within Modern
Dance by Valentina Litvinoff; and The Ballerinas, From the Court of
Louis XIV to Pavlova by Parmenia Migel, In: Educational Theatre
Journal, Washington D.C., pp. 472-473 Dec. 1972 |
| Box |
Folder |
| 12 |
|
PUBLISHED (cont.) |
|
1 |
Institute of Court Dances of the
Renaissance and Baroque Periods held Aug. 29-Sept. 7, 1970 and Aug.
22-Sept. 4, 1971, edited by JdL, New York, 1972 |
|
2 |
Submitted draft of Part I (carbon
copy) of Institute of Court Dances of the Renaissance and Baroque
Periods, ca. 1972 |
|
3 |
Submitted draft of Parts II and III
(carbon copy) of Institute of Court Dances of the Renaissance and
Baroque Periods, ca. 1972 |
|
4 |
Submitted draft of Part IV (carbon
copy) of Institute of Court Dances of the Renaissance and Baroque
Periods, ca. 1972 |
|
5 |
Submitted draft of Part V, Summary,
and Biographical Notes (carbon copy) of Institute of Court Dances
of the Renaissance and Baroque Periods, ca. 1972 |
|
6 |
Court Dance Institute Report and
Summary (holograph), ca. 1972 |
|
7 |
Draft report (typescript) on the
Tomlinson Minuet for the Court Dance Institute, ca. 1972 |
|
8 |
Draft report (photostat) on Julia
Sutton, teacher of 16th century dance and music, at the Court Dance
Institute, ca. 1972 |
|
9 |
Draft report (photostat) on Ray Cook,
dance notator, at the Court Dance Institute, ca. 1972 |
|
10 |
Misc. correspondence regarding the
publication of Institute of Court Dances of the Renaissance and
Baroque Periods, Mar. 14, 1970- Apr. 16, 1972 |
|
11 |
Misc. notes (typescript and
holograph) on the Court Dance Institute, ca. 1972 |
|
12 |
Notes (holograph) regarding the audio
recordings of the Court Dance Institute, ca. 1972 |
|
13 |
Transcription (typescript) of Tape 1
on the Court Dance Institute, ca. 1972 |
|
14 |
Transcription (typescript) of Tape 2
on the Court Dance Institute, ca. 1972 |
|
15 |
Transcription (typescript) of Tape 4
on the Court Dance Institute, ca. 1972 |
|
16 |
Transcription (typescript) of Tape 5
on the Court Dance Institute, ca. 1972 |
|
17 |
Transcription (typescript) of Tape 6
on the Court Dance Institute, ca. 1972 |
|
18 |
Transcription (typescript) of Tape 7
on the Court Dance Institute, ca. 1972 |
|
19 |
Transcription (typescript) of Tape 8
on the Court Dance Institute, ca. 1972 |
|
20 |
Transcription (typescript) of Tape 9
on the Court Dance Institute, ca. 1972 |
|
21 |
Transcription (typescript) of Tape 10
on the Court Dance Institute, ca. 1972 |
|
22 |
Transcription (typescript) of Tape 11
on the Court Dance Institute, ca. 1972 |
|
23 |
Transcription (typescript) of Tape 12
on the Court Dance Institute, ca. 1972 |
|
24 |
Transcription (typescript) of Tape 13
on the Court Dance Institute, ca. 1972 |
|
25 |
Transcription (typescript) of Tape 14
on the Court Dance Institute, ca. 1972 |
|
26 |
Transcription (typescript) of Tape 15
on the Court Dance Institute, ca. 1972 |
|
27 |
Transcription (typescript) of Tape 16
on the Court Dance Institute, ca. 1972 |
|
28 |
Transcription (typescript) of Tape 17
on the Court Dance Institute, ca. 1972 |
|
29 |
Transcription (typescript) of Tape 18
on the Court Dance Institute, ca. 1972 |
|
30 |
Transcription (typescript) of Tape 19
on the Court Dance Institute, ca. 1972 |
|
31 |
Transcription (typescript) of Tape 20
on the Court Dance Institute, ca. 1972 |
|
32 |
Transcription (typescript) of Tape 21
on the Court Dance Institute, ca. 1972 |
|
33 |
Transcription (typescript) of Tape 22
on the Court Dance Institute, ca. 1972 |
|
34 |
Transcription (typescript) of Tape 23
on the Court Dance Institute, ca. 1972 |
|
35 | |