TABLE OF CONTENTS
Overview of the
Collection
Biographical
Note
Scope and
Contents
Arrangement
Restrictions
Index
Terms
Administrative Information
Detailed
Description of the Collection
Series 1 - Personal Documents (Boxes
1-2) 1900-1978
Series II - Educational Training - Yale
University (Boxes 3-5)
Series III - Educational Activities
(Boxes 6-10)
Series IV - Writings (Boxes
11-12)
Series V - Lectures (Box
13)
Series VI - Notated Scores (Box
14)
Series VII - Performances (Boxes 14 -
15)
Series VIII - Correspondence (Boxes
16-17)
Series IX - Miscellaneous Professional
Activities (Box 18) 1939-1976
Series X - Miscellaneous Research
Activities (Box 18)
Series XI - Card Files (Boxes
19-31)
Series XII - Visual Works (Boxes
32-39)
Series XIII - Audio Works (Boxes
40-41)
Series XIV - Music Scores (Boxes
42-44)
Series XV - Rudolf von Laban (Boxes
45-46)
Series XVI Notation (Box
47)
Series XVII - Miscellaneous Notated
Scores (Boxes 48-49)
Series XVIII - Ruth St. Denis (Boxes
50-51)
Series XIX Miscellaneous Visual Works
(Boxes 52-54)
Series XX - Miscellaneous (Box
55)
Series XXI - Oversized (Boxes
56-63)
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| Accession No.: |
MA 91-9 |
| Repository: |
Texas/Dallas History & Archives, Dallas Public
Library
1515 Young St
Dallas, TX 75201 |
| Creator: |
Juana de Laban |
| Title: |
Juana de Laban Collection |
| Dates: |
1924-1976 |
| Quantity: |
45 cubic feet (63 boxes) |
| Abstract: |
When Juana de Laban learned in 1978 that her life was coming to
an end, she instructed her cousin Elizabeth Hecht Miller, executrix
of her estate, to transfer ownership of her extensive dance
collection to Robyn Baker Flatt. Juana de Laban and Flatt met in
1954 when Flatt's father, Dr. Paul Baker, founding director of
the Dallas Theatre Center (DTC), engaged Laban as Associate
Professor for the drama department at Baylor University in Waco,
Texas. Although Laban had instructed her cousin to give the
collection to Flatt, both Miller and Flatt believed it best to
donate the collection to the DTC for tax reasons. Following
Laban's death in 1978, her cousin Elizabeth Miller transferred
ownership of the dance collection to the DTC. This collection
remained housed at the DTC for four years. In 1982, the DTC was in
a period of turmoil. Paul Baker was fired from his twenty-six year
position as Artistic Director of the DTC. Fearing that the
collection was about to be given to a repository in another city
Flatt quickly arranged for the transfer of the collection to the
Dallas Public Library (DPL). |
| Language: |
The records are in English, German, Hungarian, French, and
Spanish. |
Juana de Laban von Varalja was an
internationally recognized teacher, performer, choreographer,
director, author, critic, and theatre and dance history scholar. As
a dance educator, Laban influenced the development of the pedagogy
of dance history and research. Juana de Laban, the eldest daughter
of Rudolf von Laban and Maya Lenares, was born on October 21, 1910.
Laban's mother was a famous Italian opera singer and her father
was a world-famous movement analyst, philosopher, writer, director,
choreographer, and dancer who developed the Labanotation dance
notation system. Laban's early years were dominated by the
tutelage of her father. By 1934, she had earned a diploma from the
Royal Hungarian Academy in Budapest where she specialized in the
national dances of Hungary. During the mid-1930's, she toured
Austria, Switzerland, and Germany as a solo danseuse and served as
a critic for The Dancing Times and Der Tanz. Her understanding of
the arts and fluency in five languages provided her with a world
picture that was to guide her professional career.
At the onset of WWII in 1938, she
immigrated to the United States. In 1939, Laban and dance partner,
Frances Bartha, toured together and opened the Laban Dance Studio
in New York City. In 1941, she began her American academic training
at Yale University, completing a Master of Fine Arts in 1943 and a
Doctor of Philosophy degree in theatre arts in 1947.
After graduation, Laban shifted her
focus away from performing to concentrate on her role as educator.
She built her career in academia through a series of posts in
American public institutions, teaching and speaking on modern
educational dance, folk dancing, and the role of dance as part of a
fine arts curriculum. In 1954, Paul Baker, chairman of the drama
department at Baylor University, recruited Laban to head the
graduate division for drama, where she taught stage movement and
theatre history. The next eight years were exceptionally fruitful
for Laban: developing new courses; spearheading a national trend to
train actors in movement; directing and choreographing student
productions; and teaching in South America on a Fulbright
Lectureship.
In 1963, Laban accepted a position at
University of California, Los Angeles (UCLA), where she returned to
a position within a dance department. Here she concentrated on
teaching, publishing, and speaking about the importance of
scholarly research and the study of dance history. As an early
member of the Committee on Research in Dance (CORD), Laban helped
shape the development of this organization. By 1967, Laban became
so committed to scholarly research that she founded a private
business, the Dance Research Associates, to perform research
assignments on a request basis.
Because of her distinguished
reputation, Southern Methodist University in Dallas recruited Laban
to head the burgeoning graduate dance program in 1971. Upon her
return to Dallas, Laban renewed her association with the DTC and
Paul Baker. Robyn Baker Flatt, a former student and Baker's
daughter, appointed Laban to the DTC graduate program in 1973. Ill
health forced her retirement to Temple, TX where she died of cancer
in 1978, at the age of 68.
Return to the Table of Contents
The scope of the Juana de Laban Dance
Collection housed at the Dallas Public Library is so broad that it
can serve as an important general resource for international
research on the many idioms of dance and for the study of human
movement. The size of the collection is impressive. The collection
consists of 45 cubic feet of manuscript and non-manuscript items,
1,000 volumes of printed materials and 1,100 issues of 20 serial
subscriptions.
The manuscript and non-manuscript items
in the Juana de Laban Dance Collection consist of 63 boxes of
materials stored in the Texas/Dallas History and Archives Division.
The handwritten and typed manuscript items include correspondence,
notebooks, card files, drafts of articles, book reviews, lectures,
and speeches. Non-manuscript materials, such as photographs,
slides, glass transparencies, motion pictures, film strips, audio
tapes, music scores, and dance notation scores are also present in
the collection.
One seventh of the collection's
books were written in foreign languages. Most of these required
original Library of Congress cataloging. The books, journals, and
phonograph recordings have been dispersed into the Fine Arts
Division holdings. Other textual items which do not bear a direct
relationship to Juana de Laban's research and writings were
incorporated within the vertical files of the Fine Arts
Division.
The collection is strongest in those
materials which pertain to: Laban's professional life and
contributions to dance; her father, Rudolph von Laban, and his
theories regarding dance and human movement; Albrecht Knust, a
researcher who aided in the development of Labanotation; Ruth St.
Denis, an early architect of modern dance; dance in Germany at the
turn of the century; and various contemporary and historical
movement notation systems.
Return to the Table of Contents
Following are repeated practices
observed by the compiler of this register:
Abbreviations: The names used most
frequently throughout the register, Juana de Laban and Rudolf von
Laban, have been abbreviated to JdL and RvL respectively.
Correspondence: The name of the writer
of a letter is given first, the recipient, after the slash. Two or
more writers indicate a joint letter.
Fragments: Incomplete documents have
been designated as fragments. In many cases, only a portion of the
identifying information regarding the document is available. In
this case, what is known is given and what is not known is
omitted.
Photographs: Photographs from the same
piece, taken at the same time, have been grouped in a single folder
or series of folders. The same is true for portraits. Whenever
photographs of a single artist appear in separate folders, it has
been assumed that they represent different dance pieces, costumes,
or time periods. Unless otherwise designated, performers in a
titled work were photographed in costume.
Titles: Most titles have been taken
from the manuscripts themselves. Titles of articles, lectures,
dance concerts have been placed in quotation marks. Titles of books
and journals and performances of plays and major dance works have
been underlined. Minor works have been placed in quotation marks.
At times, a title has not been identified and a descriptive title
has been supplied within brackets by the compiler to elucidate the
subject matter. Entries that have not been capitalized, such as
miscellaneous research materials, indicate a description of the
contents of a folder rather than a title.
?: A question mark denotes uncertainty
on the part of the compiler. For example, a question mark following
a name has been placed there because the handwriting was
illegible.
Return to the Table of Contents
Restrictions on Use
Photocopying of fragile materials is
not permitted. Reproduction of photographs is permitted under the
guidelines of the Dallas Public Library photography reproduction
policies.
Return to the Table of Contents
This record series is indexed under the
following controlled access subject terms.
Persons:
Juana de Laban
Places:
Dallas (Tex.)
Subjects:
Dance - history
Return to the Table of Contents
MA 91-9 Juana de Laban Dance
Collection, Texas/ Dallas History & Archives Division, Dallas
Public Library
Processed by Linda H. James
Return to the Table of Contents
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| Series 1 - Personal Documents (Boxes 1-2)
1900-1978 |
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This series contains two subseries spanning the
years 1900 to 1978: LABAN FAMILY PAPERS and VISUAL WORKS. LABAN
FAMILY PAPERS consists of miscellaneous official documents,
professional papers of other family members, JdL personal notes,
financial receipts and correspondence. Folder arrangement is
hierarchical and chronological. VISUAL WORKS consist primarily of
photographs of family and personal associates. Folder arrangement
is chronological. |
| Box |
Folder |
| 1 |
|
LABAN FAMILY PAPERS |
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1 |
Official document granting nobility
to JdL's grandfather and all legal offspring (carbon copy in
Hungarian), 1928 |
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2 |
Maria Laban de Varalja's Will
(photostat in German), 1961/1969 |
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3 |
Announcement of Maria Laban von
Varalja's death (in German), post Dec. 14, 1975 |
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4 |
"Technical Meeting on Problems
of Nomadism and Sedentarisation" (typescript) by JdL's
Aunt Renee, Apr. 1964 |
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5 |
"Das Bewegunserlebnis"
(carbon copy in German) by JdL's brother, Roland Laban, Aug.
1950 |
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6 |
"Doe Motrik" (carbon copy
in German) by Roland Laban, Oct. 1951 |
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7 |
"Franz Kafka" (carbon copy
in German) by Roland Laban, Dec. 1953 |
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8 |
"Die Formen des Raumlichen"
(typescript in German) by Roland Laban, 1960 |
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9 |
"Berichte: uber die Durchfuhrung
des Schulversuches `Uberwindung zivilisationsbedingter
Lernschwierigkeiten bei intelligenten Kindern'" (carbon
copy in German) by Roland Laban, n.d. |
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10 |
Draft of ad seeking roommate
(holograph), ca. 1942 |
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11 |
Notes (holographs in English and
German): a) Lambasting American dance world that claimed JdL was
not of the same caliber as her father; b and c) Ideas taken from
RvL's Die Welt des Tanzers, ca. 1947 |
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12 |
Note (holograph) to herself reminding
her where she stored grant materials, ca. 1960 |
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13 |
Architectural drawings,
correspondence, and bid for JdL's residence in Santa Monica,
CA, 1967 |
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14 |
Note (holograph) criticizing the
Dallas business ethic toward the arts, ca. 1973 |
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15 |
Note (holograph) lamenting the lack
of time to pursue knowledge, n.d. |
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16 |
Financial receipts and related
correspondence from Ver Bibliographisches Institut (in German),
Nov. 8, 1965-Feb. 28, 1978 |
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17 |
Financial receipts from
Blackwell's, May 29, 1969-June 1, 1973 |
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18 |
Misc. financial receipts and related
correspondence, June 16, 1948-July 10, 1978 |
| Box |
Folder |
| 2 |
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VISUAL WORKS |
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1 |
Ruth Lederer ?, and mother,
photograph - portrait, ca. 1900 |
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2 |
Rezso Laban, JdL's grandfather,
photograph - candid, ca. 1900 |
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3 |
JdL, photograph - portrait, ca.
1913 |
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4 |
Grandmother Laban, photograph -
candid, 1922 |
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5 |
"Tanzerin" by George Kolbe,
photograph of bronze sculpture done in 1912, ca. 1934 |
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6 |
Laban family, photograph - candid,
Mar. 1940 |
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7 |
Maria Laban de Varalja, photograph -
candid, Mar. 1940 |
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8 |
JdL, photograph - candid, 1943 |
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9 |
JdL, two photographs - candid,
1945 |
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10 |
JdL, photograph - candid, ca. July
1947 |
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11 |
Etelka Laban, photograph - protrait,
Nov. 7, 1947 |
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12 |
Unidentified musicians, photograph -
candid, ca. 1948 |
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13 |
JdL, three photographs - candid, ca.
1948 |
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14 |
Grand Canyon, eight photographs, ca.
1948 |
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15 |
Unidentified church and landscape,
three photographs, ca. 1948 |
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16 |
JdL with Hanya Holm and Alwin
Nikolais at Colorado College, two photographs - candid, ca.
1948 |
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17 |
JdL with Hanya Holm and Kapila Malik
at Colorado College, photograph - candid, ca. 1948 |
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18 |
Kapila Malik at Colorado College,
photograph - candid, ca. 1948 |
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19 |
Hanya Holm with Alwin Nikolais at
Colorado College, photograpn - candid, ca. 1948 |
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20 |
Hanya Holm with students at Colorado
College, two photographs - candid, ca. 1948 |
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21 |
Hanya Holm at Colorado College, three
photographs - candid, ca. 1948 |
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22 |
JdL at Colorado College, photograph -
candid, ca. 1948 |
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23 |
Kapila Malik at Colorado College,
photograph - candid, ca. 1948 |
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24 |
JdL with Kapila Malik, Murray Gitlin,
Bernice and Melva Weinberger, two photographs - candid, May 8, 1949
and June 1949 |
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25 |
JdL with Murray Gitlin, Bernice and
Melva Weinberger, two photographs - candid, May 8, 1949 |
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26 |
JdL, two photographs - candid,
1949 |
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27 |
Kapila Malik, three photographs -
portraits, 1950 |
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28 |
Kapila Malik, four photographs - in
costume, 1950 |
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29 |
JdL with Grace ?, photograph -
candid, 1950 |
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30 |
JdL, photograph - candid, 1950 |
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31 |
JdL, two photographs - candid, ca.
1950 |
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32 |
JdL with two unidentified women, two
photographs - candid, ca. 1950 |
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32a |
JdL, photograph - candid, ca.
1950 |
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33 |
Maria Laban de Varalja, photograph -
candid, Sept. 15, 1955 |
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34 |
Roland Laban, photograph - portrait,
1955 |
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35 |
Renate Laban and Maria Lederer von
Laban, photograph - candid, Sept. 1956 |
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36 |
Laban house, two photographs, Sept.
1956 |
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37 |
JdL, photograph - candid, 1957 |
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38 |
7th Century A.D. painting at
Monastery of St. Catherine at Mt. Sanai, 1958 |
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39 |
Roland Laban, photograph - portrait,
1958 |
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39a |
Roland Laban, photograph - candid,
1959 |
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40 |
Fulbright Lectureship - South
American military parade, 11 photographs, 1959 |
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41 |
Fulbright Lectureship - Chile and
Brazil, nine photographs, 1959 |
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42 |
Fulbright Lectureship - Chilean
street performance, six photographs, ca. 1959 |
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43 |
Fulbright Lectureship - misc., eight
photographs, ca. 1960 |
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44 |
Fulbright Lectureship - misc., 15
photographs, ca. 1960 |
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45 |
Fulbright Lectureship - Argentina, 20
photographs, ca. 1960 |
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46 |
Fulbright Lectureship - Chile, San
Juan, Isla de Chile, 15 photographs, ca. 1960 |
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47 |
Fulbright Lectureship - "An
Inspector Calls," photograph, ca. 1960 |
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48 |
Roland Laban, photograph - candid,
1960 |
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49 |
Roland Laban, two photographs -
candid, 1960 |
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50 |
JdL with members of the Ebrahim
family, two photographs - candid, 1967 |
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51 |
Members of the Ebrahim family, seven
photographs - candid, 1967 |
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52 |
JdL with members of Ebrahim family on
JdL's birthday, seven photographs - candid, 1967 |
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53 |
Members of the Ebrahim family on
JdL's birthday, four photographs - candid, 1967 |
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54 |
Maria Laban de Varalja and Etelka
Laban, photograph -candid, July 1970 |
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55 |
JdL with Marie-Lise Gazarian and
unidentified woman at Orient Pt., Long Island, NY, four photographs
- candid, Aug. 14, 1970 |
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56 |
JdL, photograph - candid, ca.
1976 |
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57 |
? Horvath, pencil drawing by
Alessandro Morssi ?, 1929 |
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| Series II - Educational Training - Yale
University (Boxes 3-5) |
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This material is divided into two subseries
reflecting JdL's years at Yale University, 1942-1947. The first
subseries, MASTER of FINE ARTS, contains holograph and typescript
notes of class lectures, holograph drafts of thesis components, and
JdL's diploma. The folders are arranged chronologically. The
second subseries, DOCTOR of PHILOSOPHY, includes correspondence
pertaining to JdL's dissertation. In addition, this subseries
contains original and photostat copies of historical research
materials, holograph drafts of dissertation components, and
JdL's diploma. Again, the folders are arranged chronologically.
See also oversized box 56, folders 1-3. |
| Box |
Folder |
| 3 |
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MASTER OF FINE ARTS |
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1 |
"Medieval Theatre,"
collection of student papers written for seminar studies course
(carbon copy), 1937 |
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2 |
Drama class notes (typescript and
holograph), 1941-1942 |
| Box |
Folder |
| 4 |
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MASTER OF FINE ARTS (cont.) |
|
1 |
Drama class notes (holograph), Jan.
5, 1942- May 12, 1942 |
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1a |
Yale International Society square
dance event, May 2, 1942 |
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2 |
Drama 130 class journal (holograph),
Instructor: McMullen, June 1942 |
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3 |
Drama 136 class journal (holograph),
Instructor: Nicoll, June 1942 |
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4 |
Drama 129 class journal (holograph),
Instructor: Beran ?, Sept. 1942 |
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5 |
Drama 140 class journal (holograph),
Instructor: McMullen, Sept. 1942 |
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6 |
Drama 124 class journal (holograph),
Instructor: Tucker-Brooke, Oct. 1942 |
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7 |
Misc. drama class notes (holograph
and typescript in English and German), ca. 1942 |
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8 |
Television class notes (holograph and
clipping in Hungarian), ca. 1942 |
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9 |
Stage lighting class notes (holograph
and typescript), ca. 1942 |
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10 |
Diction class notes (holograph), ca.
1942 |
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11 |
Theatre history bibliography
(typescript), ca. 1942 |
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12 |
Musical composers and works
(typescript), ca. 1942 |
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13 |
Subject headings for dance
(typescript), ca. 1942 |
|
14 |
xcerpts from plays (holograph and
typescript), ca. 1942 |
|
15 |
Dialogue for characterization
development (holograph and typescript), ca. 1942 |
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16 |
Drama 131 class journal (holograph),
Instructor: Cole, June 1943 |
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17 |
Drama 137 class journal (holograph),
Instructor: Fortou ?, June 1943 |
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18 |
Drama 124 class journal (holograph),
Instructor: Tucker-Brooke, 1943 |
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18a |
Notes (holograph) and visual
reproductions used for Thesis, ca. 1943 |
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19 |
Thesis - Outline (holograph), ca.
1943 |
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20 |
Thesis - Introduction (holograph),
ca. 1943 |
|
21 |
Thesis - Draft (holograph), ca.
1943 |
|
22 |
Thesis - Conclusion (holograph), ca.
1943 |
|
23 |
Thesis - Bibliography (holograph and
typescript), ca. 1943 |
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24 |
Thesis - The Masque as Forerunner of
the English Opera, June 1943 |
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24a |
Diploma (original), June 1943 |
| 4 |
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DOCTOR OF PHILOSOPHY |
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25 |
Correspondence - James T. Babb/JdL,
Dec. 12, 1946 |
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26 |
Correspondence - Oscar James
Campbell/JdL, Oct. 10, 1946; Dec. 9, 1946 |
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27 |
Correspondence - Walter
Eaton/JdL, |
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Feb. 19, 1947 |
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Mar. 9, 1947 |
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Mar. 13, 1947 |
|
28 |
Correspondence - Zoltan
Haraszti/JdL, |
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Oct. 29, 1946 |
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Dec. 17, 1946 |
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Jan. 18, 1947 |
|
29 |
Correspondence - Lillian
Moore/JdL, |
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Dec. 10, 1946 |
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Jan. 26, 1947 |
|
30 |
Correspondence - George C. D.
Odell/JdL , |
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Mar. 10, 1946 |
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Jan. 15, 1947 |
|
31 |
Correspondence - W. R.
Richardson/JdL, |
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Sept. 4, 1945 |
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32 |
Correspondence - Kenneth A.
Robinson/JdL, |
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Jan. 20, 1949 |
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Jan. 29, 1949 |
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33 |
Correspondence - Minnie Adams
Segar/JdL, |
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Feb. 20, 1947 |
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Mar. 13, 1947 |
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Mar. 19, 1947 |
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34 |
Correspondence - Hartley
Simpson/JdL, |
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Oct. 18, 1946 |
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Jan. 9, 1947 |
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35 |
Correspondence - Irene
Steidl/JdL, |
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Oct. 15, 1946 |
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36 |
Correspondence - Mary Edith
Thomas/JdL, |
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Dec. 22, 1946 |
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37 |
Correspondence - Sarah M.
Usher/JdL, |
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Oct. 21, 1946 |
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38 |
Correspondence - William Van
Lennep/JdL, |
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Feb. 17, 1947 |
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Mar. 7, 1947 |
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39 |
Correspondence - JdL/Ocar James
Campbell, |
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Oct. 7, 1946 |
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Dec. 2, 1946 |
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40 |
Correspondence - JdL/Dissertation
Committee, |
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Jan. 23, 1947 |
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41 |
Correspondence - JdL/Walter
Eaton, |
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Mar. 11, 1947 |
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41a |
Correspondence - JdL/George C. D.
Odell, |
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ca. Jan. 1947 |
|
42 |
Historical research materials used
for dissertation (original and photostat), ca. 1946 |
|
43 |
Dissertation - Description and
Dedication (holograph and typescript), ca. 1947 |
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44 |
Dissertation - Sayings on the dance
put before each chapter (holograph), ca. 1947 |
|
45 |
Dissertation - Preparation and
research quotations (holograph), ca. 1947 |
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46 |
Dissertation - Bibliography of
illustrations (holograph), ca. 1947 |
|
47 |
Dissertation - Thoughts on Romantic
Ballet Chapter (holograph), ca. 1947 |
|
48 |
Dissertation - Ballets 1733-1817
(holograph), ca. 1947 |
|
49 |
Dissertation - Survey portion/Closing
(holograph), ca. 1947 |
|
50 |
Dissertation - Museum of City of NY
exhibit notes (holograph), ca. 1947 |
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51 |
Dissertation - Preparation for
section on Operas (holograph), ca. 1947 |
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52 |
Commencement Exercises and Diploma
(originals and reproductions), July 1947 |
|
53 |
Notes (holograph and fragment) taken
on dissertation topic post completion of degree, ca. 1952 |
| Box |
Folder |
| 5 |
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EDUCATIONAL TRAINING (cont.) |
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1 |
Dissertation - The Dance in the
American Theatre: An Analytical History Based on the New York Stage
from 1750 to 1821 (corrected draft copy), June 1947 |
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| Series III - Educational Activities (Boxes
6-10) |
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JdL's professional educational career from 1937
to 1976 is reflected in this series. The first subseries includes
JdL's resumes. After which, educational affiliations comprise
the major divisions within this series. There is an alphabetical
arrangement of folders for each university, college, studio or
dance camp subseries. Based on the presence of documents in the
collection, each subseries is hierarchically ordered from the
general to the specific. For example, general university and
departmental information precedes more specific course materials.
Within each folder, the records are arranged chronologically.
College catalogs, lesson plans, class and lecture notes, reports,
student papers, bibliographies, clippings, research materials, and
photographs make up the remaining contents of this series. An
exception to this order is the arrangement of the South American
universities associated with JdL's Fulbright Lectureship and
Rockefeller Grant. These have been grouped under the heading
Fulbright Lectureship. See also oversized box 56, folders 4-8. |
| Box |
Folder |
| 6 |
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CURRICULA VITAE |
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1 |
Through 1947 |
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2 |
Through 1950 |
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3 |
Through 1952 |
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4 |
Through 1954 |
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5 |
Through 1963 |
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6 |
Through 1971 |
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7 |
Through 1977 |
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8 |
ADELPHI COLLEGE, Garden City, NY -
Catalogs and broadside, 1951-1953 |
|
9 |
ADELPHI COLLEGE, Garden City, NY -
Report of Dance Department, 1950-1951 |
|
10 |
ADELPHI COLLEGE, Garden City, NY -
Report of Dance Department, 1951-1952 |
|
11 |
ADELPHI COLLEGE, Garden City, NY -
Misc. departmental information, Oct. 11, 1950 - May 22, 1952 |
|
12 |
ADELPHI COLLEGE, Garden City, NY -
Misc. classroom materials, n.d. |
|
13 |
ADELPHI COLLEGE, Garden City, NY -
Dance students, six photographs - in class, ca. 1950-1952 |
|
14 |
ADELPHI COLLEGE, Garden City, NY -
Hanya Holm with dancers, two photographs - in class, ca.
1950-1952 |
|
15 |
ADELPHI COLLEGE, Garden City, NY -
Henry Cowell with students and faculty, four photographs - candid,
ca. 1950-1952 |
|
16 |
ADELPHI COLLEGE, Garden City, NY -
Program for Creative Arts Workshops at Adelphi Community Institute
of the Arts, Oct. 9, 1950 |
|
17 |
BAYLOR UNIVERSITY, Waco, TX -
Catalogs, 1957-1963 |
|
18 |
BAYLOR UNIVERSITY, Waco, TX - Misc.
university and departmental information, Feb. 8, 1956-May 15,
1963 |
|
19 |
BAYLOR UNIVERSITY, Waco, TX - Misc.
university information, n.d. |
|
20 |
BAYLOR UNIVERSITY, Waco, TX - Area
report, n.d. |
|
21 |
BAYLOR UNIVERSITY, Waco, TX - Listing
of drama-related books in library, n.d. |
|
22 |
BAYLOR UNIVERSITY, Waco, TX - Exhibit
on Chilean experimental theatre company, Oct. 21, 1960-Nov. 21,
1960 |
|
23 |
BAYLOR UNIVERSITY, Waco, TX - JdL at
exhibit on Chilean experimental theatre company, three photographs
- publicity, ca. Oct. 1960 |
|
24 |
BAYLOR UNIVERSITY, Waco, TX - Exhibit
on Chilean experimental theatre, two photographs, ca. Oct.
1960 |
|
25 |
BAYLOR UNIVERSITY, Waco, TX - Ford
Foundation Report, Oct. 10, 1962 |
|
26 |
BAYLOR UNIVERSITY, Waco, TX - Theatre
Communications Group Executive Committee Report, Feb. 25, 1961 |
|
27 |
BAYLOR UNIVERSITY, Waco, TX - Theatre
Communications Group Report by Pat Brown, July 15, 1961 |
|
28 |
BAYLOR UNIVERSITY, Waco, TX - Theatre
Communications Group Report by Pat Brown, Dec. 7, 1961 |
|
29 |
BAYLOR UNIVERSITY, Waco, TX - JdL
with Virgil Beavers, Chi-Jim Yoo, and Mary Sue Birkhead, photograph
- posed, ca. Feb. 1, 1957 |
|
30 |
BAYLOR UNIVERSITY, Waco, TX - JdL
with Gene McKinney and Mary Sue Birkhead, photograph - posed, ca.
1957 |
|
31 |
BAYLOR UNIVERSITY, Waco, TX - JdL
demonstrating movement with students, five photographs - in class,
June 1962 |
|
32 |
BAYLOR UNIVERSITY, Waco, TX -
Students demonstrating movement, 11 photographs - in class, June
1962 |
|
33 |
BAYLOR UNIVERSITY, Waco, TX -
Students in movement class, 11 photographs and 28 negatives -
candid, ca. July 1962 |
|
34 |
BAYLOR UNIVERSITY, Waco, TX - JdL
with Preston Jones and Tommy Mathis ?, two photographs - candid,
1962 |
|
35 |
BAYLOR UNIVERSITY, Waco, TX - JdL,
photograph - portrait, 1962 |
|
36 |
BAYLOR UNIVERSITY, Waco, TX - JdL,
photograph - candid, 1962 |
|
37 |
BAYLOR UNIVERSITY, Waco, TX - JdL
with two unidentified men, photograph - posed, ca. 1962 |
|
38 |
BAYLOR UNIVERSITY, Waco, TX -
Unidentified, thirteen gesture drawings, n.d. |
|
39 |
BAYLOR UNIVERSITY, Waco, TX -
Unidentified, costume plate, n.d. |
|
40 |
BAYLOR UNIVERSITY, Waco, TX -
Unidentified, costume plate by Konig Marke, n.d. |
|
41 |
BAYLOR UNIVERSITY, Waco, TX -
Programs for movement demonstrations, Feb. 20, 1957-Nov. 8,
1958 |
|
42 |
BAYLOR UNIVERSITY, Waco, TX - Drama
106 Integration of Abilities, taken by JdL, notebook (holograph),
Instructor: Baker, Mar. 7, 1957-May 17, 1957 |
|
43 |
BAYLOR UNIVERSITY, Waco, TX - Drama
106 Integration of Abilities, taken by JdL, assignments (holograph
and typescript), Instructor: Baker, Mar. 8, 1957-May 17, 1957 |
|
44 |
BAYLOR UNIVERSITY, Waco, TX - Drama
106 Integration of Abilities, taken by JdL, notes and drawings
(holograph and typescript), n.d. |
|
45 |
BAYLOR UNIVERSITY, Waco, TX - Drama
109 Introduction to Basic Principles of Movement, notebook by Jere
Bob Bowden, ca. May 1959 |
|
46 |
BAYLOR UNIVERSITY, Waco, TX - Drama
109 Introduction to Basic Principles of Movement, movement
demonstrations, Mar. 9, 1962-May 14, 1962 |
|
47 |
BAYLOR UNIVERSITY, Waco, TX - Drama
124 Beginning Acting, not taught by JdL, study guide, ca. Jan.
1958 |
|
48 |
BAYLOR UNIVERSITY, Waco, TX - Drama
214 Acting, not taught by JdL, study guides, ca. Jan. 1958-Oct.
1960 |
|
49 |
BAYLOR UNIVERSITY, Waco, TX - Drama
214 Acting, not taught by JdL, study guides and student papers,
n.d. |
|
50 |
BAYLOR UNIVERSITY, Waco, TX - Drama
224 Play Directing for Stage and Television, not taught by JdL,
study guides, n.d. |
|
51 |
BAYLOR UNIVERSITY, Waco, TX - Drama
278 Basic Principles of Movement, lesson plans, Jan. 2, 1956-Jan.
27, 1959 |
|
52 |
BAYLOR UNIVERSITY, Waco, TX - Drama
278 Basic Principles of Movement, misc., Dec. 5, 1955-Jan. 31,
1963 |
|
53 |
BAYLOR UNIVERSITY, Waco, TX - Drama
278 Basic Principles of Movement, misc., n.d. |
|
54 |
BAYLOR UNIVERSITY, Waco, TX - Drama
311 Basic Production Techniques ?, not taught by JdL, study guides,
n.d. |
|
55 |
BAYLOR UNIVERSITY, Waco, TX - Drama
366a Advanced Directing, not taught by JdL, study guide, ca. Oct.
1958 |
|
56 |
BAYLOR UNIVERSITY, Waco, TX - Drama
376 Technical Analysis of Repertory Program, not taught by JdL,
misc., Sept. 14, 1956-Nov. 16, 1956 |
|
57 |
BAYLOR UNIVERSITY, Waco, TX - Drama
382/410 History of the Theatre, misc., Sept. 17, 1956-Feb. 27,
1963 |
|
58 |
BAYLOR UNIVERSITY, Waco, TX - Drama
382/410 History of the Theatre, lecture notes, n.d. |
|
59 |
BAYLOR UNIVERSITY, Waco, TX - Drama
382/410 History of the Theatre, bibliographic materials, n.d. |
|
60 |
BAYLOR UNIVERSITY, Waco, TX - Drama
382/410 History of the Theatre, misc., n.d. |
|
61 |
BAYLOR UNIVERSITY, Waco, TX - Drama
390 The Play and Its Integrated Story, misc., ca. Apr. 1957-May
1958 |
|
62 |
BAYLOR UNIVERSITY, Waco, TX - Drama
390 Commedia dell'Arte, misc., ante Feb. 1962-ca. Apr.
1963 |
|
63 |
BAYLOR UNIVERSITY, Waco, TX - Drama
390 Commedia dell'Arte, misc., n.d. |
| Box |
Folder |
| 7 |
|
EDUCATIONAL ACTIVITIES (cont.) |
|
1 |
BAYLOR UNIVERSITY, Waco, TX - Drama
396 Mime, misc., Mar. 1957-1958 |
|
2 |
BAYLOR UNIVERSITY, Waco, TX - Drama
396 Mime, misc., Feb. 1959-1963 |
|
3 |
BAYLOR UNIVERSITY, Waco, TX - Drama
396 Mime, misc., n.d. |
|
4 |
BAYLOR UNIVERSITY, Waco, TX - Drama
408 Seminar of Movement and Related Arts, lecture notes, Feb. 12,
1957-Mar. 9, 1962 |
|
5 |
BAYLOR UNIVERSITY, Waco, TX - Drama
408 Seminar of Movement and Related Arts, student papers, ca. Apr.
1962-July 1963 |
|
6 |
BAYLOR UNIVERSITY, Waco, TX - Drama
408 Seminar of Movement and Related Arts, Noh lecture notes,
n.d. |
|
7 |
BAYLOR UNIVERSITY, Waco, TX - Drama
408 Seminar of Movement and Related Arts, misc., n.d. |
|
8 |
BAYLOR UNIVERSITY, Waco, TX - Drama
409 Advanced Production Techniques, not taught by JdL, misc.,
n.d. |
|
9 |
BAYLOR UNIVERSITY, Waco, TX - Drama
450 Thesis, progress reports, Feb. 4, 1959-July 8, 1963 |
|
10 |
BAYLOR UNIVERSITY, Waco, TX - Drama
450 Thesis, misc., n.d. |
|
11 |
BAYLOR UNIVERSITY, Waco, TX -
Diction, not taught by JdL, misc., n.d. |
|
12 |
BAYLOR UNIVERSITY, Waco, TX - Misc.
classroom materials, Sept. 12, 1956-Feb. 6, 1963 |
|
13 |
BAYLOR UNIVERSITY, Waco, TX - Misc.
classroom materials, n.d. |
|
14 |
BAYLOR UNIVERSITY, Waco, TX - Misc.
classroom materials, n.d. |
|
15 |
BOSTON YWCA, Boston, MA - Health
Education Department Program, Jan. 20, 1940 |
|
16 |
COLLEGE OF THE PACIFIC FOLK DANCE
CAMP, Stockton, CA - Hungarian folk dance steps and misc.
information, Aug. 8, 1953-Aug. 7, 1954 |
|
17 |
COLLEGE OF THE PACIFIC FOLK DANCE
CAMP, Stockton, CA - Syllabus and broadside, Aug. 6, 1955 |
|
18 |
CULTURAL ACTIVITIES CENTER, Temple,
TX - Clippings, Oct. 27, 1974-Aug. 29, 1976 |
|
19 |
DALLAS THEATER CENTER, Dallas, TX -
Promotional materials and clippings, ante Sept. 9, 1959-1976 |
|
20 |
DALLAS THEATER CENTER, Dallas, TX -
Theater History, misc., 1973 |
|
21 |
DALLAS THEATER CENTER, Dallas, TX -
History of Styles, misc., ca. Sept. 1974-ca. May 1975 |
|
22 |
DALLAS THEATER CENTER, Dallas, TX -
Latin American Theatre Project, Sept 8, 1961-Nov. 1961 |
|
23 |
DALLAS THEATER CENTER, Dallas, TX -
JdL with Fernando Colina, Frank McMullan, Gabriela Mora, and Pedro
Mortheiro at premiere of "Let the Dogs Bark," photograph
- candid, ca. Mar. 1962 |
|
24 |
DALLAS THEATER CENTER, Dallas, TX -
"Faces of the U. S.," Mime Troupe programs, Mar. 4,
1976-Sept. 9, 1976 |
|
25 |
DALLAS THEATER CENTER, Dallas, TX -
"Lady Liberty," Mime Troupe materials, 1976 |
|
26 |
DALLAS THEATER CENTER, Dallas, TX -
"Shakespeare's Lovers," misc., ca. 1976 |
|
27 |
DUNHAM SCHOOL OF DANCE AND THEATRE,
New York, NY - Misc., June 1947 |
|
28 |
EASTERN ILLINOIS STATE COLLEGE,
Charleston, IL - Misc. 1952-1953 |
|
29 |
FULBRIGHT LECTURESHIP, Latin America
- University of Chile, Santiago, Chile, catalogs (in Spanish), Jan.
1960 |
|
30 |
FULBRIGHT LECTURESHIP, Latin America
- University of Chile, misc. university and departmental
information (in Spanish), July 1959-Sept. 20, 1960 |
|
31 |
FULBRIGHT LECTURESHIP, Latin America
- University of Chile, lesson plans, Aug. 28, 1959-Oct. 27,
1959 |
|
32 |
FULBRIGHT LECTURESHIP, Latin America
- JdL with students at University of Chile, photograph - posed,
1959 |
|
33 |
FULBRIGHT LECTURESHIP, Latin America
- JdL's Final Report on Fulbright Lectureship in Chile, post
Aug. 21, 1960 |
|
34 |
FULBRIGHT LECTURESHIP, Latin America
- University of San Marcos, Lima, Peru, misc. (in Spanish), July
1960 |
|
35 |
FULBRIGHT LECTURESHIP, Latin America
- JdL's official opening lecture to Theatre Arts students and
faculty, seven photographs - candid, July 1960 |
|
36 |
FULBRIGHT LECTURESHIP, Latin America
- JdL with students at University of San Marcos, six photographs -
in class, ca. July 1960 |
|
37 |
FULBRIGHT LECTURESHIP, Latin America
- Ministry of Education, Lima, Peru, clipping (in Spanish), July 9,
1960 |
|
38 |
FULBRIGHT LECTURESHIP, Latin America
- University of Bahia, Salvador, Bahia, Brazil, misc. (in Spanish),
July 8, 1960-Sept. 9, 1960 |
|
39 |
FULBRIGHT LECTURESHIP, Latin America
- JdL with students at unidentified institution, six photographs -
in class, ca. 1960 |
|
40 |
FULBRIGHT LECTURESHIP, Latin America
- Students at unidentified institution, 14 photographs - in class,
ca. 1960 |
|
41 |
FULBRIGHT LECTURESHIP, Latin America
- Clippings (in Spanish), Aug. 19, 1959-June 28, 1960 |
|
42 |
HENDRIX COLLEGE, Conway, AR -
"Discovery 75" program, Feb. 1975 |
|
43 |
HENRY ST. PLAYHOUSE, New York, NY -
"History of the Dance" text, 1950-1951 |
|
44 |
HOFSTRA COLLEGE, Hempstead, Long
Island, NY - Announcement of summer session, June 1952 |
|
45 |
JUANA DE LABAN DANCE SCHOOL, Berlin,
Germany - Misc. (in German), ca. 1938 |
|
46 |
LABAN DANCE STUDIO, New York, NY -
Misc., ca. 1938-Nov. 15, 1939 |
|
47 |
LEWIS and CLARK COLLEGE, Portland, OR
- Misc., July 23, 1961-Aug. 14, 1961 |
|
48 |
LEWIS and CLARK COLLEGE, Portland, OR
- Misc., n.d. |
|
49 |
LEWIS and CLARK COLLEGE, Portland, OR
- Students, four photographs - in class, ca. July 1961 |
|
50 |
NEW YORK CITY COLLEGE, New York, NY -
Notes (typescript) taken by student in JdL's course
"Survey of the Dance" with line drawing, Jan. 29,
1947-Mar. 25, 1947 |
|
51 |
NEW YORK COLLEGE OF MUSIC, New York,
NY - Announcement of workshop, 1939-1940 |
|
52 |
NEW YORK COLLEGE OF MUSIC, New York,
NY - Program of folk songs and dances from Haiti, May 1, 1940-May
3, 1940 |
|
53 |
NEW YORK UNIVERSITY, New York, NY -
"The Development of Guidelines for Classifying and Writing
Abstracts of Dance Research" by Patricia A. Rowe, June 6,
1967 |
|
54 |
NEW YORK UNIVERSITY, New York, NY -
Summer Dance Institute, misc., ca. July 6, 1970-July 30, 1970 |
|
55 |
NEW YORK UNIVERSITY, New York, NY -
Summer Dance Institute, misc., ca. July 1970-Aug. 4, 1970 |
|
56 |
NEW YORK UNIVERSITY, New York, NY -
Summer Dance Institute, misc., Aug. 13, 1970 |
|
57 |
NEW YORK UNIVERSITY, New York, NY -
Summer Dance Institute, misc., Aug. 13, 1970 |
|
58 |
NEW YORK UNIVERSITY, New York, NY -
Summer Dance Institute report, ca. Aug. 14, 1970 |
|
59 |
OKLAHOMA COLLEGE FOR WOMEN,
Chickasha, OK - Misc. university and departmental information, July
22, 1953-May 19, 1954 |
|
60 |
OKLAHOMA COLLEGE FOR WOMEN,
Chickasha, OK - Committee for TV Production reports, Sept. 29,
1953-ante Oct. 10, 1954 |
|
61 |
OKLAHOMA COLLEGE FOR WOMEN,
Chickasha, OK - Scripts and notes for OCW Miniatures, Jan. 20,
1954-Oct. 22, 1954 |
|
62 |
OKLAHOMA COLLEGE FOR WOMEN,
Chickasha, OK - "Why a Women's College" panel
discussion, ante Dec. 2, 1954 |
|
63 |
OKLAHOMA COLLEGE FOR WOMEN,
Chickasha, OK - "The Open Window" television script, Feb.
21, 1954 |
|
64 |
ROKA GYULA, Budapest, Hungary -
Broadside (in Hungarian), ca. 1934 |
|
65 |
SAN JOSE STATE COLLEGE, San Jose, CA
- Broadside, Feb. 5, 1967 |
| Box |
Folder |
| 8 |
|
EDUCATIONAL ACTIVITIES (cont.) |
|
1 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - Misc. university and departmental information, Sept.
2, 1971-Aug. 29, 1973 |
|
2 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - JdL with Ethel Winters, Nakita Talin, Bob Beard, and
Betty Ferguson, photograph - candid, Feb. 6, 1972 |
|
3 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - JdL with Suzanne Paine, Carla Graham, and unidentified
students, photograph - candid, Sept. 11, 1972 |
|
4 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - Dance 2325/3325 History of the Dance, misc., Sept. 7,
1971-May 18, 1972 |
|
5 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - Dance 2325/3325 History of the Dance, misc., n.d. |
|
6 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - Dance 4362 Basic Principles for Dance Theory II,
misc., Jan. 24, 1973 |
|
7 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - Dance 5362 Twentieth Century Concepts, misc., ca.
Sept. 1971-Dec. 15, 1971 |
|
8 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - Dance 5362 Twentieth Century Concepts, misc., ca. Jan.
1972-May 1972 |
|
9 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - Dance 5362 Twentieth Century Concepts, misc., Sept. 6,
1972-Apr. 11, 1973 |
|
10 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - Dance 5362 Twentieth Century Concepts, student papers,
May 8, 1973-May 9, 1973 |
|
11 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - Dance 5362 Twentieth Century Concepts, misc.,
n.d. |
|
12 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - Dance 5362 Twentieth Century Concepts, misc.,
n.d. |
|
13 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - Dance 6198 Directed Studies, student projects, May 8,
1973-May 10, 1973 |
|
14 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - Dance 6395 Advanced Dance History, bibliographic
materials, ca. Sept. 1971 |
|
15 |
SOUTHERN METHODIST UNIVERSITY,
Dallas, TX - Thesis concert program, Dec. 11, 1971 |
|
16 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Misc. university information, Mar. 31, 1964-Jan. 25, 1971 |
|
17 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Misc. university information, n.d. |
|
18 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Misc. dance department information, Mar. 12, 1965-Oct. 1975 |
|
19 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Program in Dance Ethnology, misc., July 28, 1965-Nov. 11,
1968 |
|
20 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- JdL with Jose Limon, photograph - candid, ca. 1965 |
|
21 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Jose Limon with JdL and two unidentied persons, photograph -
candid, ca. 1965 |
|
22 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- JdL with Jose Limon, Alwin Nikolais, and other unidentified
person, two photographs - candid, ca. 1965 |
|
23 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- JdL with Alma Hawkins, Alwin Nikolais, and two unidentified
persons, photograph - candid, ca. 1965 |
|
24 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- JdL with Alwin Nikolais, photograph - candid, ca. 1965 |
|
25 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, broadside, Nov. 6, 1966-Apr. 2, 1967 |
|
26 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, JdL with Bella Lewitzky, photograph - candid,
Nov. 6, 1966 |
|
27 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, "Denishawn Revisted," misc., Nov.
20, 1966 |
|
28 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, Ruth St. Denis and her dancers, 11 photographs
- candid, Nov. 20, 1966 |
|
29 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, Hazel Chung, Mantle Hood, and performers, 10
photographs - candid, Dec. 11, 1966 |
|
30 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, David Lichine with dancers, three photographs
- candid, Jan. 8, 1967 |
|
31 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, Gene Kelly, five photographs - candid, Jan.
22, 1967 |
|
32 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, Tony Charmoli with unidentified dancer; JdL
with unidentified observers, four photographs - candid, Feb. 12,
1967 |
|
33 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, Jose Fernandez with performers, six
photographs - candid, Mar. 5, 1967 |
|
34 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, Alma Hawkins and Mary Whitehouse; John Martin
and Alma Hawkins; JdL with Alma Hawkins and unidentied woman, three
photographs - candid, Mar. 19, 1967 |
|
35 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, Trudi Schoop; JdL with Trudi Schoop and
unidentied dancer, four photographs - candid, Mar. 19, 1967 |
|
36 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, Jeri Salkin and children dancers, four
photographs - candid, Mar. 19, 1967 |
|
37 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, JdL with Eugene Loring, two photographs -
candid, Apr. 2, 1967 |
|
38 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, JdL with Michael Baird, photograph - candid,
ca. 1967 |
|
39 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance, misc., six photographs - candid, ca. 1967 |
|
40 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance 2, misc., ca. Jan. 1968-ca. Feb. 25, 1968 |
|
41 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance 2, "A Portfolio of Impressions" by
Elizabeth Talbot-Martin, ca. Feb. 1968 |
|
42 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Panorama of Dance 2, student paper, ca. Feb. 1968 |
|
43 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Proposal for field study researching dance as communication,
author unidentified, ca. 1967 |
|
44 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- JdL with Laban Award recipients Bob Small and Mike Weddle, ca.
1969 |
|
45 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- African Studies, misc., Nov. 1, 1966-May 17, 1967 |
|
46 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- African Studies, "African Art--A Social Anthropologist's
View" (mimeograph draft) by John Beattie, Jan. 22, 1967 |
|
47 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- African Studies, "The Affecting Symbol--Remarks on Its
Nature, Its Function, and Its Study" (mimeograph draft) by
Robert Plant Armstrong, Jan. 25, 1967 |
|
48 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- African Studies, "Critical Standards for the African
Arts" (mimeograph draft) by Frank McEwen, Feb. 1, 1967 |
|
49 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- African Studies, "Music and the Musician in Igbo and Hausa
Societies: A Comparative Examination" (mimeograph draft) by
David Ames, Mar. 15, 1967 |
|
50 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Latin American Studies, Play Competition (in English and
Spanish), ante Mar. 10, 1966-June 29, 1967 |
|
51 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Latin American Studies, Play Competition (in English and
Spanish), Feb. 1, 1966-Dec. 18, 1966 |
|
52 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Latin American Studies, Peace Corps Syllabus, ante Mar. 10,
1966 |
| Box |
Folder |
| 9 |
|
EDUCATIONAL ACTIVITIES (cont.) |
|
1 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 20 Movement for the Stage, misc., Apr. 23, 1965-Dec. 20,
1967 |
|
2 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 20 Movement for the Stage, misc., n.d. |
|
3 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 34 Movment for the Stage, misc., Oct. 16, 1963-ca. Oct.
1966 |
|
4 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 34 Movement for the Stage, misc., n.d. |
|
5 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 37 Creative Dance, not taught by JdL, study guide,
n.d. |
|
6 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 112 Advanced Dance, not taught by JdL, student paper, ca.
Jan. 1970 |
|
7 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 151 History of the Dance, misc., Oct. 1963-Sept. 1964 |
|
8 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 151 History of the Dance, lecture notes, Oct. 1964 |
|
9 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 151 History of the Dance, misc., Jan. 1965-Mar. 1968 |
|
10 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 151 History of the Dance, student papers and test, June
1968 |
|
11 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 151 History of the Dance, misc., Oct. 1968-Dec. 1968 |
|
12 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 151 History of the Dance, misc., June 1969- May 21,
1973 |
|
13 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 151 History of the Dance, misc., n.d. |
|
14 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 158 Philosophical Bases and Trends in Dance, lecture notes,
Nov. 24, 1964-Dec. 1, 1964 |
|
15 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 158 Philosophical Bases and Trends in Dance, study guides,
n.d. |
|
16 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 170 Ethnic Dance of Eastern Cultures, not taught by JdL,
misc., n.d. |
|
17 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 202 Research Methods and Bibliography, misc., Aug.
1963-Jan. 26, 1966 |
|
18 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 202 Research Methods and Bibliography, misc., May 13,
1966-Aug. 26, 1969 |
|
19 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 202 Research Methods and Bibliography, misc., Sept. 22,
1969-Dec. 11, 1969 |
|
20 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 202 Research Methods and Bibliography, misc., Dec. 16,
1969-Jan. 20, 1970 |
|
21 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 202 Research Methods and Bibliography, misc., Aug. 12,
1970-Nov. 1970 |
|
22 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 202 Research Methods and Bibliography, student papers, Dec.
7, 1970-Dec. 9, 1970 |
|
23 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 202 Research Methods and Bibliography, misc., post Dec. 9,
1970-post 1975 |
|
24 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 202 Research Methods and Bibliography, misc., n.d. |
|
25 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 202 Research Methods and Bibliography, misc., n.d. |
|
26 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 210 Aesthetics, misc., Apr. 9, 1964-Dec. 8, 1965 |
|
27 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 210 Aesthetics, misc., Jan. 1966 |
|
28 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 210 Aesthetics, misc., Oct. 1966-Apr. 1967 |
|
29 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 210 Aesthetics, misc., May 1967 |
|
30 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 210 Aesthetics, misc., June 1967-Sept. 1969 |
|
31 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 210 Aesthetics, misc., Jan. 1970-Mar. 1970 |
|
32 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 210 Aesthetics, misc., Jan. 18, 1971-Oct. 10, 1972 |
|
33 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 210 Aesthetics, misc., n.d. |
|
34 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 220 The History of the Ballet, lecture notes, Mar. 9,
1965-May 23, 1966 |
|
35 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 220 The History of the Ballet, misc., 1967-Jan. 1968 |
|
36 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 220 The History of the Ballet, misc., Sept. 1968-Nov.
1970 |
|
37 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 220 The History of the Ballet, lecture notes and student
paper, n.d. |
|
38 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 226 Dance Expressions in Selected Cultures, misc., Nov. 8,
1968-Mar. 1969 |
|
39 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 226 Dance Expressions in Selected Cultures, misc., July 9,
1969-Mar. 1970 |
|
40 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Dance 226 Dance Expressions in Selected Cultures, misc.,
n.d. |
| Box |
Folder |
| 10 |
|
EDUCATIONAL ACTIVITIES (cont.) |
|
1 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, misc., Jan. 1963-July 30, 1964 |
|
2 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, lecture notes, ante Sept. 21, 1964-Apr. 2,
1965 |
|
3 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, misc., ante Sept. 20, 1965-June 6, 1966 |
|
4 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, misc., Oct. 3, 1966-Dec. 1966 |
|
5 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, misc., ante Jan. 6, 1967-May 29, 1967 |
|
6 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, misc., ante Oct. 2, 1967-May 23, 1968 |
|
7 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, misc., Oct 1968-Oct. 14, 1970 |
|
8 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, course development project, Oct. 4, 1966-Mar.
19, 1967 |
|
9 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, notes on the Romantic and Neo-Classic Ballet,
n.d. |
|
10 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, notes on the Baroque Period, n.d. |
|
11 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, notes on the Renaissance, n.d. |
|
12 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, notes on Greek and Roman Periods, n.d. |
|
13 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, notes for Spanish Dance lecture, n.d. |
|
14 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, misc., n.d. |
|
15 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, misc., n.d. |
|
16 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, misc. materials not generated by JdL, 1946-Mar.
1966 |
|
17 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Integrated Arts, misc. materials not generated by JdL, n.d. |
|
18 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Student papers written for unidentified courses, 1965-Feb.
20-1969 |
|
19 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Student papers written for unidentified courses, n.d. |
|
20 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Student papers written for other teachers saved by JdL, Jan.
1970-Mar. 1970 |
|
21 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Thesis information, misc., Mar. 5, 1965-Oct. 17, 1968 |
|
22 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Thesis information, misc., n.d. |
|
22a |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Notes (holograph) on An Experimental Investigation of the
Phenomonology of Kinesthetic Perception in Its Relation to Certain
Measures of Movement Capacity by Elizabeth Vickery Hubbard,
n.d. |
|
23 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- PE 10B Introduction to Kinesiology, not taught by JdL, misc.,
Feb. 5, 1969-Feb. 9, 1969 |
|
24 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- PE S200 Philosophy in Physical Education, not taught by JdL,
study guides, ca. June 21, 1971-July 30, 1971 |
|
25 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- PE S215 Social Correlates of Human Movement, not taught by JdL,
study guides, June 21, 1971-July 30, 1971 |
|
26 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- PE 410 Towards Century 21, not taught by JdL, bibliographic
materials, n.d. |
|
27 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- The New Physical Education, not taught by JdL, misc., n.d. |
|
28 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Misc. classroom materials, Mar. 2, 1966-Oct. 5, 1972 |
|
29 |
UNIVERSITY OF CALIFORNIA, LOS ANGELES
- Misc. classroom materials, n.d. |
|
30 |
UNIVERSITY OF CALIFORNIA, SANTA
BARBARA, Santa Barbara CA - Misc. workshop materials, Apr. 11,
1965 |
|
31 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- Misc. university and departmental information, Aug. 29, 1947-June
29, 1950 |
|
32 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- Misc. university and departmental information, n.d. |
|
33 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- Departmental curriculum, ca. 1948 |
|
34 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- Drama dance class, lesson plans, Oct. 7, 1947 - Dec. 16,
1947 |
|
35 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- Lesson plans and notes for children's dance, Jan. 8,
1948 |
|
36 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- Syllabus and lesson plans for high school level dance, Nov. 8,
1948-Dec. 13, 1948 |
|
37 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- Notes on rhythm, ca. 1948 |
|
38 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- Education F 130 The Dance in Folkways, Art, and Education, study
guides, ca. 1948 |
|
39 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- Student translation of 1738-1938 History of Ballet Department of
Petersburg Theatre School Today Leningrad State School of
Choreography (typescript) by M. Borisoglevsky for Education F 130
The Dance in Folkways, Art, and Education, ca. 1948 |
|
40 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- Flint Folk Festival, misc., Nov. 20, 1947-Nov. 1949 |
|
41 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- Flint Folk Festival, two photographs - candid, Nov. 18, 1948 |
|
42 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- JdL with students, photograph - candid, 1950 |
|
43 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- Commemorative program celebrating "50 Years of Curricular
Theatre at the University of Michigan," 1965 |
|
44 |
UNIVERSITY OF MICHIGAN, Ann Arbor, MI
- JdL with students, six photographs - in dance class, Jan. 14,
1947 |
|
45 |
UNIVERSITY OF WISCONSIN--MILWAUKEE,
Milwaukee, WI - Misc. classroom materials, Feb. 7, 1971-ca. June
1971 |
|
46 |
YOUNG MEN'S HEBREW ASSOCIATION,
New York, NY - Announcement of courses and recitals, 1939 |
|
47 |
UNIDENTIFIED INSTITUTION - Listing of
Renaissance and Baroque Dances to be taught each week day (in
Hungarian), ca. 1938 |
|
48 |
UNIDENTIFIED INSTITUTION - Catalog
description, ca. 1940 |
|
49 |
UNIDENTIFIED INSTITUTION - Notes for
the development of a dance and choreography department based on the
Laban method, n.d. |
|
50 |
UNIDENTIFIED INSTITUTION -
Instructions for folk and social dances, n.d. |
|
51 |
UNIDENTIFIED INSTITUTION - Notes on
the teaching of rhythm, n.d. |
|
52 |
UNIDENTIFIED INSTITUTION - Misc.
classroom materials, n.d. |
|
53 |
UNIDENTIFIED INSTITUTION - Student
paper, n.d. |
|
54 |
UNIDENTIFIED INSTITUTION - Student
papers, n.d. |
|
55 |
UNIDENTIFIED INSTITUTION - Student
papers, n.d. |
|
56 |
UNIDENTIFIED INSTITUTION - Student
prepared dance bibliography, n.d. |
|
57 |
UNIDENTIFIED INSTITUTION - Visual
Work - film positive, student prepared, n.d. |
|
58 |
UNIDENTIFIED INSTITUTION - Visual
Work - oil stick, student work, n.d. |
|
|
|
|
|
|
|
|
|
|
|
|
| Series IV - Writings (Boxes
11-12) |
|
|
Scope and Contents |
|
|
This series concentrates on JdL's professional
role as critic, interpreter, researcher, historian, and scholar.
The first subseries titled PUBLISHED comprises JdL's own
writings which began in the early 1930's and continued through
the remainder of her life. While not comprehensive, this subseries
reflects the broad scope of her interests and the international
recognition she received as a dance scholar. See also oversized box
56, folder 9. Grouped in the second subseries are UNPUBLISHED which
were found in the collection but have no apparent publisher.
Finally, the third subseries, ABOUT JdL, contains only three
pieces, representing an anomaly in contrast to her acknowledged
stature as a dance educator. The folders within each subseries are
arranged chronologically, including not only bound journals, but
also research notes and materials, holograph drafts, and annotated
typescripts. |
| Box |
Folder |
| 11 |
|
PUBLISHED |
|
1 |
"Tanzberichte: Budapest--50
jahriges Jubilaum des Opernballetts" (in German), In: Der
Tanz, Berlin, p. 13, Dec. 1934 |
|
2 |
"Tanzberichte: Budapest"
(in German), In: Der Tanz, Berlin, pp. 12-13 Apr. 1935 |
|
3 |
"The Dance in Hungary", In:
The Dancing Times, London, pp. 168, 179, May 1935 |
|
4 |
"Tanzberichte: Budapest -
Gyongyosbokreta" (in Hungarian), In: Der Tanz, Berlin,, pp.
12-14 Oct. 1935 |
|
5 |
"Notes from Budapest", In:
The Dancing Times, London, pp. 559, 561, Jan. 1936 |
|
6 |
"Tanzberichte: Budapest"
(in German), In: Der Tanz, Berlin, pp. 9-11, Mar. 1936 |
|
7 |
"Tanzberichte: Budapest"
(in German), In: Der Tanz, Berlin, pp. 21-22 Apr. 1936 |
|
8 |
"Notes from Budapest", In:
The Dancing Times, London, p. 179, May 1936 |
|
9 |
"The Month in Budapest",
In: The Dancing Times, pp. 293-294 June 1936 |
|
10 |
"Tanzberichte: Budapest"
(in German)In: Der Tanz, Berlin, pp. 24-25, July 1936 |
|
11 |
"Tanzberichte: Budapest"
(in German)In: Der Tanz, Berlin, pp. 13-14, |
|
|
|
Oct. 1936 |
|
|
|
Two draft copies (holographs), ca.
Sept. 1936 |
|
12 |
"Tanzberichte: Budapest"
(in German), In: Der Tanz, Berlin,, pp. 12-13 Dec. 1936 |
|
13 |
"Tanzberichte: Budapest"
(in German), In: Der Tanz, Berlin, pp. 8-9, Jan. 1937 |
|
14 |
"Budapest: A New Ballet at the
Opera House", The Dancing Times, London, p. 663 Feb. 1937 |
|
15 |
"Tanzberichte: Budapest"
(in German), In: Der Tanz, Berlin, p. 22, Mar. 1937 |
|
16 |
"Tanzberichte: Budapest"
(in German), In: Der Tanz, Berlin, p. 15 July 1937 |
|
17 |
"An Air Raid Ballet: The Dance
in Budapest: A New Ballet at the Royal Opera--Ballet as
Propaganda," plus clipping, In: The Dancing Times, London, pp.
436-438 July 1937 |
|
18 |
"Tanzberichte: Budapest"
(in German), In: Der Tanz, Berlin, p. 15 Jan. 1938 |
|
19 |
"Tanzchor" (in German), In:
Der Tanz, Berlin, p. 19 June 1938 |
|
20 |
"Basic Laban Principles and
Methods", In: F. R. Rogers (Ed.), Dance: A Basic Educational
Technique, New York: Macmillan, pp. 193-213 1941 |
|
21 |
"Scenery for the Dance: Part I:
A Little Bit of History", In: Dance Observer, New York, pp.
48-49 Apr. 1942 |
|
22 |
"Scenery for the Dance: Part II:
A Little Bit of Actuality", In: Dance Observer, New York, p.
62 May 1942 |
|
23 |
"The Need for Realism, Courage,
and Invention in Modern Dance", In: Journal of Health and
Physical Education, Washington D.C., pp. 442-443 Dec. 1945 |
|
24 |
"A Critical View of Televised
Dance", In: Telescreen, Newark, NJ, p. 8 Winter 1945-1946 |
|
25 |
"Introduction to Dance
Notation", In: Dance Index, New York, pp. 89-127 Apr.-May
1946 |
|
26 |
Reference notes and materials
(holograph, typescript, and photostat) for "An Introduction to
Dance Notation," ca. 1946 |
|
27 |
"What is the Trend in Dance
Education?", In: Journal of Health and Physical Education,
Washington D.C., pp. 472, 513-514, 533 Sept. 1948 |
|
28 |
Review of The American Square Dance
by Margot Mayo, In: Southern Folklore Quarterly, Gainesville, FL,
pp. 298-299 1948 |
|
29 |
"Revival of American Square and
Country Dancing", In: Michigan History, Lansing, MI, pp.
163-164 June 1949 |
|
30 |
Review of Hungarian Folk Dances, Vol.
I, 15 Couple and Group Dances, with Complete Description and Dance
Notation, with the Melody Line of the Respective Tunes, edited by
Emma Lugossy and Gonyey Sandor, plus notes (holograph) and
clippings, In: Dance Observer, New York, p. 88 June-July 1949 |
|
31 |
"Modern Dance in
Education", In: The University of Michigan School of Education
Bulletin, Ann Arbor, MI, pp. 41-44 Dec. 1949 |
|
32 |
"Modern Educational Dance",
In: American Turner Topics, Detroit, MI, pp. 12-13 Jan. 1950 |
|
33 |
Review of The Folk Dance Library by
Anne Schley Duggan, Jeanette Schlottmann, and Abbie Rutledge, In:
Southern Folklore Quarterly, Gainesville, FL, pp. 112-115 June
1950 |
|
34 |
"For a Fine Arts Core
Curriculum--The Dance", In: Michigan Education Journal,
Lansing, MI, pp. 178-180 Oct. 1950 |
|
35 |
Reprint of "What is the Trend in
Dance Education?" In: The Laban Art of Movement Guild News
Sheet, Dartington, England, pp. 18-21 Jan. 1951 |
|
36 |
"Dance Program Most Stimulating,
Reviewer Reports" (fragment), In: The Daily Courier,
Charleston, IL, April 16, 1953 |
|
37 |
"Movement Notation: Its
Significance to the Folklorist", In: Journal of American
Folklore, pp. 291-295 July-Sept. 1954 |
|
38 |
Review of On Dramatic Method by
Harley Granville-Barker, In: Players Magazine, Lawrence, KS, p. 18
Oct. 1957 |
|
39 |
Review of The Kabuki Handbook by
Aubrey S. and Giovanna M. Halford, plus draft copy (typescript),
In: Players Magazine, Lawrence, KS, p.163 Apr. 1958 |
|
40 |
Review of Finnegans Wake by James
Joyce, In: Players Magazine, Lawrence, KS, p. 16 Oct. 1958 |
|
41 |
"Laban at Addlestone", In:
The New Era in Home and School, London,, pp. 91-93 May 1959 |
|
42 |
Review of A Primer for Playgoers by
Edward A. Wright In: Educational Theatre Journal, Washington D.C.,
pp. 159-160 May 1959 |
|
43 |
Review of The Best Plays of 1957-1958
edited by Louis Kronenberger, In: Players Magazine, Lawrence, KS,
pp. 190-191 May 1959 |
|
44 |
"Encanto Personal" (in
Spanish), Printed by Asociacion Cristiana Femenina, Santiago,
Chile, pp. 1-21 1960 |
|
45 |
"El Movimiento Aplicado al
Actor" (in Spanish), In: Histrion, Lima, Peru, p. 17 Mar.
1961 |
|
46 |
Review of Canada On Stage: A
Collection of One-Act Plays, edited by Stanley Richards, In:
Educational Theatre Journal, Washington D.C., pp. 140-141, May
1961 |
|
47 |
"Lazarus Laughed," plus
draft copy (typescript), In: Christian Drama, London, pp. 13-18
Winter 1962 |
|
48 |
"Training of Movement for
Religious Drama", In: Players Magazine, Lawrence, KS, pp.
107-108 Jan. 1963 |
|
49 |
"Training for Religious Drama in
an American University", In: Laban Art of Movement Guild
Bulletin for Overseas Members - No. 4, Dartington, England, pp. 3-7
Feb. 1963 |
|
50 |
Abstract of "Existential Thought
and Feeling in Modern Dance," plus two draft copies
(typescript), In: Report of the Thirty-Ninth Annual Conference of
the Western Society of Physical Education of College Women,
Asilomar, CA, Nov. 7-10, pp. 82-83 1963 |
|
51 |
"Modus Operandi", In:
Quest, Tucson, AZ, pp. 15-18 April 1964 |
|
52 |
"The Art of Movement for the
Stage", In: The Secondary School Theatre Conference News,
Harvey, IL, pp. 9-10 Fall 1964 |
|
53 |
"A Collection of Dance Programs,
1909-1963," plus draft copy (typescript), In: UCLA Librarian,
Los Angeles, CA, pp. 55-56 May-June 1965 |
|
54 |
Reference materials and notes
(holograph and Dance Index, Apr.-May 1948) for "A Collection
of Dance Programs, 1909-1963," ca. 1965 |
|
55 |
Review of Dances of Anahuac by
Gertrude P. Kurath amd Samuel Marti, In: Ethnomusicology, Urbana,
IL, pp. 104-105 Jan. 1966 |
|
56 |
Program notes titled "About the
Artist" in playbill for Murray Louis performance, p. 29 Mar.
26, 1966 |
|
57 |
Review of The Phenomenology of Dance
by Maxine Sheets, plus draft copy (typescript), In: Educational
Theatre Journal, Washington D.C., p. 184 May 1966 |
|
58 |
Reviews of The Dance in Ancient
Greece by Lillian B. Lawler and Dances of Anahuac by Gertrude P.
Kurath and Samuel Marti, In: Archaeology, New York, p. 225 June
1966 |
|
59 |
"Emile Jaques-Dalcroze
Centennial Conference" and review of Tanzerin, Choreographn,
Padagogin: Rosalia Chladek, edited by Gerda Alexander and Hans
Groll, plus three draft copies (holograph and typescript in French
and English), In: Ethnomusicology, Urbana, IL, pp. 322-324 and pp.
345-347 respectively, Sept. 1966 |
|
60 |
Daily report on the proceedings of
the Dalcroze Conference (typescript in English, French, and
German), Aug. 9, 1965 |
|
61 |
Daily report on the proceedings of
the Delcroze Conference (typescript in English, French, and
German), Aug. 10, 1965 |
|
62 |
Daily reports on the proceedings of
the Dalcroze Conference (typescript in English, French, and
German), Aug. 11-12, 1965 |
|
63 |
Daily report on the proceedings of
the Dalcroze Conference (typescript in English, French, and
German), Aug. 13, 1965 |
|
64 |
"Medievals Don't Dig
Dancing" (fragment), In: UCLA Daily Bruin, Los Angeles, CA,
Oct. 14, 1966 |
|
65 |
Program notes titled "The Paul
Taylor Dance Company" for playbill (fragment), Dec. 4,
1966 |
|
66 |
Program notes titled "About the
Artist" in playbill (fragment) for Carmen de Lavallade
performance, Jan. 15, 1967 |
|
67 |
Review of Behind Spanish American
Footlights by Willis Knapp Jones, In: The American Society for
Theatre Research Newsletter, Princeton, NJ, pp. 12-14, Feb.
1967 |
|
68 |
"The Creative Are Our Most
Valuable Commodity Today" In: Journal of Health, Physical
Education, and Recreation, Washington D.C., pp. 52, 60 June
1967 |
|
69 |
Review of Tanzbibliographie, Vols.
1-3 edited by Kurt Petermann (typescript), plus draft copy
(typescript) and broadside, In: Ethnomusicology, Urbana, IL, pp.
289-291 May 1968 |
|
70 |
"The Ruth St. Denis Dance
Collection", In: UCLA Librarian, Los Angeles, CA, pp. 39-40
Sept. 1968 |
|
71 |
Review of Three Pamphlets Collected:
Blast at Ballet, 1937; Ballet Alphabet, 1939; What Ballet is All
About, 1959 by Lincoln Kirstein and Modern Dance Forms in Relation
to the Other Modern Arts by Louis Horst and Carroll Russell
(typescript), plus draft copy (typescript), In: Journal of
Aesthetics and Art Criticism, pp. 116-118 Fall 1968 |
|
72 |
Review of Monodrama, Attitudes,
Tableaux Vivants by Kirsten Gram Holmstrom (typescript), In:
Theatre Research Recherches Theatrales, London, Vol. XI, No. 2, pp.
118-119 1968 |
|
73 |
"The ITUCH in USA"
(typescript), In: Latin American Theatre Review, Vol. I/II, pp.
71-72, n.d. |
|
74 |
"Choreography with Film,"
plus research notes, In: Research In Dance: Problems and
Possibilities: The Proceedings of the Preliminary Conference on
Research in Dance held May 26-28, 1967, New York, pp. 129-132
1968 |
|
75 |
Review of American Folk Art: The Art
and Spirit of a People by Peter Welch, In: Western Folklore, pp.
70-71 Jan. 1969 |
|
76 |
"Exhibit of Arthur Todd
Collection on Isadora Duncan" In: UCLA Librarian, Los Angeles,
CA, pp. 1-2 Jan. 1969 |
|
77 |
Review of Folk Song Style and Culture
by Alan Lomax (typescript), In: Journal of Aesthetics and Art
Criticism, pp. 106-108 Fall 1969 |
|
78 |
Review of Tanzbibliographie, Vols.
1-6, edited by Kurt Petermann, In: Western Folklore, pp. 64-65 Jan.
1970 |
|
79 |
"Institute at New York
University - Summer 1970", In: CORD News, New York, p. 6 Apr.
1970 |
|
80 |
Review of Song, Dance and Poetry of
the Court of Scotland under King James VI by Helena Meanie Shire
(typescript), In: Modern Language Journal, pp. 359-360 May
1970 |
|
81 |
Reviews of Alphabet of Movements of
the Human Body by V. I. Stepanov; Pre-Classic Dance Forms by Louis
Horst; Dance, A Short History Theatrical Dancing by Lincoln
Kirstein; Artists of the Dance by Lillian Moore; and Anthology of
Impulse: Annual of Contemporary Dance, 1951-1966 edited by Marian
Van Tuyl (typescript), In: Journal of Aesthetics and Art Criticism,
pp. 556-557 Summer 1970 |
|
82 |
"Perspective Retrospective:
Conference Summary," plus draft copy (photostat), In: Dance
History Research: Perspectives from Related Arts and Disciplines:
The Proceedings of the Second Conference on Research in Dance held
July 4-6, 1969, New York, pp. 107-112 1970 |
|
83 |
"Urgent Research in Dance",
In: Bulletin of the International Committee on Urgent Anthropology
and Ethnological Research, Vienna, Austria, No. 12, pp. 13-16
1970 |
|
84 |
Review of Tanzbibliographie, Vols.
7-10 by Kurt Petermann (typescript), plus research notes
(holograph), In: Western Folklore, pp. 154-155 Apr. 1971 |
|
85 |
"Selected Reference Materials
for Dance", In: Theatre Documentation, pp. 21-30
1971-1972 |
|
86 |
Annotated reviews of Body Movement
for Children by Marion North; The Use of Stanislavsky Within Modern
Dance by Valentina Litvinoff; and The Ballerinas, From the Court of
Louis XIV to Pavlova by Parmenia Migel, In: Educational Theatre
Journal, Washington D.C., pp. 472-473 Dec. 1972 |
| Box |
Folder |
| 12 |
|
PUBLISHED (cont.) |
|
1 |
Institute of Court Dances of the
Renaissance and Baroque Periods held Aug. 29-Sept. 7, 1970 and Aug.
22-Sept. 4, 1971, edited by JdL, New York, 1972 |
|
2 |
Submitted draft of Part I (carbon
copy) of Institute of Court Dances of the Renaissance and Baroque
Periods, ca. 1972 |
|
3 |
Submitted draft of Parts II and III
(carbon copy) of Institute of Court Dances of the Renaissance and
Baroque Periods, ca. 1972 |
|
4 |
Submitted draft of Part IV (carbon
copy) of Institute of Court Dances of the Renaissance and Baroque
Periods, ca. 1972 |
|
5 |
Submitted draft of Part V, Summary,
and Biographical Notes (carbon copy) of Institute of Court Dances
of the Renaissance and Baroque Periods, ca. 1972 |
|
6 |
Court Dance Institute Report and
Summary (holograph), ca. 1972 |
|
7 |
Draft report (typescript) on the
Tomlinson Minuet for the Court Dance Institute, ca. 1972 |
|
8 |
Draft report (photostat) on Julia
Sutton, teacher of 16th century dance and music, at the Court Dance
Institute, ca. 1972 |
|
9 |
Draft report (photostat) on Ray Cook,
dance notator, at the Court Dance Institute, ca. 1972 |
|
10 |
Misc. correspondence regarding the
publication of Institute of Court Dances of the Renaissance and
Baroque Periods, Mar. 14, 1970- Apr. 16, 1972 |
|
11 |
Misc. notes (typescript and
holograph) on the Court Dance Institute, ca. 1972 |
|
12 |
Notes (holograph) regarding the audio
recordings of the Court Dance Institute, ca. 1972 |
|
13 |
Transcription (typescript) of Tape 1
on the Court Dance Institute, ca. 1972 |
|
14 |
Transcription (typescript) of Tape 2
on the Court Dance Institute, ca. 1972 |
|
15 |
Transcription (typescript) of Tape 4
on the Court Dance Institute, ca. 1972 |
|
16 |
Transcription (typescript) of Tape 5
on the Court Dance Institute, ca. 1972 |
|
17 |
Transcription (typescript) of Tape 6
on the Court Dance Institute, ca. 1972 |
|
18 |
Transcription (typescript) of Tape 7
on the Court Dance Institute, ca. 1972 |
|
19 |
Transcription (typescript) of Tape 8
on the Court Dance Institute, ca. 1972 |
|
20 |
Transcription (typescript) of Tape 9
on the Court Dance Institute, ca. 1972 |
|
21 |
Transcription (typescript) of Tape 10
on the Court Dance Institute, ca. 1972 |
|
22 |
Transcription (typescript) of Tape 11
on the Court Dance Institute, ca. 1972 |
|
23 |
Transcription (typescript) of Tape 12
on the Court Dance Institute, ca. 1972 |
|
24 |
Transcription (typescript) of Tape 13
on the Court Dance Institute, ca. 1972 |
|
25 |
Transcription (typescript) of Tape 14
on the Court Dance Institute, ca. 1972 |
|
26 |
Transcription (typescript) of Tape 15
on the Court Dance Institute, ca. 1972 |
|
27 |
Transcription (typescript) of Tape 16
on the Court Dance Institute, ca. 1972 |
|
28 |
Transcription (typescript) of Tape 17
on the Court Dance Institute, ca. 1972 |
|
29 |
Transcription (typescript) of Tape 18
on the Court Dance Institute, ca. 1972 |
|
30 |
Transcription (typescript) of Tape 19
on the Court Dance Institute, ca. 1972 |
|
31 |
Transcription (typescript) of Tape 20
on the Court Dance Institute, ca. 1972 |
|
32 |
Transcription (typescript) of Tape 21
on the Court Dance Institute, ca. 1972 |
|
33 |
Transcription (typescript) of Tape 22
on the Court Dance Institute, ca. 1972 |
|
34 |
Transcription (typescript) of Tape 23
on the Court Dance Institute, ca. 1972 |
|
35 |
Study guides distributed by Ingrid
Brainard at the Court Dance Institute, ca. 1972 |
|
36 |
Study guides distributed by Shirley
Wynne at the Court Dance Institute, ca. 1972 |
|
37 |
Study guides distributed by Daniel
Pinkham at the Court Dance Institute, ca. 1972 |
|
38 |
Study guides distributed by Wendy
Hilton at the Court Dance Institute, ca. 1972 |
|
39 |
Misc. study guides distributed at the
Court Dance Institute, ca. 1972 |
|
40 |
Broadside and misc. materials
distributed at the Court Dance Institute, ca. 1972 |
|
41 |
"Mary Wigman, 1886-1973"
and "Report on Summer Dance Conferences in England," plus
draft copy (typescript) of Wigman piece, In: CORD News, New York,
pp. 8-9 and 34-36 respectively Nov. 1973 |
|
42 |
Broadside and misc. bibliographic
information (typescript and holograph) contributed to A
Bibliography: "Multi-Disciplinary Approaches to Dance in
Elementary Education," compiled by JoAnne C. Sellars,
1973 |
|
43 |
"Probings: a. The Graduate
Student and Dance Research; b. Dance Research: Inherent Approaches;
c. Dance Criticism, What Criteria for Analysis?", In: Dance
Research Monograph One 1971-1972, New York, pp. 187-205 1973 |
|
43a |
Review of Won't You Join the
Dance? by Trudi Schoop with Peggy Mitchell (typescript), plus
broadsides, In: CORD News, New York, p. 54 July 1974 |
|
44 |
Review of Fanny Elssler by Ivor Guest
(typescript), In: Theatre Research Recherches Theatrales, London,
Vol. XIII, No. 2, pp. 207-209 1974 |
|
45 |
"Melodischer Tanz. Eine
musicpsychologische [sic] Studie/Molodie dance. A
musico-psychological study" (trans.) , In: Klaus P. Wachsmann,
Dieter Christensen, and Hans-Peter Reinecke (Eds.), Hornbostel
Opera Omnia I, pp. 203-216. Plus draft copy (holograph and
typescript) and original text (photostat in German) 1975 |
| 12 |
|
UNPUBLISHED |
|
46 |
Reviews (typescript in German) of
performances in Budapest and Berlin, ca. 1937 |
|
46a |
"The Titan" (typescript),
post July 1, 1958 |
|
47 |
Review (holograph) of Daniel
Nagrin's Dec. 3, 1965 performance at UCLA, plus clipping, ca.
Dec. 5, 1965 |
|
48 |
Review (holograph) of Foundations of
Movement by Barratt, Biles, Harvey, Scott, Seidel, Williams, and
Wilson, ca. Feb. 1966 |
|
49 |
[Research Practices at the Austrian
Folksong Institute] (holograph), plus report on Austrian Folksong
Institute (typescript in German), ca. 1966 |
|
50 |
Two draft copies of
"Dance-Dance" (typescript), ca. Aug. 31, 1967 |
|
51 |
Response (typescript) to "A
Tropical Aesthetic: The Artistic Criticism of the Dance in Negro
Traditional Africa" by Robert Farris Thompson, ca. Oct.
1967 |
|
52 |
Reference notes and materials
(holograph, typescript, and photostat) used to prepare response to
Thompson's article, ca. Oct. 1967 |
|
53 |
Review (typescript) of History of the
Dance in Art and Education by Richard Kraus, Dec. 14, 1967 |
|
54 |
Review (holograph and typescript) of
The Dance through the Ages by Walter Sorell, ca. Feb. 1968 |
|
55 |
Review (typescript) of Scenes: For
Actors by Stan Fedyszyn, post Oct. 7, 1969 |
|
56 |
Review (holograph) of Management
Behavior by Warren Lamb, ca. Jan. 1970 |
|
57 |
Review (typescript) of Black Dance in
the United States by Lynne Fauley Emery, Oct. 30, 1972 |
|
58 |
"In Memoriam: Mary Wigman,
1886-1973" (typescript), post 1973 |
|
59 |
Review (typescript) of Lester Horton,
Modern Dance Pioneer by Larry Warren, Dec. 6, 1977 |
|
60 |
"Dance Criticism"
(holograph), n.d. |
|
61 |
Review (typescript) of Problems of
Art by Susanne Langer, n.d. |
| 12 |
|
ABOUT JdL |
|
62 |
The Modern German Tradition in
American Dance Schools" by Joan Brodie, In: The Journal of
Health and Physical Education, pp. 74-75, 118-120 Feb. 1946 |
|
63 |
Program notes titled "Mary
Wigman in Her Studio" (fragment) on film translated by JdL in
playbill for UCLA film series, ca. Sept. 1965 |
|
64 |
"New Dance Award Offered"
by unidentified author, In: American Society for Theatre Research
Newsletter, p. 10, Oct. 1965 |
|
65 |
Misc. notes (holograph) taken by
Robyn Baker Flatt for "Juana de Laban: A Brief Biography, In:
Dance Research Journal, New York, Spring 1981, pp. 4-11, ca.
1981 |
|
66 |
Bibliography (typescript) prepared by
Robyn Baker Flatt on JdL publications, ca. 1981 |
|
67 |
Photographs (photostat) submitted by
Robyn Baker Flatt for Dance Research Journal article, ca. 1981 |
|
68 |
Biographical information on Robyn
Baker Flatt and Gretchen Schneider submitted for Dance Research
Journal article, ca. 1981 |
|
69 |
Misc. correspondence regarding the
publication of Dance Research Journal, July 19, 1979-March 27,
1981 |
|
70 |
Clippings, Dec. 1938-Dec. 5,
1976 |
|
|
|
|
|
|
|
|
|
|
|
|
| Series V - Lectures (Box
13) |
|
|
Throughout her life, JdL conducted an active dialog
with people both inside and outside the dance world. She maintained
a high profile as a public speaker at professional conferences,
university lecture series, as well as the community at large. The
folders in this series are arranged chronologically from 1940 to
1976. Every folder does not contain an actual lecture. In some
cases, clippings, programs, and broadsides referencing JdL's
speaking activities are included. |
| Box |
Folder |
| 13 |
|
LECTURES |
|
1 |
[Rudolf von Laban: Reformer of Dance]
(carbon copy) At: Boston University, Feb. 1940 |
|
2 |
[Dance as an Interpretation of
Musical Expression] (clipping), At: Music Guild meeting, New York,
Dec. 3, 1940 |
|
3 |
"Dance--notation"
(typescript), At: Unidentified, ca. 1944 |
|
4 |
[Drama and Dance] (clipping), At:
Rouge Pot meeting (unidentified college), Jan.9, 1946 |
|
5 |
"New Trends of the Dance in
Education," leader of panel discussion (program), At: Fourth
Annual Conference of Michigan Association for Health, Physical
Education and Recreation, Grand Rapids, MI, Feb. 21, 1948 |
|
6 |
"The Dance in Painting and
Sculpture" (clipping), At: University of Michigan, Ann Arbor,
MI, Feb. 25, 1948 |
|
7 |
"American Dance Drama" (two
clippings and broadside) At: Background of American Culture, Grand
Rapids Art Gallery, Grand Rapids, MI, Apr. 8, 1948 |
|
8 |
"The Dance in Painting and
Sculpture" (program), At: 53rd Annual Convention of American
Association of Health, Physical, Education and Recreation, Kansas
City, MO Apr. 22, 1948 |
|
9 |
"The Dance as One of the Major
Arts" (two programs and clipping), At: Sixteenth Annual Adult
Education Institute, University of Michigan, Ann Arbor, MI, May 12,
1948 |
|
10 |
"Rhythmic Expression in the
Music Program" (program) At: Fourth Annual Midwestern
Conference on School Vocal and Instrumental Music, Ann Arbor, MI,
Jan. 14, 1949 |
|
11 |
"The Dance as One of the Major
Arts (two clippings), At: Ironwood Womans'[sic] Club, Ironwood,
MI, Apr. 5, 1949 |
|
12 |
"The Dance as One of the Major
Arts" (clipping), At: Wakefield Woman's Club, Wakefield,
MI, Apr. 6, 1949 |
|
13 |
[Dance: A Means of Expression]
(clipping), At: Calumet Woman's Club, Calumet, MI, Apr. 8,
1949 |
|
14 |
"The Role of the Designer in
Contemporary Society," leader of panel discussion (clipping),
At: University of Michigan, Ann Arbor, MI, Apr. 15, 1949 |
|
15 |
"Techniques of Modern Dance
Composition" (program), At: Michigan Schoolmasters' Club,
University of Michigan, Ann Arbor, MI, Apr. 29, 1949 |
|
16 |
"The Dance in Education"
(program), At: Twentieth Annual Summer Education Conference,
University of Michigan, Ann Arbor, MI, July 12, 1949 |
|
17 |
"Dance in Drama" (program),
At: 1949 Convention of Speech Associations, Chicago, IL, Dec. 28,
1949 |
|
18 |
"Menyasszony Baladok--Ballads of
the Bride" (program) At: 54th Annual Meeting of the Michigan
Academy of Science Arts and Letters, Ann Arbor, MI, Mar. 24,
1950 |
|
19 |
"Revolution in Dance"
(program and clipping), At: Henry St. Playhouse, New York, Jan. 29,
1951 |
|
20 |
"Aesthetics of the Dance"
(broadside), At: American Society for Aesthetics, New York, Mar.
30, 1951 |
|
21 |
"Development of Dance Themes
from Basic Movement" (program), At: American Association for
Health, Physical Education and Recreation Convention, New York,
Apr. 25, 1951 |
|
22 |
"The Cultural Functions of Folk
Dance" (program), At: The MLA Sixty-sixth Annual Meeting,
Detroit, MI, Dec. 27, 1951 |
|
23 |
"Bases of Expressive Movement
from Dance" (typescript, carbon copy, and program), At: 1951
Conference of Speech Associations, Chicago, IL, Dec. 28, 1951 |
|
24 |
[Unidentified topic] (three
programs), At: Jacob's Pillow Dance Festival, Lee, MA, ca. June
1952 |
|
25 |
"Notations on Hungarian
Dancers" (two clippings and program), At: Sixty-fourth Annual
Convention of American and Texas Folklore Societies, El Paso, TX,
Dec. 23, 1952 |
|
26 |
"The Magic of Movement"
(clipping), At: Charleston Reading Circle, Charleston, IL, Jan. 30,
1953 |
|
27 |
"Lady, Wherefore Talk You
So?" (two clippings and program), At: American Association of
University Professors Faculty Lecture Series, Eastern Illinois
State College, Charleston, IL, Mar. 8, 1953 |
|
28 |
[The American Dance] (clipping), At:
Rotary Club meeting, Charleston, IL, Apr. 21, 1953 |
|
29 |
"Folkdance on the American Stage
from 1750 to 1800" (typescript and program), At: Spring
meeting of the American Folklore Society, Lexington, KY, May 8,
1953 |
|
30 |
"The Function of Movement,"
Chairman of the Session (program), At: 1953 Speech Conference, New
York, Dec. 29, 1953 |
|
31 |
"The Magic of Movement"
(clipping), At: Museum of International Folk Art, Santa Fe, Oct.
24, 1955 |
|
32 |
"Rhythm and Tempo in Dance
Notation" (program and clipping), At: Texas Chapter of the
American Musicological Society, Waco, TX, Apr. 13, 1957 |
|
33 |
"Trends in Contemporary
Theatre" (two clippings and program), At: Baylor Round Table,
Waco, TX, Nov. 13, 1957 |
|
34 |
[The Drama Program at Baylor
University] (program), At: Baylor Newcomers' Club, Waco, TX,
Jan. 15, 1958 |
|
35 |
[Movement for the Stage] (clipping),
At: American Association of University Women, World Understanding
Group, Baylor University, Waco, TX, ante Feb. |
|
36 |
"The Relationship of Dance and
Religion" (program), At: Fine Arts Festival, Sam Houston State
Teacher's College, Huntsville, TX, Mar. 28, 1958 |
|
37 |
"Rhythm and Tempo in Dance
Notation" (program and two clippings), At: Eleventh Annual
Conference of International Folk Music Council, University of
Liege, 1958 World' Fair, Brussels, Belgium, Aug. 1, 1958 |
|
38 |
[Contemporary Theatre Trends]
(clipping), At: Baylor Round Table, Waco, TX, Nov. 1958 |
|
39 |
"Elements of Choreography,"
panel member (program), At: Texas Association for Health, Physical
Education and Recreation, Dallas, TX, Dec. 15, 1958 |
|
40 |
"Dance and Stage Movement"
(typescript, clipping, and broadside in English and Spanish), At:
Instituto Chileno Norte Americano de Cultura, Santiago, Chile, Aug.
31, 1959 |
|
41 |
"Personal Charm"
(typescript, mimeograph, and clipping in English and Spanish), At:
La Assocacion Cristiana Femenina, Santiago, Chile, Sept. 28,
1959 |
|
42 |
JdL with audience at meeting of La
Assocacion Cristiana Femenina, two photographs - candid, Sept. 28,
1959 |
|
43 |
"Personal Charm" (clipping
in Spanish), At: Instituto del Teatro de la Universidad Catolica,
Lima, Peru, Dec. 10, 1959 |
|
44 |
"Acting," Chairman of
session (program), At: The Speech and Theatre Convention,
Washington, D.C., Dec. 28, 1959 |
|
45 |
"The Dance in the U.S.
Today" (clipping and broadside in English and Spanish), At:
Instituto Chileno Norte Americano de Cultura, Santiago, Chile, June
15, 1960 |
|
46 |
"Personal Charm" (clipping
in Spanish), At: La Assocacion Cristiana Femenina, Santiago, Chile,
June 28, 1960 |
|
47 |
"Problemas Escenicios"
(clipping in Spanish), At: Agrupacion Histrion, Lima, Peru, July
17, 1960 |
|
48 |
"Laban Notacion" and
"Ballet Nos E.E.U.W. Educacional" (clipping in Spanish),
At: Escola de Teatro, Bahia, Brazil, Aug. 31, 1960 and Sept. 5,
1960 respectively |
|
49 |
[South American Theatre] (two
clippings), At: Baylor University, Waco, TX, Nov. 9. 1960 |
|
50 |
[Life in Chile] (clipping), At:
Altrusa Club meeting, Waco, TX, ca. Mar. 23, 1961 |
|
51 |
"Depth and Dimensions in the
Arts" (holograph, typescript, program, and correspondence),
At: 43rd National Recreation Congress, Detroit, MI, Oct. 2,
1961 |
|
52 |
[Unidentified] (clipping), At: Baylor
Round Table, Waco, TX, Apr. 25, 1962 |
|
53 |
[The Theatre of Brecht] (clipping),
At: Drama Group of American Association of University of Women,
Baylor University, Waco, TX, ca. May 20,1962 |
|
54 |
"Body Movement for the Child and
Adult" (program), At: Mariners Meeting, Central Presbyterian
Church, Waco, TX, June 16, 1962 |
|
55 |
"Training for Religious Drama at
the University Level" (program and clipping), At: Twenty-sixth
Annual Convention, American Educational Theatre Association,
Eugene, OR, Aug. 22, 1962 |
|
56 |
[The Inter-Relationship of the Arts]
(clipping), At: Waco Art League, Waco, TX, ca. Nov. 15, 1962 |
|
57 |
[Women in Drama] (clipping), At:
Contemporary Drama Group of American Association of University
Women, Baylor University, Waco, TX, Nov. 21, 1962 |
|
58 |
[Drama, Plays, and Players in Latin
America] (clipping), At: Pan American Round Table, Waco, TX, ca.
Jan. 8, 1963 |
|
59 |
"Rim of Hope" (clipping),
At: The Church Women Fellowship, Central Christian Church, Waco,
TX, Feb. 18, 1963 |
|
60 |
"Existentialism in Modern
Dance" (abstract, holograph, typescript, program), At: 39th
Annual Conference for National Association for Physical Education
of College Women, Asilomar, CA, Nov. 8, 1963 |
|
61 |
Correspondence used in preparing
"Existentialism in Modern Dance" 1961-1963 |
|
|
|
a. JdL/Eleanor King, Oct. 13,
1961 |
|
|
|
b. Agnes George de Mille/JdL, Oct. 21,
1963 |
|
|
|
c. Craig Barton for Martha Graham/JdL,
Oct. 28, 1963 |
|
|
|
d. Elsa Rainer for Hanya Holm/JdL,
Oct. 18, 1963 |
|
|
|
e. Miriam Lidster/JdL, n.d. |
|
|
|
f. Erika Thimey/JdL, Nov. 4, 1963 |
|
|
|
g. Merce Cunningham/JdL, n.d. |
|
|
|
h. Jean Erdman/JdL, Nov. 6, 1963 |
|
|
|
i. Eleanor King/JdL, Nov. 17,
1963 |
|
|
|
j. Elizabeth Delza/JdL, n.d. |
|
62 |
"Dance/Drama, Joint
Session," leader of session(program), At: 4th Annual
All-University Student Art Festival, UCLA, Santa Barbara, Santa
Barbara, CA, Apr. 11, 1964 |
|
63 |
"The Greek Chorus," leader
of session (mimeograph and program), At: 1964 Joint Convention of
Speech Association of America and American Educational Theatre
Association, Chicago, IL, Dec. 29, 1964 |
|
64 |
"Religion and the Arts,"
panelist (program), At: Dedication of the University of Lutheran
Chapel and Student Center, UCLA, Los Angeles, CA, Oct. 28,
1965 |
|
65 |
"Gesture Implications of the
Ancient and Renaissance Mediterranean" (holograph, carbon
copy, typescript, and program), At: Tenth Annual Meeting of the
Society for Ethnomusicology, Alburquerque, NM, Nov. 12, 1965 |
|
66 |
Research notes (holograph) for
"Gesture Implications of the Ancient and Renaissance
Mediterranean," ca. Nov. 1965 |
|
67 |
Bibliographic research materials
(holograph, mimeograph, typescript, and photstat) for "Gesture
Implications of the Ancient and Renaissance Mediterranean,"
ca. Nov. 1965 |
|
68 |
Research materials (photostat in
German) for "Gesture Implications of the Ancient and
Renaissance Mediterranean," ca. Nov. 1965 |
|
69 |
Research materials (holograph,
typescript, photostat, and illustrations in English and German) for
"Gesture Implications of the Ancient and Renaissance
Mediterranean," ca. Nov. 1965 |
|
70 |
Student papers (typescript and
mimeograph) for "Gesture Implications of the Ancient and
Renaissance Mediterranean," ca. Nov. 1965 |
|
71 |
"The Art of Dance"
(program), At: UCLA College Student for a Day, UCLA, Los Angeles,
CA, Jan. 9, 1966 |
|
72 |
"Theatre in Chile,"
panelist (program), At: KPFK 90.7 FM radio station, Los Angeles,
CA, Mar. 10, 1966 |
|
73 |
"Tempo Change: Dance--Music
Interactions in Some Ghanaian Traditions," respondent
(program), At: A Symposium on Ethnomusicology, UCLA, Los Angeles,
CA, May 27, 1966 |
|
74 |
"The Arts at UCLA,"
panelist (program), At: Uni-Prep 1966, UCLA, Los Angeles, CA, Sept.
22, 1966 |
|
75 |
[Panorama of Dance] (clipping), At:
UCLA, Los Angeles, CA, Nov. 6, 1966 |
|
76 |
"Archetypal Focus on Dance: The
Media of Eloquent Non-Verbal Communication," Chairman of
session (program), At: 1966 Joint Convention of American
Educational Theatre Association and Speech Association of America,
Chicago, IL, Dec. 28, 1966 |
|
77 |
[Conversation on Dance] (broadside
and clipping), At: UCLA College Library, Los Angeles, CA, Feb. 2,
1967 |
|
78 |
"The Creative Environment"
with Alma Hawkins (photostat of program), At: American Association
for Health, Physical Education and Recreation Conference, Las
Vegas, NV, Mar. 10, 1967 |
|
79 |
"Folk Dance and Folk Art"
(broadside), At: Legacy of Greece and Rome Lecture Series, UCLA,
Los Angeles, CA, Mar. 15, 1967 |
|
80 |
"Movement Forms and Space"
(program), At: California Association for Health, Physical
Education and Recreation, Los Angeles, CA, Mar. 19, 1967 |
|
81 |
"Modern Dance As a Performing
Art in the Twentieth Century" (program), At: Public Lecture
Series on Dance, Long Beach City College, Long Beach, CA, Apr. 20,
1967 |
|
82 |
"Philosophy of the Dance"
(holograph), At: Pierce College, Los Angeles, CA, May 6, 1967 |
|
83 |
"Choreography With Film"
(program), At: Committee on Research in Dance Preliminary
Conference, Riverdale, NY, May 27, 1967 |
|
84 |
"The State of Dance in
California," moderator (program), At: American Symphony
Orchestra League, 1967 National Conference, Los Angeles, CA, June
14, 1967 |
|
85 |
JdL with Eugene Loring and Olga
Maynard presenting "The State of Dance in California,"
photograph - candid, June 14, 1967 |
|
86 |
"Research in the Folk Dance of
Chile (in Spanish)" (program), At: Second Summer Institute of
Folklore, UCLA, Los Angeles, CA, June 23, 1967 |
|
87 |
Introductory remarks for presentation
by Alma Hawkins and J. Alfred Cannon (holograph), At: Dance in the
Life of Man Lecture Series, UCLA, Los Angeles, CA, Oct. 16,
1967 |
|
88 |
"Dance and Its Visual
Dimensions" (broadside and clipping), At: Dance in the Life of
Man Lecture Series, UCLA, Los Angeles, CA, Oct. 30, 1967 |
|
89 |
[The Icosahedron and Movement
Exploration], At: Orff Schulwerk Conference, Los Angeles, CA, May
1968 |
|
90 |
JdL at Orff Schulwerk Conference, two
photographs - candid, Mar. 1968 |
|
91 |
JdL with Gary Bates and Betty
Woodsmall at Orff Schulwerk Conference, photograph - candid, Mar.
1968 |
|
92 |
Gary Bates and Betty Woodsmall at
Orff Schulwerk Conference, three photographs - candid, Mar.
1968 |
|
93 |
JdL with two unidentified persons at
Orff Schulwerk Conference, photograph - candid, Mar. 1968 |
|
94 |
Unidentified speaker at Orff
Schulwerk Conference, photograph - candid, Mar. 1968 |
|
95 |
"Las Danzas Chilenas"
(broadside), At: Chalk Talk Series, UCLA, Los Angeles, CA, Apr. 18,
1968 |
|
96 |
[Unidentified] (clipping), At: The
American Institute of Interior Designers Conference, Lake
Arrowhead, CA, ca. June 28, 1968 |
|
97 |
"Labanotation" (three
clippings), At: American Dance Symposium, Wichita, KS, Aug. 22,
1968 |
|
98 |
"Dance and the Theatre"
(typescript), At: American Educational Theatre Association
Conference, Palm Springs, CA, Nov. 1969 |
|
99 |
"Tanzwissenschaft und
Tanzforschung in den USA" (holograph and broadside in German),
At: Rheinische Musikschule, Institute fuer Buhnentanz, Koln,
Germany, May 8, 1970 |
|
100 |
"Underlying Principles in Dance,
Art and Living" (typescript), At: American Society for
Aesthetics Conference, city unidentified, CO, Oct. 21-25, 1970 |
|
101 |
"Dance Research as an Academic
Discipline" (holograph and typescript), At: International Folk
Music Council, Jamaica, ante July 20, 1970 |
|
102 |
[Summation] (holograph and
typescript), At: International Stage Movement Institute, Dallas,
TX, Aug. 9, 1971-Sept. 1971 |
|
103 |
Misc. materials related to the
International Stage Movement Institute, Dallas, TX, Aug. 9,
1971-Sept. 1971 |
|
104 |
"Folk Music and Dance in
Education" (holograph), At: International Folk Music Council
Conference, location unidentified, Aug. 27, 1971-Sept. 4, 1971 |
|
105 |
"The Importance of Spain and the
History of Dance in the Western World" (holograph and
typescript), At: location unidentified, ca. 1971 |
|
106 |
[Summation] (holograph and
mimeograph), At: American Dance Guild Conference, New York, June
14, 1972 |
|
107 |
"Music in the Theatre"
(holograph and typescript), At: Fort Worth Piano Teachers Forum,
Fort Worth, TX, Nov. 27, 1973 |
|
108 |
"U.S. Artists Here and
Abroad" (holograph and clipping), At: Arno Art League, Temple,
TX, Oct. 14, 1975 |
|
109 |
"Movement for Theatre"
(program), At: Theatre in Process Conference, Alberta, Canada, May
22, 1976 |
|
110 |
"Dalcroze and His Movement"
(clipping), At: Fort Worth Piano Teachers Forum, Fort Worth, TX,
Oct. 26, 1976 |
|
111 |
"Compendium on Human Affairs and
Ideas" (holograph and typescript), At: location unidentified,
May 19, n.y. |
|
112 |
"Movement--A Window On the
World" (holograph and typescript), At: location unidentified,
n.d. |
|
113 |
[Survey of Social Dance] (holograph
and mimeograph) At: location unidentified, n.d. |
|
114 |
[Dance in Education] (holograph), At:
location unidentified, n.d. |
|
|
|
|
|
|
|
|
|
|
|
|
| Series VI - Notated Scores (Box
14) |
|
|
Evidence of JdL's working knowledge of
Labanotation is seen in this series. It is assumed that Laban's
trip to Italy inspired her to choreograph and notate the first
three pieces. The 1938 scores were most likely written in Budapest,
Hungary. In 1967, while a faculty member at UCLA, Laban notated the
last piece and dedicated it to her friends. It is not known if
these dances were ever performed. The arrangement of the scores
within the folder is JdL's. |
| Box |
Folder |
| 14 |
|
CHOREOGRAPHED AND NOTATED |
|
1 |
|
|
|
|
"Coreografio dell' Danza
egiziana," 1934 |
|
|
|
"Melodie en Roma," 1934 |
|
|
|
"Danza," 1934 |
|
|
|
"Turkin" and
"Bizanz," 1938 |
|
|
|
"Light--Rhythmus--Charakter," 1938 |
|
|
|
"Tango for Two," 1967 |
|
|
|
|
|
|
|
|
|
|
|
|
| Series VII - Performances (Boxes 14 -
15) |
|
|
The contents of this series chronicles JdL's
personal performing career as a dancer, choregrapher, director,
faculty advisor, and historical dance reconstructor. There is scant
documentation regarding JdL as a performer. The bulk of the
materials focus on performances associated with her educational
career. The folders are arranged chronologically demonstrating the
natural shift that took place as she moved from being a performer
to a choreographer/director. The years represented are primarily
the 1940's to early 1960's when she made the final shift to
her chief role as an educator. See also oversized box 56, folders
10-15. |
| Box |
Folder |
| 14 |
|
|
|
2 |
[Unidentified], dancer (fragment in
Hungarian), At: Salzberg Festival, Salzberg, Austria, 1932, In:
Szinhazi Elet, p. 41, 1932 |
|
3 |
[Unidentified], dancer (fragment in
Italian), At: Unidentified, ca. 1934, In: Scenario Agosto, No. 8,
XII, p. 427 1934 |
|
4 |
["Vigade," 12 Hungarian
Dances], dancer (review), At: Budapest, Hungary, ca. 1938, In: Der
Tanz, Berlin, July-Aug. 1938. p. 22 1938 |
|
5 |
Music scores for "Vigade"
performance, ca. 1938, Bela Bartok--"10 Leichte
Klavierstucke" for piano 1938 |
|
6 |
Music scores for "Vigade"
performance, ca. 1938, Eduard Poldini--"Hochzeit im Fasching
Tafelmusik" for piano 1938 |
|
7 |
Music scores for "Vigade"
performance, ca. 1938, Zoltan Kodaly--"Toborzo" and
"Csardas" 1938 |
|
8 |
Music scores for "Vigade"
performance, ca. 1938, Bela Bartok--"Trois chansons Longroises
popularies" 1938 |
|
9 |
Music scores for "Vigade"
performance, ca. 1938, Jeno Hubay--"Csardajeleubek"?
1938 |
|
10 |
Music scores for "Vigade"
performance, ca. 1938, a. Jeno Kenessey--"Csizmas
Janko"?, "Tzepitouca"?, "Ragadostanoz"?,
and "Finale Pralotas"? ; b. Jeno
Hubay--"Aratotancz"? and "Csardajeleuetek II"
1938 |
|
11 |
Music scores for "Vigade"
performance, ca. 1938, Bihari-Lavotta--"Diszpalota
Gala-Palotas" arranged for piano by Egon Kemery 1938 |
|
12 |
[Two Hungarian dances], dancer
(typescript introduction), At: Unidentified, ca. Dec. 1938
1938 |
|
13 |
[Hungarian folk dances], dancer
(clipping in Hungarian), At: Evening program in honor of the guests
of the International Women's Week, unidentified location
1938 |
|
14 |
[Hungarian folk dances], dancer
(clipping), At: Montclair State Teachers' College Faculty
Party, Montclair, NJ, post Jan. 10, 1939 1939 |
|
15 |
[Two Hungarian folk dances], dancer
(clipping in Hungarian), At: Dinner in honor of Kamilla Keresztury
Jan. 29, 1939 |
|
16 |
"The Triad," dancer with
Erica Stolzberg and Gertrude Doris Ulmann (program and
review/fragment), At:The Dance Theatre of the Young Men's
Hebrew Association, New York Mar. 18, 1939 |
|
17 |
"Spring Festival," advisor
(program), At: International House, New York Apr. 29, 1939 |
|
18 |
JdL with Hungarian dancers,
photograph - posed ca. Apr. 29, 1939 |
|
19 |
[Hungarian dance and music], director
(clipping), At: Hungarian Reference Library, New York May 5,
1939 |
|
20 |
Hary Janos and Psalmus Hungaricas,
dancer and choreographer (clippings in English and Hungarian), At:
New York World's Fair, New York, debut July 3, 1939 |
|
21 |
Vocal score for New York World's
Fair, 1939, Zoltan Kodaly--Hary Janos 1939 |
|
22 |
[Hungarian folk dances], dancer
(clippings), At: International Pageant and Ball, Boston, MA Nov. 3,
1939 |
|
23 |
Notes (holograph) for eight Hungarian
folk dances ca. May 24, 1939 |
|
24 |
Music scores (photostat of original
manuscript) and dedication to JdL (holograph in Hungarian) for
eight Hungarian folk dances, May 24, 1939 Alexander
Laszlo--"Palotas," "Kallai Kettos,"
"Palocos 'Lakodalmas'," "Parnas Tanc,"
"Punkosdi [majusfa] Tanc," "Verbunkos,"
"Kanasz-Tanc," and "Csardas" May 24, 1939 |
|
25 |
Music score (photostat) for Hungarian
folk dance, Zoltan Kodaly--"Kallai kettos" ca. 1939 |
|
26 |
"Concert of Modern Dance,"
dancer (two programs and clipping), At: Peabody Playhouse, Boston,
MA Feb. 17, 1940 |
|
27 |
"Gala Revue," dancer and
Etelka Serley, (program), At: Carroll Club, New York Nov. 15,
1940 |
|
28 |
The Frogs of Aristophanes, choral
movement director (program, holograph, and clippings), At: Yale
University, New Haven, CT Nov. 13 and 15, 1941 |
|
29 |
Cast members of The Frogs of
Aristophanes, nine photographs - posed ca. Nov. 13, 1941 |
|
30 |
Music scores for The Frogs of
Aristophanes, Franklin B. Young--"Introduction,"
"The Invocation to Bacchus," "Welcome to
Bacchus," "Hymn II--Maestroso" "Hymn
III--Allegro," and "Departure" ca. 1941 |
|
31 |
Consider the Heavens, choreographer
(program), At: Yale University, New Haven, CT Dec. 3, 1942 |
|
32 |
Patience or Bunthorne's Bride,
choreographer (program), At: Yale University, New Haven, CT Dec.
12, 1942 |
|
33 |
[Unidentified], dancer (holograph
program), At: Unidentified ca. 1944 |
|
34 |
Music score for above unidentified
program, Alan Hovhanes--"Lousadzak" ca. 1944 |
|
35 |
"George Chaffee Concert
Ballet," reconstructor of Feuillet notated dances (program),
At: Syracuse Museum of Fine Arts, Syracuse, NY Apr. 29, 1946 |
|
36 |
JdL with George Chaffee, ten
photographs - posed ca. Apr. 1946 |
|
37 |
Iphigenia in Tauris, director
(program, research notes, and clippings), At: College of St.
Elizabeth, Convent, NJ May 11-12, 1946 |
|
38 |
Cast members of Iphigenia in Tauris,
four photographs - in performance ca. May 11, 1946 |
|
39 |
Excerpts of music score for Iphigenia
in Tauris, Unidentified composer--"March,"
"Air," "Pantomime," "Choeur,"
"Oreste," and "Air et Scene" ca. May, 1946 |
|
40 |
As You Like It, choreographer
(clipping), At: University of Michigan, Ann Arbor, MI Jan. 14,
1948 |
|
41 |
Music score for As You Like It
(photostat), Arne--"Hymen's Song" Jan. 14, 1948 |
|
42 |
Dido and Aeneas, dancer and
choreographer (program and broadside), At: University of Michigan,
Ann Arbor, MI Mar. 10-13, 1948 |
|
43 |
JdL with Walter Duncan and Edmund
Johnston in Dido and Aeneas, photograph - in performance ca. Mar.
10, 1948 |
|
44 |
"Spring Concert," director
(program), At: University of Michigan, Ann Arbor, MI Mar. 30,
1948 |
|
45 |
"Dance Demonstration,"
director (program, carbon copy and clipping), At: University of
Michigan, Ann Arbor, MI May 10, 1948 |
|
46 |
Dancers for "Dance
Demonstration," photograph - in costume ca. May 10, 1948 |
|
47 |
Dancers for "Dance
Demonstration," photograph - in costume ca. May 10, 1948 |
|
48 |
"Secular Music and Dances of the
Fifteenth, Sixteenth, Seventeenth, and Eighteenth Centuries,"
reconstructor (two programs, research notes, and clippings), At:
University of Michigan, Ann Arbor, MI May 12-13, 1948 |
|
49 |
"Dance Festival," director
(program and clipping), At: University of Michigan, Ann Arbor, MI
May 20, 1948 |
|
50 |
Music score for "Dance
Festival," Sammy Hayward and lyrics by Langston
Hughes--"Checkin' on the Freedom Train" May 20,
1948 |
|
51 |
Of Thee I Sing, dance director
(program and clippings), At: University of Michigan, Ann Arbor, MI
July 1-3, 1948 |
|
52 |
Cast members of Of Thee I Sing, two
photographs - in costume ca. July 1, 1948 |
|
53 |
"Music and Dances of the
Sixteenth, Seventeenth, and Eighteenth Centuries,"
reconstructor (program, research notes, and clipping), At:
University of Michigan, Ann Arbor, MI July 30, 1948 |
|
54 |
Down in the Valley and La Serva
Padrona, dance director (program), At: University of Michigan, Ann
Arbor, MI Aug. 5-9, 1948 |
|
55 |
Cast members of Down in the Valley,
photograph - in costume ca. Aug. 5, 1948 |
|
56 |
"Collegium Musicum,"
reconstructor (program, research notes, and clipping), At:
University of Michigan, Ann Arbor, MI Dec. 8, 1948 |
|
57 |
Music scores for "Collegium
Musicum," Composer unidentified--"There is no Rose,"
"The Annuciation," "Ancient Scandinavian Tune,"
"Foula Reel," and "Quickly, My Friends, All
Arise" ca. Dec. 8, 1948 |
|
58 |
"Dance Demonstration,"
faculty advisor (program and clipping), At:University of Michigan,
Ann Arbor, MI, Dec. 13, 1948 |
|
59 |
Renaissance dancers, two photographs
- in costume, ca. 1948 |
|
60 |
The Tragical History of Dr. Faustus,
dance director (program and clipping), At:University of Michigan,
Ann Arbor, MI, Jan. 12-15, 1949 |
|
61 |
Cast members of The Tragical History
of Dr. Faustus, two photographs - in costume, ca. Jan. 12,
1949 |
|
62 |
"Dance Program," dancer and
choreographer (program), At:University of Michigan, Ann Arbor, MI,
Mar. 17, 1949 |
|
63 |
JdL in "Palestine Song,"
photograph - in costume, ca. Mar. 17, 1949 |
|
64 |
JdL with dancers in "Palestine
Song," two photographs - in costume, ca. Mar. 17, 1949 |
|
65 |
Dancers in "Levels in
Space," photograph - in costume, ca. Mar. 17, 1949 |
|
66 |
"Annual Spring Concert,"
dancer and choreographer (program, broadside, and clippings), At:
University of Michigan, Ann Arbor, MI, Apr. 20, 1949 |
|
67 |
Music score for "Annual Spring
Concert," Harold Bradley--"Music for the Dance: I
Incantation and II Saltata" Apr. 20, 1949 |
|
68 |
"Techniques for Modern
Dance," dancer and choreographer (program), At:University of
Michigan, Ann Arbor, MI, Apr. 29, 1949 |
|
69 |
Dancers in "Depth Study,"
photograph - in costume, ca. Apr. 29, 1949 |
|
70 |
"Michigan Dames Program,"
director (program), At:Allenel Hotel, Ann Arbor, MI, May 10,
1949 |
|
71 |
"Student Arts Festival,"
choreographer (program and clipping), At: University of Michigan,
Ann Arbor, MI, May 15, 1949 |
|
72 |
"Spring Dance Concert,"
director (program and clippings), At:University of Michigan, Ann
Arbor, MI, May 21, 1949 |
|
73 |
JdL with Inez Miller for "Spring
Dance Concert," photograph - candid, ca. May 21, 1949 |
|
74 |
Dancers in "Indian Suite,"
photograph - in costume, ca. May 21, 1949 |
|
75 |
The Trojan Women, director of choral
movement (program and clipping), At: University of Michigan, Ann
Arbor, MI, July 28-29, 1949 |
|
76 |
Cast members of The Trojan Women, 12
photographs - in costume, ca. July 28, 1949 |
|
77 |
"Magyar Dances," dancer
(broadside and clippings), At:Flint Institute of Arts, Flint, MI,
Oct. 14-16, 1949 |
|
78 |
"Ancient, Traditional, and
Modern Christmas Music, and Dances," reconstructor and
choreographer (broadside), At:University of Michigan, Ann Arbor,
MI, Dec. 3, 1949 |
|
79 |
"Dance Demonstration,"
choreographer (program), At:University of Michigan, Ann Arbor, MI,
Dec. 12, 1949 |
|
80 |
"Second Annual Student Art
Festival," faculty advisor (program), At:University of
Michigan, Ann Arbor, MI, Mar. 19, 1950 |
|
81 |
"An All Bach Dance
Program," reconstructor and dancer (program and research
notes), At: United States Naval Air Station, Grosse Ile, MI, Apr.
21, 1950 |
|
82 |
The School for Husbands, dance
director (program and clippings), At:University of Michigan, Ann
Arbor, MI, Apr. 26-29, 1950 |
|
83 |
Cast members of The School for
Husbands, photograph -in costume, ca. Apr. 26, 1950 |
|
84 |
"A Program of Renaissance
Dances," reconstructor (program, broadsides, clipping), At:
University of Michigan, Ann Arbor, MI, Apr. 30, 1959 |
|
85 |
[Student Dance Festival], dancer and
choreographer (clipping), At: University of Michigan, Ann Arbor,
May 19, 1950 |
|
86 |
JdL with dancers in "And
Higher," five photographs - in costume, ca. May 19, 1950 |
|
87 |
"The Modern Dance,"
director (program), At: Albion College Annual Speech Banquet,
Albion, MI, May 23, 1950 |
|
87a |
The Family of Man (program), At:
American University Theatre Summer School, Dartington Hall, Devon,
England, Aug. 25-26, 1950 |
|
88 |
Members of the cast of "The
Elephant Who Wanted to Fly," photograph - in costume, ca.
1950 |
|
89 |
"The Dance Club in a
Demonstration of Modern Techniques and Dances," faculty
advisor (program and clipping), At:Adelphi College, Garden City,
NY, Jan. 10, 1951 |
|
90 |
"The Dance Club in a
Demonstration," faculty advisor and choreographer (program),
At:Adelphi College, Garden City, NY, Apr. 23, 1951 |
|
91 |
Cinderella, performer and director
(broadside), At:American Museum of Natural History, NY, Nov. 16,
1951 |
|
92 |
JdL with performers of Cinderella,
photograph - in costume, ca. Nov. 16, 1951 |
|
93 |
"Dance Program," faculty
advisor (program and clipping), At:Adelphi College, Garden City,
NY, Jan. 8, 1952 |
|
94 |
94:Funnybone Alley, director
(program), At:Levittown Seven Arts Council, Levittown, NY?, Feb.
24, 1952 |
|
95 |
Music score for Funnybone Alley, Elie
Siegmeister--"Funnybone Alley" ca. Feb. 24, 1952 |
|
96 |
Twelfth Night, consultant in
Elizabethan movement (program), At:Hofstra College, city
unidentified, Apr. 2-6, 1952 |
|
97 |
Music score for Twelfth Night, Three
handwritten sheets for piano ca. Apr. 2, 1952 |
|
97a |
"Dances from North Africa and
Armenia," dancer (program), At:Jacob's Pillow Dance
Festival, Lee, MA, Aug. 15-16, 1952 |
|
98 |
Martha, director (clipping),
At:Eastern Illinois State College, Charleston, IL, Feb. 3,
1953 |
|
99 |
"Dance Recital," director
(clippings), At:Eastern Illinois State College, Charleston, IL,
Apr. 23, 1953 |
|
100 |
"The Thirtieth Christmas
Concert," dance director (program), At:Oklahoma College for
Women, Chickasha, OK, Dec. 13-14, 1953 |
|
100a |
Performers in "The Thirtieth
Christmas Concert," two photographs in costume, ca. Dec. 13,
1953 |
|
101 |
"The Christmas Tree," dance
director (program), At:Glee Club, Oklahoma College for Women,
Chickasha, OK, ca. Dec. 1953 |
|
102 |
"The Oklahoma College for Women
Glee Club, Sinfonetta and Dance Group in Concert," dance
director (program), At: Lincoln High School Auditorium, Chickasha,
OK, Feb. 11, 1954 |
|
103 |
"A Cavalcade of Creative Arts
Programs," dance director (program), At:Oklahoma College for
Women, Chickasha, OK, Apr. 8, 1954 |
|
104 |
"Kaleidoscope,"
choreographer (program and clippings), At:Oklahoma College for
Women, Chickasha, OK, Apr. 14-15, 1954 |
|
105 |
"Dancers in Precipice
Walk," two photographs - in costume, ca. Apr. 14, 1954 |
|
106 |
Dancer in "Little Miss
Muffet," photograph - in costume, ca. Apr. 14, 1954 |
|
107 |
Dancers in "La Guayabita,"
two photographs - in costume, ca. Apr. 14, 1954 |
|
108 |
Dancers in "Cherry Blossum
Dance," four photographs in costume, ca. Apr. 14, 1954 |
|
109 |
Dancers in "Oh Susanna,"
two photographs - in costume, ca. Apr. 14, 1954 |
|
110 |
Dancer in "Brazil," three
photographs - in costume, ca. Apr. 14, 1954 |
|
111 |
Dancers in "Summertime,"
photograph - in costume, ca. Apr. 14, 1954 |
|
112 |
Dancers in "La Raspa,"
photograph - in costume, ca. Apr. 14, 1954 |
|
113 |
Dancers in "Bolero," five
photographs - in costume, ca. Apr. 14, 1954 |
|
114 |
Cast members of "Tubby the
Tuba," three photographs in costume, ca. Apr. 14, 1954 |
|
115 |
Faust, dance director (program),
At:Oklahoma College for Women, Chickasha, OK, May 17, 1954 |
|
116 |
Tilt, movement director (program,
research notes, and clippings), At:Baylor University, Waco, TX,
July 5-13, 1957 |
|
117 |
The Would-Be Gentleman, director
(program, script, broadside, and clippings), At:Baylor University,
Waco, TX, Aug. 8-17, 1957 |
|
118 |
Cast members of The Would-Be
Gentleman, 16 photographs - in costume, ca. Aug. 8, 1957 |
|
119 |
Cast members of The Would-Be
Gentleman, 11 photographs - in costume, ca. Aug. 8, 1957 |
|
120 |
Cast members of The Would-Be
Gentleman, 19 photographs - in costume, ca. Aug. 8, 1957 |
|
121 |
Cast members of The Would-Be
Gentleman, 18 photographs - in costume, ca. Aug. 8, 1957 |
|
122 |
Cast members of Othello, three
photographs - in costume, ca. 1957 |
| Box |
Folder |
| 15 |
|
PERFORMANCES (cont.) |
|
1 |
Ancestral Experiences choreographer
(program and clippings), At: Texas Christian University, Fort
Worth, TX, Jan. 10-11, 1958 |
|
2 |
Dancers in Ancestral Experiences,
photograph - in costume, ca. Jan. 10, 1958 |
|
3 |
Dancers in Ancestral Experiences, six
slides - in costume, ca. Jan. 10, 1958 |
|
4 |
Hamlet, movement coach (program and
broadside), At:Baylor University, Waco, TX, ca. Mar. 1958 |
|
4a |
The Golden Stairs, movement director
(program and clipping), At:Baylor University, Waco, TX, Apr. 12-
May 10, 1958 |
|
5 |
JdL with cast members of The Golden
Stairs, four photographs - candid, ca. Apr 12, 1958 |
|
6 |
Of Time and the River, movement
director (research materials and clippings), At:Baylor University,
Waco, TX, ca. Jan. 1959-ante Apr. 17, 1959 |
|
7 |
Of Time and the River, movement
director (program, broadside, and clippings), At: Baylor
University, Waco, TX, Apr. 17-May 10, 1959 |
|
8 |
Cast members of Of Time and the
River, two photographs, ca. Apr. 17, 1959 |
|
9 |
Macbeth, movement advisor (program
and clippings in Spanish), At:Universidad de Chile, Santiago,
Chile, Oct. 15-Nov. 1959 |
|
10 |
Las Opera de Tres Centavaos,
choreographer (program, broadside, and clippings in Spanish),
At:Universidad de Chile, Santiago, Chile, ca. 1959-1960 |
|
11 |
La Pergola de las Flores,
choreographer (programs and clippings in Spanish), At:Universidad
de Chile, Santiago, Chile Mar. 12, 1960-June 1961 |
|
12 |
Asesinato en la Catederal, movement
director (program and clippings), At: Instituto Chileno Britanico
de Cultura, Santiago, Chile, May 11, 1960-July 15, 1960 |
|
13 |
A Historia de Tobias e de Sara,
choreographer (program, script, and clipping in Portugese),
At:Universidade da Bahia, Bahia, Brazil, Sept. 1960 |
|
14 |
Cast members of A Historia de Tobias
e de Sara, thirteen photographs - in costume, ca. Sept. 1960 |
|
15 |
The Cross-Eyed Bear, movement
director (program), At:Baylor University, Waco, TX, ca. Nov.
1960 |
|
16 |
A Waltz in the Afternoon,
choreographer (program), At:Dallas Theater Center, Dallas, TX, Mar.
1961 |
|
17 |
Lazarus Laughed, director (research
materials), At: Baylor University, Waco, TX, Apr. 28, 1961- May 13,
1961 |
|
18 |
Lazarus Laughed, director (research
materials, program, and clippings), At: Baylor University, Waco,
TX, Apr. 28, 1961- May 13, 1961 |
|
19 |
Lazarus Laughed, director (audition
notes, casting announcement, and research materials), At: Baylor
University, Waco, TX, Apr. 28, 1961- May 13, 1961 |
|
20 |
Lazarus Laughed, director (research
materials, production notes, and clippings), At: Baylor University,
Waco, TX, Apr. 28, 1961- May 13, 1961 |
|
21 |
JdL with cast members and production
crew for Lazarus Laughed, six photographs - candid, ca. Apr.
1961 |
|
22 |
Randy Moore in Lazarus Laughed, five
photographs - in costume, ca. Apr. 28, 1961 |
|
23 |
Cast members of Lazarus Laughed, 12
photographs - in costume, ca. Apr. 28, 1961 |
|
24 |
Cast members of Lazarus Laughed,
seven photographs - in costume, ca. Apr. 28, 1961 |
|
25 |
Cast members of Lazarus Laughed, five
photographs - in costume, ca. Apr. 28, 1961 |
|
26 |
Cast members of Lazarus Laughed, five
photographs - in costume, ca. Apr. 28, 1961 |
|
27 |
Cast members of Lazarus Laughed,
eight photographs - in costume, ca. Apr. 28, 1961 |
|
28 |
Cast members of Lazarus Laughed, six
photographs - in costume, ca. Apr. 28, 1961 |
|
29 |
Cast members of Lazarus Laughed, five
photographs - in costume, ca. Apr. 28, 1961 |
|
30 |
Cast members of Lazarus Laughed, four
photographs - in costume, ca. Apr. 28, 1961 |
|
31 |
Cast members of Lazarus Laughed, ten
photographs - in costume, ca. Apr. 28, 1961 |
|
32 |
Cast members of Lazarus Laughed, five
photographs - in costume, ca. Apr. 28, 1961 |
|
33 |
Cast members of Lazarus Laughed, six
photographs - in costume, ca. Apr. 28, 1961 |
|
34 |
Cast members of Lazarus Laughed, six
photographs - in costume, ca. Apr. 28, 1961 |
|
35 |
The Visit, movement director (program
and broadside), At: Dallas Theater Center, Dallas, TX, May
1961 |
|
36 |
Ondine, movement director (program
and clippings), At: Baylor University, Waco, TX, June 30, 1961-July
15, 1961 |
|
37 |
Cast members of Ondine, 14
photographs - in costume, ca. June 30, 1961 |
|
38 |
The Dawn, author, director,
choreographer (programs, clippings, production notes, and
explication), At:Baylor University, Waco, TX, Dec. 7, 1961-Feb. 15,
1962 |
|
39 |
Cast members of The Dawn, 30
photographs - in costume, ca. Dec. 7, 1961 |
|
40 |
"The Thanksgiving Psalms,"
choreographer (explication), At: Baylor University, Waco, TX, ca.
Feb. 12, 1962 |
|
41 |
Cast members of "The
Thanksgiving Psalms," two photographs - in costume, ca. Feb.
12, 1962 |
|
42 |
The Caucasian Chalk Circle, dance
director (programs, research materials, annotated script, and
costume plates), At:Baylor University, Waco, TX, May 1962-Oct.
1962 |
|
43 |
Servant of Two Masters, director
(program, broadsides, and clippings), At: Baylor University, Waco,
TX, July 14, 1962 |
|
44 |
JdL and cast members of Servant of
Two Masters, 15 photographs - in costume, ca. June 28, 1962 |
|
45 |
Antigone, director (program,
broadsides, and clippings), At: Baylor University, Waco, TX, April
19, 1963-April 27, 1963 |
|
46 |
JdL with cast member of Antigone,
photograph - in costume, ca. April 19, 1963 |
|
47 |
Cast members of Antigone, 63
photographs - in costume, ca. April 19, 1963 |
|
48 |
Cast members of Antigone, 15
photographs - in costume, ca. April 19, 1963 |
|
49 |
R.U.R. Rossum's Universal Robots,
choreographic assistant (program), At:UCLA, Los Angeles, CA, Nov.
14-24, 1963 |
|
50 |
The Winter's Tale, choreographer
(program and fragment), At: UCLA, Los Angeles, CA, Apr. 23,
1964-May 3, 1964 |
|
51 |
Red Roses for Me, choreographer
(program and clipping), At:UCLA, Los Angeles, CA, May 15-24,
1964 |
|
52 |
"The University Collegium
Musicum," reconstructor, (program and clipping), At:UCLA, Los
Angeles, CA, Dec. 10-11, 1964 |
|
53 |
"Psalms Number [sic] 16 and 17
from the Dead Sea Scrolls," choreographer (program and
research notes),At: Emerson Unitarian Church, Los Angeles, CA, Feb.
28, 1965 |
|
54 |
Adam and Eve, choreographer (program
and fragment), At:UCLA, Los Angeles, CA, Oct. 16, 1966 |
|
55 |
Twelfth Night, choreographer
(program), At: UCLA, Los Angeles, CA, Dec. 1-10, 1966 |
|
56 |
Discovering the Music of the Middle
Ages, reconstructor (motion picture shooting script and research
notes),At:UCLA, Los Angeles, CA, May 12, 1968 |
|
57 |
Music scores for Discovering the
Music of the Middle Ages, Unidentified composer--"Danse
Royale," "English Dance," "Ductia, "Sumer
Is Icumen In," "Lamento di Tristan, with Rotta,"
"Saltarello," and "Stantipes imperfecta
(Ductia)" ca. May 12, 1968 |
|
58 |
Imagination Dead Imagine,
choreographer (program and research notes), At:University of
Wisconsin, Milwaukee, WI, May 18, 1971 |
|
59 |
"Sacred Movement Choir,"
choreographer (program and clipping), At: Grace Presbyterian
Church, Temple, TX, May 15, 1977 |
|
60 |
You Can't Take It With You,
assistant director (program), At:Belton High School, Temple, TX,
ca. Spring, 1977 |
|
61 |
Cast members of Peter and the Wolf,
photograph - in costume, n.d. |
|
|
|
|
|
|
|
|
|
|
|
|
| Series VIII - Correspondence (Boxes
16-17) |
|
|
This series is arranged alphabetically. Not all of
the correspondence in the collection is contained within this
series. Groups of letters pertinent to specific occasions or events
have been placed appropriately in other series. For example,
correspondence received and sent by JdL relating to her doctoral
dissertation is to be found in the EDUCATIONAL TRAINING series.
Whenever JdL has written letters of response, thoughts or reminders
on the letters themselves, it has been noted. |
| Box |
Folder |
| 16 |
|
CORRESPONDENCE |
|
1 |
Maryrose R. Allen/JdL, plus JdL note
Feb. 24, 1953 |
|
2 |
J. F. Arnott/JdL, |
|
|
|
April 7, 1967 |
|
|
|
ca. Aug. 3, 1967 |
|
|
|
ca. Aug. 25, 1971 |
|
|
|
ca. Oct. 22, 1971 |
|
3 |
Harold D. Bacon/JdL, Jan. 9,
1962 |
|
4 |
Anne Marie Bailey/JdL, Apr. 26,
1963 |
|
5 |
Paul Baker/JdL, |
|
|
|
Feb. 19, 1954 |
|
|
|
Feb. 8, 1960 |
|
|
|
Feb. 20, 1963 |
|
6 |
Janet Bardin/JdL, Mar. 8, 1968 |
|
7 |
Irmgard Bartenieff/JdL, |
|
|
|
Apr. 13, 1969 |
|
|
|
Dec. 6, 1969 |
|
8 |
Mrs. Leon Bauman/JdL, July 25,
1969 |
|
9 |
Virgil Beavers/JdL, Oct. 19,
1963 |
|
10 |
Toni Beck/JdL, Oct. 5, 1973 |
|
11 |
Costantino Benedetti/JdL, Nov. 3,
1964 |
|
12 |
Robert C. Bennett/JdL, Sept. 11,
1964 |
|
13 |
Israel Berman/JdL, Sept. 10,
1947 |
|
14 |
Bonnie Bird/JdL, Feb. 11, 1974 |
|
15 |
Lorraine Birmingham/JdL, July 1,
1971 |
|
16 |
Carol H. Bitcon/JdL, |
|
|
|
Sept. 21, 1971 |
|
|
|
Nov. 21, 1971 |
|
17 |
Donn Borcherdt/JdL, Sept. 24,
1966 |
|
18 |
Thomas Bouchard/JdL, |
|
|
|
Dec. 26, 1947 |
|
|
|
Jan. 4, 1953 |
|
|
|
Other related correspondence:
Audio/Visual Center/JdL, Jan. 12, 1953 |
|
19 |
W. Howard Bramlettel/JdL, Feb. 23,
1962 |
|
20 |
Edgar L. Brokaw/JdL, May 12,
1965 |
|
21 |
Charles Brown/JdL, Jan. 15, 1963 |
|
22 |
Jack, Anna, and Deborah Brown/JdL,
Oct. 21, n.y. |
|
23 |
A. S. Burack/JdL, July 10, 1974 |
|
24 |
Arthur F. Byrnes/JdL, Jan. 8,
1952 |
|
25 |
Susie Cashion/JdL, Nov. 18, 1968 |
|
26 |
Rosalind Cassidy/JdL, Dec. 24, 1963
? |
|
27 |
John Cauble/JdL, Sept. 10, 1971 |
|
28 |
Jeanne Christgau/JdL, Feb. 16,
1949 |
|
29 |
Fernando Colina/JdL, July 4,
1966 |
|
30 |
William Como/JdL, post Sept. 24,
1973 |
|
31 |
Hilary Corlett/JdL, Mar. 5, 1970 |
|
32 |
Henry Cowell/JdL, Sept. 2, 1952 |
|
33 |
Gordon F. Curl/JdL, May 28, 1966 |
|
34 |
Dallas Theater Center/JdL, n.d. |
|
35 |
Dance Notation Bureau/JdL, Apr. 13,
1972 |
|
36 |
Ellen Davis/JdL, Sept. 26, 1972 |
|
37 |
Gwenda Davies/JdL, Dec. 10, 1965 |
|
38 |
Judi and John Davis/JdL, May 22,
1964 |
|
39 |
Shirlee Dodge/JdL, |
|
|
|
Dec. 20, 1974 |
|
|
|
ca. Feb. 16, n.y. |
|
40 |
John Doris/JdL, Feb. 21, 1975 |
|
41 |
Richard M. Dorson/JdL Mar. 3, 13, 22,
1953 |
|
42 |
Ethel Dubois/JdL May 10, 1951 |
|
43 |
Michel Dumont/JdL, Oct. 15, 1948 |
|
44 |
Robert A. Dyal/JdL Feb. 21, 1962 |
|
45 |
Lyle Dye, Jr./JdL July 10, 1967 |
|
46 |
Hans Ehrmann/JdL Jan. 4, 27,
1967 |
|
47 |
Paula Eisenberg/JdL, plus JdL notes
May 14, 1968 |
|
48 |
Jorge Elliott/JdL Jan. 28, 1968 |
|
49 |
Benedict Ellis/JdL June 17, 1948 |
|
50 |
Noa Eshkol/JdL Aug. 18, 1969; Feb.
11, 1973 |
|
51 |
Monroe H. Fabian/JdL Oct. 28,
1971 |
|
52 |
Margaret A. Fairbank/JdL 1969 |
|
53 |
Stan Fedyszyn/JdL, plus JdL notes
Oct. 29, 1964; Sept. 9, 1973, |
|
54 |
Betty, Joe, and Joann Ferguson/JdL,
n.d. |
|
55 |
J. B. Ferzacca/JdL n.d. |
|
56 |
Isabelle Fisher/JdL June 13, 1968;
June 21, 1968 |
|
57 |
Emily Frankel/JdL Oct. 5, 1949; Oct.
7, 1952 |
|
|
|
|
Other related correspondence and materials: (a.)
Harriett S. Schaeffer/H. E. Phipps, Jan. 31, 1953; (b.) H. E.
Phipps/Harriett S. Schaeffer, Mar. 26, 1953; (c.) Harriett S.
Schaeffer/H. E. Phipps, Apr. 4, 1953; (d.) JdL notes, program,
technical requirements, and press book. |
|
|
|
58 |
Emily Frankel and Mark Ryder in
"People and Things," photograph - in costume ca.
1949 |
|
59 |
Emily Frankel and Mark Ryder in
unidentified dance, photograph - in costume, ca. 1949 |
|
60 |
Emily Frankel and Mark Ryder in
unidentified dance, photograph - in costume ca. 1949 |
|
61 |
Marianne Frostig/JdL Nov. 26, 1968;
n.d. |
|
62 |
Buckminster Fuller/JdL Jan. 27,
1950 |
|
63 |
Edna Fulton/JdL Sept. 12, 1975 |
|
64 |
Dr. Gapp/JdL (in German) June 2,
1966 |
|
65 |
Marie-Lise Gazarian/JdL Aug. 26,
1959; Sept. 7, 1959; Oct. 9, 1959; Oct. 24, 1959 |
|
66 |
Marie-Lise Gazarian/JdL (in English
and Spanish) Oct. 31, 1959; Jan. 14, 1960; May 7, 1960; June 14,
1960; June 16, 1960 |
|
67 |
Marie-Lise Gazarian/JdL (in English
and Spanish) July 5, 1960 |
|
68 |
Marie-Lise Gazarian/JdL (in English
and Spanish) July 5, 1960 |
|
69 |
Marie-Lise Gazarian/JdL (in English
and Spanish) July 5, 1960 |
|
70 |
Marie-Lise Gazarian/JdL (in English
and Spanish) July 5, 1960; n.d. |
|
71 |
Eve Gentry/JdL Mar. 19, 1949 |
|
72 |
Graham George/JdL July 20, 1970 |
|
73 |
Sara Lee Gibb/JdL Jan. 7, 1971 |
|
74 |
Ralph Gilbert/JdL June 3, 1948 |
|
75 |
Frank Gillis/JdL Sept. 20, 1965; May
2, 1969 |
|
76 |
John M. Glowacki/JdL Mar. 25,
1957 |
|
77 |
Sherwin M. Goldman/JdL July 6,
1971 |
|
78 |
Henry Goodman/JdL Jan. 16, 1967 |
|
79 |
Janet Goodridge/JdL July 4, 1972 |
|
80 |
George M. Graham and Lee
Allsbrook/JdL Nov. 18, 1974 |
|
81 |
George M. Graham/JdL Dec. 6,
1974 |
|
82 |
Ruth E. Grauert/JdL May 15, 1962 |
|
83 |
Henriette Greenwood/JdL Nov. 5,
1945 |
|
84 |
Eleanor Greenspan/JdL Apr. 13,
1963 |
|
85 |
Walter Grothe/JdL Apr. 22, 1953;
Sept. 9, 1953; Dec. 24, 1953; ca. Dec. 1953 |
|
86 |
Walter Grothe/JdL May 11, 1954; May
18, 1954; May 21, 1954; May 25, 1954; June 4, 1954 |
|
87 |
Robert Bartlett Haas and Michael H.
Baird/Jdl Jan. 20, 1967 |
|
88 |
Richard D. Haines/JdL Oct. 2,
1976 |
|
89 |
Edwin Hanley/Jdl, Jan. 28, 1971 |
|
90 |
Lawton Harris/JdL, |
|
|
|
May 21, 1954 |
|
|
|
June 1, 1954 |
|
91 |
Alma M. Hawkins/JdL, July 9,
1963 |
|
92 |
Erick Hawkins/JdL, June, 10,
1972 |
|
93 |
Rebecca Hayden/JdL, |
|
|
|
Sept. 29, 1969 |
|
|
|
Oct. 7, 1969 |
|
94 |
Marion G. Hennion ?/JdL, June 4,
1946 |
|
95 |
Doris Hering/JdL, Oct. 23, 1968 |
|
96 |
Wanda Hickson/JdL, Sept. 21,
1976 |
|
|
|
|
(typed on photostat copy of Sept. 15, 1976 letter
from JdL to Dr. H. Harrison Clarke) |
|
|
|
97 |
Burnet M. Hobgood/JdL, Jan. 27,
1966 |
|
98 |
Rickey Holden/JdL, May 18, 1953 |
|
99 |
Hanya Holm/JdL, |
|
|
|
Feb. 18, 1942 |
|
|
|
Mar. 21, 1943 |
|
|
|
Oct. 20, 1943 |
|
100 |
Hanya Holm/JdL, |
|
|
|
Sept. 9, 1946 |
|
|
|
July 21, 1947 |
|
|
|
Dec. 19, 1962 |
|
101 |
Dorothy M. Hornby/JdL, Nov. 2,
1952 |
|
102 |
Al and Suzanne Huang/JdL, Jan. 23,
1974 |
|
103 |
Denny Hall/JdL, Oct. 9, 1963 |
|
104 |
Helmut Hungerland/JdL, |
|
|
|
Jan. 10, 1968 |
|
|
|
Jan. 17, 1968 |
|
105 |
Kati Huson/JdL, |
|
|
|
Aug. 10, 1949 |
|
|
|
Oct. 7, 1976 |
|
106 |
Ann Hutchinson/JdL, Oct. 2, 1949 |
|
107 |
Frances Inglis/JdL, Jan. 25,
1971 |
|
108 |
Earl Jones/JdL, Oct. 4, 1966 |
|
109 |
Diana Jordan/JdL, July 18, 1970 |
|
110 |
Israel J. Katz/JdL, Feb. 22,
1972 |
|
111 |
Franklin J. Keller/JdL, Feb. 16,
1948 |
|
112 |
Terry Kerr/JdL, Apr. 5, 1976 |
|
113 |
Guillermo Keys/JdL, Jan. 21,
1952 |
|
114 |
Eleanor King/JdL, |
|
|
|
May 19, 1963 |
|
|
|
June 27, 1964 |
|
|
|
Oct. 14, 1964 |
|
|
|
Feb. 13, 1977 |
|
115 |
Billie Kirpich/JdL, Jan. 13,
1971 |
|
116 |
Robert Klein/JdL, |
|
|
|
Jan. 10, 1950 |
|
|
|
Jan. 16, 1950 |
|
|
|
Jan. 23, 1950 |
|
117 |
Fritz Klingenbeck/JdL, June 7,
1954 |
|
|
|
|
(in German) |
|
|
|
118 |
Albrecht Knust/JdL, |
|
|
|
|
(in German) |
|
|
|
|
|
ca. 1953-1954 |
|
|
|
Dec. 5, 1960 |
|
|
|
Mar. 13, 1963 |
|
|
|
Apr. 28, 1967 |
|
119 |
Albrecht Knust/JdL, |
|
|
|
|
(in German) |
|
|
|
|
|
May 26, 1967 |
|
|
|
Oct. 28, 1970 |
|
|
|
Nov. 30, 1970 ? |
|
120 |
Paul Kozelka/JdL, ca. Mar. 17,
1957 |
|
121 |
Ed Kremers/JdL, June 1954 |
|
122 |
Herbert Kummel/JdL, |
|
|
|
Oct. 24, 1969 |
|
|
|
ca. Nov. 15, 1969 |
|
123 |
Masami Kuno/JdL, |
|
|
|
Jan. 17, 1953 |
|
|
|
Feb. 1, 1953 |
|
|
|
|
|
(in English and German) |
|
|
|
124 |
Gertrude Kurath/JdL, |
|
|
|
Jan. 3, 1963 |
|
|
|
Jan. 4, 1965 |
|
|
|
Mar. 14, 1965 |
|
|
|
Mar. 27, 1965 |
|
125 |
Gertrude Kurath/JdL, |
|
|
|
Apr. 28, 1965 |
|
|
|
May 17, 1965 |
|
|
|
Sept. 8, 1965 |
|
|
|
Oct. 1, 1965 |
|
126 |
Gertrude Kurath/JdL, |
|
|
|
Oct. 9, 1965 |
|
|
|
Oct. 18, 1965 |
|
|
|
Oct. 26, 1965 |
|
|
|
Oct. 29, 1965 |
|
127 |
Gertrude Kurath/JdL, |
|
|
|
Nov. 29, 1965 |
|
|
|
Dec. 20, 1965 |
|
|
|
Feb. 9, 1966 |
|
|
|
Mar. 15, 1966 |
|
128 |
Gertrude Kurath/JdL, |
|
|
|
Mar. 31, 1967 |
|
|
|
June 24, 1967 |
|
|
|
Nov. 8, 1967 |
|
|
|
Jan. 17, 1968 |
|
129 |
Gertrude Kurath/JdL, |
|
|
|
Feb. 5, 1968 |
|
|
|
June 3, 1968 |
|
|
|
Aug. 12, 1968 |
|
|
|
Nov. 27, 1968 |
|
130 |
Gertrude Kurath/JdL, |
|
|
|
Feb. 6, 1969 |
|
|
|
Mar. 10, 1969 |
|
|
|
May 12, 1969 |
|
131 |
Gertrude Kurath/JdL, |
|
|
|
May 20, 1969 |
|
|
|
June 2, 1969 |
|
|
|
June 13, 1969 |
|
|
|
Aug. 1, 1969 |
|
132 |
Gertrude Kurath/JdL, |
|
|
|
May 12, 1971 |
|
|
|
June 3, n.y. |
|
133 |
Etelka Laban/JdL, n.d. |
|
|
|
|
(in German) |
|
|
|
134 |
Etelka and Roland Laban/JdL, |
|
|
|
|
(in German) |
|
|
|
|
|
Dec. 17, 1975 |
|
|
|
n.d. |
|
135 |
Maria Laban and Rudolf von Laban/JdL,
Oct. 20, 1935 |
|
|
|
|
(in German) |
|
|
|
136 |
Maria Laban, Errsi, and Etelka
Laban/JdL, Nov. 12, 1952 |
|
|
|
|
(in German) |
|
|
|
137 |
Maria Laban/JdL, |
|
|
|
|
(in German) |
|
|
|
|
|
Dec. 4, 1955 |
|
|
|
Aug. 23, 1964 |
|
|
|
1967 |
|
|
|
Dec. 18, 1968 |
|
138 |
Maria Laban, Etelka Laban, and
Pigerl/JdL, Nov. 30, 1970 |
|
|
|
|
(in German) |
|
|
|
139 |
Maria Laban and Etelka Laban/JdL,
Dec. 11, 1970 |
|
|
|
|
(in German) |
|
|
|
140 |
Maria Laban, Etelka Laban and
Pigerl/JdL, Apr. 3, 1971 |
|
|
|
|
(in German) |
|
|
|
141 |
Roland Laban/JdL, n.d. |
|
|
|
|
(in German) |
|
|
|
142 |
Rudolf von Laban/JdL, |
|
|
|
|
(in German) |
|
|
|
|
|
Feb. 22, 1935 |
|
|
|
Mar. 23, 1935 |
|
|
|
1938 |
|
143 |
Rudolf von Laban/JdL, |
|
|
|
May 7, 1939 |
|
|
|
|
|
(in German) |
|
|
|
|
|
Oct. 19, 1940 |
|
|
|
Feb. 26, 1941 |
|
144 |
Rudolf von Laban/JdL, |
|
|
|
Nov. 24, 1942 |
|
|
|
May 10, 1944 |
|
|
|
Aug. 24, 1945 |
|
|
|
Dec. 12, 1945 |
|
145 |
Rudolf von Laban/JdL, |
|
|
|
Mar. 28, 1946 |
|
|
|
Sept. 14, 1946 |
|
|
|
Dec. 12, 1946 |
|
146 |
Rudolf von Laban/JdL, |
|
|
|
Apr. 7, 1947 |
|
|
|
July 12, 1947 |
|
|
|
Dec. 4, 1947 ? |
|
|
|
1947 |
|
147 |
Rudolf von Laban/JdL, |
|
|
|
June 8, 1948 |
|
|
|
July 30, 1948 |
|
|
|
May 14, 1949 |
|
148 |
Rudolf von Laban/JdL, |
|
|
|
Mar. 21, 1950 |
|
|
|
June 7, 1950 |
|
|
|
June 27, 1950 |
|
|
|
Dec. 23, 1950 |
|
149 |
Rudolf von Laban/JdL, |
|
|
|
Mar. 13, 1951 ? |
|
|
|
Dec. 3, 1951 |
|
|
|
Feb. 24, 1952 |
|
|
|
July 1, 1952 |
|
150 |
Rudolf von Laban/JdL, |
|
|
|
Oct. 22, 1952 |
|
|
|
Oct. 25, 1952 |
|
|
|
|
|
(JdL notes attached on Integrated Arts concepts,
ca. 1957) |
|
|
|
|
|
Oct. 28, 1952 |
|
151 |
Rudolf von Laban/JdL, |
|
|
|
June 4, 1953 |
|
|
|
June 28, 1953 |
|
|
|
n.d. |
|
152 |
Warren Lamb/JdL, |
|
|
|
Oct. 14, 1964 |
|
|
|
Sept. 16, 1969 |
|
|
|
Nov. 6, 1969 |
|
153 |
Elisabeth Lang-Corret, Irma Lutz
Domizlaff, Hertha Meisenbach, and Elinor Warsitz-Kannegiesser/JdL,
Feb. 1950 |
|
|
|
|
(in German) |
|
|
|
154 |
Roderyk, Diana, and Anthony
Lange/JdL, |
|
|
|
Dec. 1976 |
|
|
|
n.d. |
|
155 |
Lillian Lawler/JdL, |
|
|
|
June 1966 |
|
|
|
Mar. 13, 1967 |
|
156 |
F. C. Lawrence/JdL, Aug. 28,
1953 |
|
157 |
Thomas Leabhart/ JdL, n.d. |
|
158 |
Jack Leadbetter/JdL, Nov. 18,
1967 |
|
159 |
Christine Dobbins Leahy/JdL, ca.
1951 |
|
160 |
Marie R. Liba/JdL, Jan. 1971 |
|
161 |
Erna C. Lindner and Olga Prytula/JdL,
May 2, 1964 |
|
162 |
Gertrude Lippincott/JdL, |
|
|
|
Mar. 20, 1964 |
|
|
|
ante Dec. 1965 |
|
|
|
Aug. 16, 1971 |
|
163 |
Mary Lynch/JdL, Oct. 14, 1967 |
|
164 |
J. D. McDonald/JdL, |
|
|
|
Dec. 1, 1947 |
|
|
|
Dec. 12, 1947 |
|
165 |
Sister Marie-Victoire/JdL, June 1,
1946 |
|
166 |
Marguerite McAneny/JdL, |
|
|
|
Oct. 28, 1965 |
|
|
|
Jan. 7, 1967 |
|
|
|
Jan. 9, 1967 |
|
167 |
Malcolm McCormick/JdL, |
|
|
|
July 7, 1967 |
|
|
|
July 9, 1969 |
|
168 |
Katie McGuire/JdL, Jan. 27, 1973 |
|
169 |
M. M. Meredith-Jones/JdL, Mar. 7,
1949 |
|
170 |
D. M. Merrill/JdL, Oct. 26, 1950 |
|
171 |
Donna Mae Miller/JdL, |
|
|
|
Nov. 26, 1963 |
|
|
|
Jan. 23, 1964 |
|
172 |
Mary Ella Montaque/ JdL, n.d. |
|
173 |
David Morton/JdL, June 9, 1970 |
|
174 |
Robert Moulton/JdL, Mar. 24,
1970, |
|
|
|
|
(plus JdL notes in response to this letter) |
|
|
|
175 |
Franklin D. Murphy/JdL, Apr. 19,
1968 |
| Box |
Folder |
| 17 |
|
CORRESPONDENCE (continued) |
|
1 |
Ely, Helga, and Greg Nagy/JdL, ca.
1950 |
|
2 |
National Endowment of the Arts/JdL,
Mar. 6, 1974 |
|
3 |
Bruno Nettl/JdL, n.d. |
|
|
|
|
(in English and German) plus JdL bibliographic
notes |
|
|
|
4 |
Nevin Nichols/JdL, Aug. 26, 1963 |
|
|
|
|
plus JdL notes |
|
|
|
5 |
Alwin Nikolais/JdL, |
|
|
|
Oct. 26, 1964 |
|
|
|
May 1, 1967 |
|
|
|
Nov. 1967 |
|
|
|
1967 ? |
|
6 |
Liz Oberstein/JdL, Oct. 18, 1967 |
|
7 |
Osterreichisches Volksliedwerk beim
Bundesministerium fur Unterricht/JdL, May 31, 1966 |
|
|
|
|
(in German) |
|
|
|
8 |
Jacqueline Ogg/JdL, |
|
|
|
Apr. 22, 1970 |
|
|
|
Oct. 1, 1971 |
|
|
|
Oct. 13, 1971 |
|
|
|
Feb. 4, 1972 |
|
9 |
Jacqueline Ogg/JdL, |
|
|
|
Apr. 11, 1972 |
|
|
|
Apr. 11, 1972 |
|
|
|
May 5, 1972 |
|
|
|
May 16, 1972 |
|
|
|
June 22, 1972 |
|
10 |
Joe Okpaku/JdL, Jan. 18, 1968 |
|
11 |
E. A. Osgathorp/JdL, |
|
|
|
Apr. 10, 1969 |
|
|
|
Oct. 27, 1969 |
|
12 |
Anthony Peck/JdL, Jan. 23, 1970 |
|
13 |
Lin Pei-Fen/JdL, Mar. 6, 1949 |
|
|
|
|
plus JdL notes |
|
|
|
14 |
Dr. Petermann/JdL, |
|
|
|
|
(in German) plus JdL notes |
|
|
|
|
|
July 30, 1976 |
|
|
|
July 30, 1976 |
|
15 |
Kurt Peters/JdL, June 20, 1953 |
|
|
|
|
(in German) |
|
|
|
16 |
Adam A. Pinsker/JdL, July 16,
1970 |
|
17 |
Malucha Solari de Pinto/JdL, Oct. 25,
1966 |
|
|
|
|
(in Spanish) |
|
|
|
18 |
A. J. Pischi/JdL, Mar. 12, 1965 |
|
|
|
|
plus JdL notes |
|
|
|
19 |
Richard Polese/JdL, Dec. 5, 1968 |
|
20 |
John Povey/JdL, |
|
|
|
Nov. 18, 1966 |
|
|
|
Nov. 18, 1966 |
|
|
|
Jan. 10, 1967 |
|
|
|
Oct. 1, 1967 |
|
21 |
Valerie Preston-Dunlop/JdL, Jan. 21,
1971 |
|
|
|
|
plus JdL notes |
|
|
|
22 |
Dan Procter/JdL, Dec. 15, 1953 |
|
23 |
Riki Raab/JdL, |
|
|
|
|
(in German) |
|
|
|
|
|
Oct. 26, 1967 |
|
|
|
Aug. 21, 1970 |
|
23a |
Riki Raab, four photographs - candid,
July 14, 1969 |
|
24 |
Elsa Rainer/JdL, Dec. 3, 1962 |
|
25 |
Renee Renouf/JdL, Jan. 16, 1976 |
|
26 |
Cary Rick/JdL, May 29, 1971 |
|
27 |
Theodore C. Ricks/JdL, |
|
|
|
|
plus JdL notes |
|
|
|
|
|
Sept. 22, 1967 |
|
|
|
Nov. 16, 1967 |
|
|
|
Jan. 11, 1968 |
|
28 |
Terry Roche/JdL, Dec. 12, 1972 |
|
29 |
Robert F. Roeming/JdL, |
|
|
|
Jan. 5, 1970 |
|
|
|
Jan. 19, 1970 |
|
30 |
Madeline Rosay/JdL, Sept. 27,
1960 |
|
|
|
|
plus JdL note |
|
|
|
30a |
JdL with Madeline Rosay ?, two
photographs - candid, Sept. 27, 1960 |
|
31 |
Patricia A. Rowe/JdL, |
|
|
|
Feb. 20, 1968 |
|
|
|
Mar. 15, 1968 |
|
|
|
Sept. 11, 1968 |
|
32 |
Catherine Rubin/JdL, Oct. 15,
1962 |
|
33 |
Joan Ryan/JdL, Jan. 2, 1973 |
|
34 |
Loretta C. Ryan/JdL, May 9, 1951 |
|
35 |
Lola Sadlo/JdL, Oct. 10, 1963 |
|
|
|
|
plus JdL notes |
|
|
|
36 |
David S. Saxon/JdL, Jan. 20,
1971 |
|
37 |
G. Schirmer/JdL, Mar. 4, 1953 |
|
38 |
Otto Schneider/JdL, |
|
|
|
|
(in German) |
|
|
|
|
|
Aug. 29, 1969 |
|
|
|
ca. 1969 |
|
39 |
Frances Schram/JdL, Nov. 12,
1957 |
|
40 |
Nona Schurman/JdL, June 4, 1971 |
|
|
|
|
plus JdL note |
|
|
|
41 |
Nona Schurman, photograph - in dance
attire, n.d. |
|
42 |
Ted Shawn/JdL, ca. 1968 |
|
43 |
Sybil Shearer/JdL, ca. 1948 |
|
44 |
Nancy Smith/JdL, Jan. 1971 |
|
45 |
Ralph A. Smith/JdL, |
|
|
|
Dec. 3, 1971 |
|
|
|
Dec. 21, 1971 |
|
46 |
Ruth M. Smith/JdL, Jan. 7, 1949 |
|
47 |
Allegra Fuller Snyder/JdL, Mar. 31,
1965 |
|
|
|
|
plus JdL note |
|
|
|
48 |
Marion Sourian/JdL, Jan. 10,
1971 |
|
49 |
Charles Speroni/JdL, |
|
|
|
Apr. 25, 1968 |
|
|
|
July 1, 1969 |
|
|
|
June 30, 1970 |
|
|
|
June 30, 1970 |
|
50 |
Gertrude Sporket/JdL, Dec. 18,
1963 |
|
|
|
|
(in German) |
|
|
|
51 |
Bob Stecker/JdL, Feb. 12, 1965 |
|
52 |
Penny Leavitt Stegenga/JdL, |
|
|
|
Oct. 18, 1972 |
|
|
|
Jan. 25, 1973 |
|
|
|
Mar. 20, 1973 |
|
53 |
Penny Leavitt Stegenga/JdL, |
|
|
|
Apr. 15, 1973 |
|
|
|
May 13, 1973 |
|
|
|
July 14, 1973 |
|
54 |
Verna Arvey Still/JdL, June 24,
1970 |
|
55 |
Ernestine Stodelle/ JdL, Oct. 16,
n.y. |
|
55a |
Mrs. Stover and Mrs. Fox/JdL,
n.d. |
|
56 |
Elwin V. Swenson/JdL June 23,
1967 |
|
56 |
June 4, 1968 |
|
56 |
June 10, 1968 |
|
56 |
June 12, 1968 |
|
57 |
Viola Hegyi Swisher/JdL Sept. 17,
1966 |
|
57 |
plus JdL note Oct. 4, 1967 |
|
58 |
Yoko Tahara/JdL Feb 22, 1973 |
|
59 |
Julie M. Taylor/JdL May 1, 1968 |
|
60 |
Walter Terry/JdL, plus JdL note Feb.
5, 1948 |
|
61 |
Harry F. Thompson/JdL Oct. 5,
1964 |
|
62 |
Hamish J. Thomas/JdL n.d. |
|
63 |
Lois Timmins/JdL Jan. 19, 1973 |
|
64 |
Lynn Traiger/JdL Feb. 19, 1965 |
|
65 |
Terry Nancy Tremaner/JdL Apr. 7,
1973 |
|
66 |
K. C. Tsien/JdL Feb. 19, 1948 |
|
67 |
Pierre Tuga/JdL (in French) Mar. 21,
1953 |
|
68 |
Ellen Turk/JdL plus JdL notes Nov. 5,
1968 |
|
69 |
Bill Ulelintz/JdL Nov. 18, 1967 |
|
70 |
Lisa Ullmann/JdL Aug. 25, 1953 |
|
70 |
Sept. 2, 1953 |
|
71 |
Lisa Ullmann and Roland Laban/JdL (in
English and German) Sept. 13, 1953 |
|
72 |
Lisa Ullmann/JdL Aug. 5, 1958 |
|
72 |
Oct. 2, 1959 |
|
72 |
Sept. 3, 1964 |
|
72 |
Mar. 18, 1971 |
|
73 |
Kapila Vatayasan/JdL Mar. 15,
1957 |
|
73 |
May 1, 1957 |
|
73 |
Sept. 8, 1970 |
|
73 |
n.d. |
|
73 |
June 10, n.y. |
|
74 |
Frank M. Veale/JdL Nov. 19, 1943 |
|
75 |
Lucy Venable/JdL (carbon copy of JdL
response to this letter is on reverse side, Apr. 15, 1968) Apr. 9,
1968 |
|
76 |
Walter Volbach/JdL (JDL draft
response to this letter is on reverse side) Apr. 8, 1958 |
|
76 |
Walter Volbach/JdL, plus JdL notes
Apr. 16, 1958 |
|
76 |
Walter Volbach/JdL, Apr. 28,
1958 |
|
76 |
Walter Volbach/JdL, plus JdL notes
Mar. 26, 1961 |
|
77 |
Evert J. Volkersz/JdL Jan. 6,
1965 |
|
78 |
Klaus Wachsmann/JdL Jan. 29, 1969,
Feb. 11, 1969, Mar. 25, 1969, Apr. 30, 1975 |
|
79 |
Abr. A. Wagner/JdL (in German) ca.
1963 |
|
80 |
Irene N. Watts/JdL June 5, 1976 |
|
81 |
Clark Weaver/JdL ante Dec. 31,
1957 |
|
82 |
Marian S. Weiser/JdL Apr. 26,
1967 |
|
83 |
Brooke Whiting/JdL Sept. 28,
1965 |
|
84 |
Richard Wier/JdL Dec. 25, 1963 |
|
85 |
Mary Wigman/JdL (in German) June 16,
n.y., Dec. 12, 1933 |
|
86 |
Johannes Wilbert/JdL Jan. 20,
1967 |
|
87 |
Donald Windham/Jdl May 7, 1945 |
|
88 |
David Wodlinger/JdL Sept. 1961 |
|
89 |
Alan Woods/JdL June 11, 1974 |
|
90 |
George W. Woodyard/JdL Mar. 5,
1968 |
|
91 |
James Wright/JdL, plus JdL notes May
6, 1963 |
|
92 |
Charles E. Young/JdL Dec. 23,
1970 |
|
93 |
Suhail T. Zakharia/JdL Jan. 27,
1963 |
|
94 |
Miscellaneous/JdL (in English,
German, and Spanish) |
|
95 |
JdL/Paul Baker Oct. 16, 1959, Nov.
19, 1959, June 3, 1960 |
|
96 |
JdL/Paul Baker (3 letters) 1960? |
|
97 |
JdL/Paul and Kitty Baker Oct. 9,
1971 |
|
98 |
JdL/Baylor University
Administration |
|
99 |
JdL/Jack Clay 1971 ? |
|
100 |
JdL/Eddie Dwyer Feb. 6, 1961 |
|
101 |
JdL/Marianne Frostig Nov. 14,
1968 |
|
102 |
JdL/Mrs. Gattis n.d. |
|
103 |
JdL/Katherine Gilbert n.d. |
|
104 |
JdL/Frank Gillis Jan. 14, 1966 |
|
105 |
JdL/Walter Grothe Apr. 2, 1954, May
14, 1954 |
|
106 |
JdL/Mr. Harris May 28, 1954 |
|
107 |
JdL/Mantle Hood Sept. 19, 1966 |
|
108 |
JdL/Ann Hutchinson Dec. 15, n.y. |
|
109 |
JdL/Earl Jones (in English and
Spanish) Aug. 20, 1966 |
|
110 |
JdL/Gertrude Kurath Mar. 23, 1965,
Apr. 21, 1965, May 9, 1965 |
|
111 |
JdL/Etelka and Maria Laban (in
German) ca. April 1963 |
|
112 |
JdL/Maria Laban (in German) Sept. 5,
1963 |
|
113 |
JdL/Herbert McAnevy Nov. 16,
1962 |
|
114 |
JdL/Abner McCall June 3, 1960 |
|
115 |
JdL/Donna Mae Miller Jan. 27,
1964 |
|
116 |
JdL/Franklin D. Murphy Oct. 1,
1965 |
|
117 |
JdL/Jacqueline Ogg Oct. 8, 1971, May
7, 1972 |
|
118 |
JdL/Malucha Solaride Pinto Oct. 17,
1967 |
|
119 |
JdL/A. J. Pische May 25, 1965 |
|
120 |
JdL/Frances Schram Nov. 17, 1957 |
|
121 |
JdL/Haywood R. Shuford Feb. 6,
1961 |
|
122 |
JdL/Ralph A. Smith Dec. 17, 1971 |
|
123 |
JdL/Lisa Ullmann June 10, 1971 |
|
124 |
JdL/Walter R. Volbach post Apr. 16,
1958 |
|
125 |
JdL/Klaus Wachsmann ante July 20,
1970 |
|
126 |
JdL/Martha Maybury Wampler post May
4, 1968 |
|
127 |
JdL/Charles E. Young 1969 |
|
128 |
JdL/Miscellaneous (in English and
German) |
|
129 |
Mary Wigman/Renee (JdL's Aunt?)
(in German) |
|
130 |
Lillits B. ?/Maria Lenares (in
German) n.d. |
|
131 |
Miscellaneous/Neither to nor from
JdL |
|
|
|
|
|
|
|
|
|
|
|
|
| Series IX - Miscellaneous Professional Activities
(Box 18) 1939-1976 |
|
|
Miscellaneous materials documenting JdL's
membership in professional organizations, attendance at
conferences, receipt of awards, participation on committees,
assistance in exhibitions, and donations to museums and libraries
are found in this series. The documents are not comprehensive and
do not represent the scope of JdL's professional affiliations
and activities. The folders are arranged chronologically from 1939
to 1976. |
| Box |
Folder |
| 18 |
|
MISCELLANEOUS PROFESSIONAL
ACTIVITIES |
|
1 |
Guest of Honor at meeting of Drama
Comedy--New Yorkers (program) Oct. 27, 1939 |
|
2 |
Notes (holograph) taken at Estes
Park, CO Conference ante Mar. 8, 1948 |
|
3 |
Member of The Center Dance Committee
of the Jewish Community Center presenting Jose Limon (program) Feb.
24, 1950 |
|
4 |
Symposium notes (typescript and
holograph) from Arch Lauterer's lectures ca. Aug. 1950 |
|
5 |
Dance judge with Merce Cunningham at
Barnard College Greek Games (program and clipping) March 29-30,
1952 |
|
6 |
Member of Nossen scholarship
committee (clippings) Apr. 15, 1952 |
|
7 |
Coordinator of Labanotation Exhibit
at Adelphi College Library (holographs) ca. 1952 |
|
8 |
JdL with unidentified woman at
Labanotation Exhibit, photograph - candid ca. 1952 |
|
9 |
Notated score of JdL's
demonstration of schottische steps at Laban Art of Movement Centre
Mar. 1953 |
|
10 |
Notes (typescript) from Warren
Lamb's student days ? ca. 1953 |
|
11 |
Donation of Hungarian folk dance
costumes to Museum of International Folk Art (clipping), Santa Fe,
NM Mar. 20, 1955 |
|
12 |
JdL displaying Hungarian folk dance
costumes, two photographs - posed ca. Mar. 20, 1955 |
|
13 |
Hungarian Folk Dance Costume Exhibit
at Museum of International Folk Art, four photographs ca. Mar. 20,
1955 |
|
14 |
Donation of Handbuch der
Kinetographie by Albrecht Knust to Harvard Library (clipping) ca.
Mar. 27, 1955 |
|
15 |
Recipient of award from National
Recreation Association (certificate) 1963 |
|
16 |
Attendee at International Folk Music
Council Seventeenth Annual Conference in Budapest, Hungary
(registration packet) Aug. 17-25, 1964 |
|
17 |
Member of American Society for
Theatre Research (newsletter) 1964-1965 |
|
18 |
Attendee at Bartenieff Workshop
(photostat) 1965 |
|
19 |
Adviser for Peace Corps Training
through UCLA Extension Program (typescript and mimeograph)
1966 |
|
20 |
Attendee at Developmental Conference
on Dance (mimeograph) Nov. 1966 |
|
21 |
JdL with unidentified attendees at
International Folk Festival of South American Countries, two
photographs-candid 1966 |
|
22 |
Attendee at American Association of
Health, Physical Education and Recreation Conference on Graduate
Education (mimeograph), Washington D.C. Jan. 1967 |
|
23 |
Attendee at American Association of
Health, Physical Education and Recreation Developmental Conference
on Dance (mimeographs) May 28-June 4, 1967 |
|
24 |
Report of American Association of
Health, Physical Education and Recreation Developmental Conference
on Dance (mimeograph) ca. 1967 |
|
25 |
Recipient of Certificate of
Appreciation from U.S. Office of Education (original) May 15,
1968 |
|
26 |
Member of Association of American
Dance Companies (directory) 1967-1968 |
|
27 |
Attendee at Sixth International
Congress of Aesthetics (broadsides and typescript), Uppsala, Sweden
Aug. 15-20, 1968 |
|
28 |
Attendee at American Society for
Aesthetics meeting (mimeograph and holograph) Oct. 1968 |
|
29 |
Council Member for The Society for
Ethnomusicology (journal title page and verso) 1968 |
|
30 |
Consultant for [Program on Dances
from Selected Cultures] ca. 1968 |
|
30a |
Commemorative introduction to Claudia
Chaplin's exhibit (typescript and program) on Rudolf von Laban
at Humboldt Galleries, San Francisco, CA ca. Feb. 1969 |
|
31 |
Member of Committee on Research in
Dance (newsletter) Apr. 1969 |
|
32 |
Member of Association of American
Dance Companies (directory) 1968-1969 |
|
33 |
Participant in Internationale
Sommeracademie des Tanzes (broadside and holograph), Koln, Germany
July 1969 |
|
34 |
Member of Committee on Research in
Dance (newsletter) Aug. 1969 |
|
35 |
Member of Committee on Research in
Dance (newsletter) Apr. 1970 |
|
36 |
Attendee at Bartenieff Workshop
(photostat) ca. July 1970 |
|
37 |
Contributor to National Association
for Regional Ballet (newsletter) ca. Mar. 1971 |
|
38 |
Director to the Board of the
Committee on Research on Dance (newsletter) Sept. 1, 1971-Aug. 31,
1974 |
|
39 |
Attendee at American Educational
Theatre Association Convention (mimeograph), Chicago, IL 1971 |
|
40 |
Contributor to resume of Joan Firra
and development of Physical Therapy program (holograph and
photostat) Nov. 1972 |
|
41 |
Attendee at American Society for
Theatre Research Conference (photostat), Flushing, NY Nov. 29-30,
1974 |
|
42 |
Member of International Mimes and
Pantomimists (directory) 1974-1975 |
|
43 |
Member of International Council of
Kinetography Labanotation (mimeograph) Dec. 1975 |
|
44 |
Member of International Mimes and
Pantomimists (photostat) Nov. 1976 |
|
|
|
|
|
|
|
|
|
|
|
|
| Series X - Miscellaneous Research Activities
(Box 18) |
|
|
This series consists of miscellaneous materials
documenting JdL's various research activities in the United
States and abroad. These include notes taken from books,
conferences, performances, and bibliographies. Slide lists and
discographies show that JdL was committed to preserving of visual
and aural documentation. Information on the formation of Dance
Research Associates and proposals for dance research projects are
also found here. Folder arrangement is chronological from the
1920's to the 1970's. |
| Box |
Folder |
| 18 |
|
MISCELLANEOUS RESEARCH
ACTIVITIES |
|
45 |
"Der neue Tanz" (typescript
in German) by Fritz Bohme ca. 1924 |
|
46 |
"Choreology und
Tanzschrift" (typescript in German) by Fritz Bohme June
1928 |
|
47 |
"A Vajda Janos Tarsasag Szekely
Nepi Tanc es Ballada Bemutato Eloadasa" (Hungarian program,
annotated) Mar. 31, 1935 |
|
48 |
Notes (holograph) on Sadler's
Wells Ballet at Covent Garden by Merlyn Severn, ca. 1947 |
|
49 |
"Geraldine Stephenson"
(annotated program); At:Barn Theatre, Dartington Hall, England,
ca.1950 |
|
50 |
John Brown's Body (annotated
program), directed by Charles Laughton, With: Tyrone Power, Judith
Anderson, and Raymond Massey, At:Kintner Gym, Decatur, IL, Jan. 18,
1953 |
|
51 |
"Harald Kreutzberg"
(annotated program), At:Central High School of Needle Trades, ?,
Feb. 21, 1953 |
|
52 |
:"First Dance Festival"
(annotated program), With: The New Dance Group Company, At:Ziegfeld
Theatre, New York, NY, Mar. 1, 1953 |
|
54 |
Notes (holograph) taken at Sommerkurs
fur Tanzer und Tanzpadagogen, Vienna, Austria, Plus broadside (in
German) June 1-22, 1965 |
|
55 |
Notes (holograph) taken at Folkwang
Hochschule, Plus broadsides (in German) June 23-July 6, 1965 |
|
56 |
Unidentified faculty and students at
Folkwang Hochschule, three photographs - candid, ca. June 1965 |
|
57 |
Kurt Joost with unidentified dancers
at Folkwang Hochschule, three photographs - candid, ca. June
1965 |
|
58 |
Folkwang Hochschule, two photographs,
ca. June 1965 |
|
59 |
Notes (holograph) on 17th and 18th
Century dance taken at Munich Staatsbibliothek, ca. June 1965 |
|
60 |
Notes (holograph) on 17th and 18th
Century dance taken at city and national libraries in Vienna,
Austria, ca. June 1965 |
|
61 |
Notes (holograph) on 17th and 18th
Century dance taken in city and national libraries in Vienna,
Austria and Munich, Germany, ca. June 1965 |
|
62 |
Notes (holograph) and articles
(photostat) documenting 17th and 18th Century dance from city and
national libraries in Vienna, Austria and Munich, Germany, ca. June
1965 |
|
63 |
Articles (photostat) on 17th and 18th
Century dance copied at city and national libraries in Vienna,
Austria and Munich, Germany, ca. June 1965 |
|
64 |
Articles (photostat) on 17th and 18th
Century dance copied at city and national libraries in Vienna,
Austria and Munich, Germany, ca. June 1965 |
|
65 |
La Traviatta (German program,
annotated), July 1965 |
|
66 |
Sketch of proposal for historical
dance research project (holograph) through the Office of Education,
U.S. Department of Health, Education and Welfare, 1967 |
|
67 |
Preparation materials in development
of Dance Research Associates (typescript, photostat, and
holograph), 1967-1973 |
|
68 |
Inquiries and responses (typescript,
holograph, broadsides, and photostats) regarding Dance Research
Associates, Dec. 28, 1967-Feb. 11, 1970 |
|
69 |
Notes (typescript in German) on
Curios Reit-Jagd-Fecht-Tanz oder Ritter-Excitien-Lexicon... by von
Valentino Trichtern, ca. Mar. 1969 |
|
70 |
Notes (holograph and study guides)
taken at International Council of Kinetograpy Labanotation
Conference, 1970 |
|
71 |
Bibliography (typescript) on period
Social Court dances, ca. Dec. 1972 |
|
72 |
Notes (holograph and typescript in
English and German) on Rudolf von Laban's movement theories,
n.d. |
|
73 |
Notes (holograph) on Rudolf von
Laban's movement theories in relation to mime, n.d. |
|
74 |
Translation (typescript) of
"'Circe', ou 'Le Ballet Comique de la
Royne'" (photostat in French) by Helene Leclerc, n.d. |
|
75 |
Notes (typescript) on World History
of the Dance by Curt Sachs, n.d. |
|
76 |
Notes (holograph) on Ballett
International by Horst von Koegler, n.d. |
|
77 |
Notes (holograph) on children's
dance, n.d. |
|
78 |
Notes (typescript) on The Mastery of
Movement on the Stage by Rudolf von Laban, n.d. |
|
79 |
Transcription (mimeograph) of film
commentary by Martha Graham in The Dancer's World, n.d. |
|
80 |
Notes (holograph) on the Comic Spirit
in the arts, n.d. |
|
81 |
Notes (holograph) on the art of
Magritte, n.d. |
|
82 |
Notes (holograph) on The Arts as
Communication by D. C. Wurs ? (Ed.), n.d. |
|
83 |
Notes (holograph) on The Elements of
Drama by J. L. Styan, n.d. |
|
84 |
Translation (typescript) of Reidansen
by Brom-Struich, n.d. |
|
85 |
Notes (typescript) on Individual
Behaviour by Syngg and Combs, n.d. |
|
86 |
Notes (holograph) on Mary Wigman,
n.d. |
|
87 |
Notes (holograph) on A History of
Ballet and Its Makers by Joan Lawson, n.d. |
|
88 |
Notes (holograph) on Effort by Rudolf
von Laban and F. C. Lawrence, n.d. |
|
89 |
Notes (holograph) on Die Schulfeste
Der by Jacques Dalcroze, n.d. |
|
90 |
Notes (holograph) on The Dances of J.
B. Lully (1632-1687) by Helen M. Ellis, n.d. |
|
91 |
Misc. notes for articles, reviews,
and choreography (holograph and program), n.d. |
|
92 |
Bibliography (typescript) on Rudolf
von Laban, n.d. |
|
93 |
Chronology (typescript) of Brazilian
theatre history, n.d. |
|
94 |
Bibliography (mimeograph) on Sacred
Drama and Movement Choir, n.d. |
|
95 |
Bibliography (mimeograph) on Dance
and Music Accompaniment, n.d. |
|
96 |
Bibliography (mimeograph) for
educators in Movememt Education and Dance, n.d. |
|
97 |
Bibliography (typescript) of French
dance and theatre resources, n.d. |
|
98 |
Discography (typescript) of selected
Himalayan music, n.d. |
|
99 |
Information on dance slides and their
sources (holograph), n.d. |
|
100 |
Misc. articles (photostat) relating
to dance research and archives, 1941-1972 |
|
101 |
Misc. bibliographic notes with
annotations, n.d. |
|
102 |
Misc. bibliographic notes, n.d. |
|
|
|
|
|
|
|
|
|
|
|
|
| SERIES XI - Card Files (Boxes
19-31) |
|
|
Six subseries have beed identified for this series.
The original order created by JdL has been preserved. Almost all of
the cards in this series are holograph bibliographic entries which
are predominantly annotated. The first and second subseries, M.F.A.
THESIS PREPARATION NOTES ca. 1943 and Ph.D. RESEARCH ca. 1946-1947,
were generated during her years at Yale University. UCLA LIBRARY
REQUISITIONS AND HOLDINGS represents records JdL kept when she
worked on building the dance holdings of the UCLA library. LATIN
AMERICAN DANCE RESEARCH was developed by JdL as part of her work
with the UCLA Latin American Studies Extension Program. UCLA/SMU
LIBRARY REQUISITIONS exemplifies JdL's use of UCLA library
order receipts to strengthen the dance holdings at the SMU library.
DANCE FILMS contains a list of films on the dance available from a
variety of distributors. JdL organized this file based on general
categories such as Ethnic and Folk, Ballet, Modern Dance,
Experimental, and Mime to name a few. |
| Box |
Folder |
| 19 |
|
M.F.A. THESIS PREPARATION NOTES ca.
1943 |
|
1 |
Preface |
|
2 |
Chapter 1 |
|
3 |
Chapter 2 |
|
4 |
Chapter 3 |
|
5 |
Chapter 4 |
|
6 |
Conclusion |
|
7 |
Quotations used in dissertation |
| Box |
Folder |
| 20 |
|
Ph.D. RESEARCH ca. 1946-1947 |
|
1 |
Bibliography - books |
| Box |
Folder |
| 21 |
|
Ph.D. RESEARCH (cont.), ca.
1946-1947 |
|
1 |
Dancer life stories in periodicals,
playbills, and books |
| Box |
Folder |
| 22 |
|
Ph.D. RESEARCH (cont.), ca.
1946-1947 |
|
1 |
General references |
|
2 |
Books available in Rare Book Room,
Harvard Theatre Collection ? |
|
3 |
Bibliography after 1860 |
|
4 |
Miscellaneous bibliography |
|
5 |
Books not needed for thesis |
| Box |
Folder |
| 23 |
|
Ph.D. RESEARCH (cont.), ca.
1946-1947 |
|
1 |
Preface |
|
2 |
Introduction |
|
3 |
Chapter 1 |
|
4 |
Chapter 2 |
|
5 |
Chapter 3 |
| Box |
Folder |
| 24 |
|
Ph.D. RESEARCH (cont.), ca.
1946-1947 |
|
1 |
Appendix |
|
2 |
Ballets - Plots |
|
3 |
Bibliography |
|
4 |
Text - History |
|
5 |
Operas |
|
6 |
Dances |
|
7 |
1750-1800 |
|
8 |
1800-1820 |
|
9 |
1820-1830 |
|
10 |
1830-1840 |
|
11 |
1840-1850 |
|
12 |
1850-1860 |
|
13 |
1860-1870 |
|
14 |
1870-1880 |
|
15 |
Trends after 1880 |
|
16 |
Suggestions - thesis: material which
might be discussed somewhere in thesis |
|
17 |
Miscellaneous |
| Box |
Folder |
| 25 |
|
UCLA LIBRARY REQUISITIONS AND
HOLDINGS |
|
1 |
Keys to abbreviations and master
cards |
|
2 |
Books ordered for library, 1966 |
|
3 |
Sources for Sables Master Directory
(in English and Spanish) |
|
4 |
Guide to dance periodicals |
|
5 |
Library of Congress
"Subjects/Headings" related to dance |
|
6 |
Bibliography - ballet |
| 25 |
|
LATIN AMERICAN DANCE RESEARCH |
|
7 |
Dance books not at UCLA library (in
English and Spanish) |
|
8 |
Periodicals not found in UCLA library
(in English and Spanish) |
|
9 |
Bibliography (in Portugese) |
|
10 |
Bibliography (in English and
Spanish) |
|
11 |
Bibliography--Native American/Spanish
influence (in English and Spanish) |
|
12 |
Bibliography--Spain (in English and
Spanish) |
| Box |
Folder |
| 26 |
|
LATIN AMERICAN DANCE RESEARCH
(cont.) |
|
1 |
General reference (in English and
Spanish) |
|
2 |
Argentina (in English and
Spanish) |
|
3 |
Bolivia (in English and Spanish) |
|
4 |
Brazil (in English, Portuguese, and
Spanish) |
|
5 |
Chile (in English and Spanish) |
|
6 |
Colombia (in English and
Spanish) |
|
7 |
Costa Rica (in English and
Spanish) |
|
8 |
Cuba (in English and Spanish) |
|
9 |
Equador (in English and Spanish) |
|
10 |
El Salvador (in English and
Spanish) |
|
11 |
Guatemala (in English and
Spanish) |
|
12 |
Haiti (in English, Spanish, and
French) |
|
13 |
Honduras (in English and
Spanish) |
| Box |
Folder |
| 27 |
|
LATIN AMERICAN DANCE RESEARCH
(cont.) |
|
1 |
Mexico (in English and Spanish) |
|
2 |
Nicaragua (in English and
Spanish) |
|
3 |
Peru (in English and Spanish) |
|
4 |
Puerto Rico (in English and
Spanish) |
|
5 |
Uruguay (in English and Spanish) |
|
6 |
Venezuela (in English and
Spanish) |
|
7 |
General references (in English and
Spanish) |
|
8 |
Spain (in English and Spanish) |
|
9 |
Notes and abbreviations (in English
and Spanish) |
| Box |
Folder |
| 28 |
|
LATIN AMERICAN DANCE RESEARCH
(cont.) |
|
1 |
Books--ballet and folk dance (in
English and Spanish) |
|
2 |
Articles--ballet and folk dance (in
English and Spanish) |
|
3 |
Misc. articles (in English and
Spanish) |
|
4 |
Misc. articles and press notes (in
English and Spanish) |
| Box |
Folder |
| 29 |
|
LATIN AMERICAN DANCE RESEARCH
(cont.) |
|
1 |
Peru (in English and Spanish) |
|
2 |
Brazil and Chile (in English,
Portuguese, and Spanish) |
|
3 |
Misc. articles and press notes (in
English and Spanish) |
|
4 |
Misc. press notes (in English and
Spanish) |
| Box |
Folder |
| 30 |
|
UCLA/SMU LIBRARY REQUISITIONS |
|
1 |
Ethnology (in English, Spanish,
German, and French) |
|
2 |
UCLA dance book requisitions (in
English, Spanish, German, and French) |
|
3 |
Ethnic and folk dance books--ordered
for UCLA library (in English, Spanish, German, and French) ca. Jan.
1968 |
|
4 |
Dance books--ordered for UCLA library
(in English and Spanish) ca. May 1968 |
|
5 |
Dance books--wanted for UCLA library
(in English, Spanish, German, and French) ca. Sept. 1969 |
|
6 |
Dance books--availability to be
checked at SMU library (in English and French) ca. Sept.-Oct.
1971 |
|
7 |
Dance books and films--available at
SMU library ca. Sept.-Oct. 1971 |
|
8 |
Dance books--found in SMU library for
Dance Concepts course ca. Sept. 1971 |
|
9 |
Books researched/not ordered for SMU
library ca. Sept. 1971 |
|
10 |
Dance books ordered for SMU library
(in English, Spanish, German, and French) ca. Oct. 1971 |
|
11 |
Dance books held for future order by
SMU library (in English, Spanish, German, and French) ca. Oct.-Nov.
1971 |
|
12 |
Dance books in DeGolyer Collection at
SMU library ca. Nov. 1971 |
|
13 |
Dance books in Kingsbury Collection
at SMU library (in English and French) ca. Nov. 1971 |
|
14 |
Dance books in McCord Theatre Museum
of Dallas at SMU library ca. 1971 |
|
15 |
Dance history books available through
inter-library loan at SMU library ca. Dec. 1971 |
|
16 |
American Indian dance books available
through inter- library loan at SMU library ca. Dec. 1971 |
|
17 |
Dance books not obtained for SMU
library (in English and French) ca. Jan. 1972 |
|
18 |
Dance books researched/not ordered
for SMU library (in English, German, and French) ca. Oct. 1972 |
| Box |
Folder |
| 31 |
|
DANCE FILMS |
|
1 |
Ethnic and folk--general |
|
2 |
Ethnic and folk--Mexico |
|
3 |
Ethnic and folk--Native American |
|
4 |
Ethnic and folk--African |
|
5 |
Ethnic and folk--Misc. |
|
6 |
Ethnic and folk--European |
|
7 |
Ballet |
|
8 |
Modern Dance |
|
9 |
Experimental |
|
10 |
Dance Therapy |
|
11 |
Mime |
|
12 |
Misc. |
|
13 |
Square Dance |
|
14 |
Key of distributors |
|
|
|
|
|
|
|
|
|
|
|
|
| Series XII - Visual Works (Boxes
32-39) |
|
|
PHOTOGRAPHS, CONTACT SHEETS AND NEGATIVES, SLIDES,
and MOTION PICTURES, and NEGATIVES OF SLIDES comprise this series.
The PHOTOGRAPHS in this series are different from other prints in
the collection in that they were taken to promote JdL
professionally as a dancer or educator spanning the years 1927 to
1976. Her vitality as a performer is documented in the Hungarian
folk dance pictures in this subseries. See also oversized box 57,
folders 1-3. CONTACT SHEETS AND NEGATIVES represent two
performances she directed at Baylor University: The Would-Be
Gentleman and Lazarus Laughed. JdL amassed an
extensive slide collection which was used primarily for her
speaking engagements and classroom lectures. A small number of the
SLIDES also documents personal events and student performances. In
addition, she retained copies of the negatives in the slide
collection, found in NEGATIVES OF SLIDES. The films in the MOTION
PICTURES subseries range from a home movie focussing on RvL to a
music instructional film in which JdL staged historical dances from
the Middle Ages. Also included is "Ancestral
Experiences," a modern dance work set on dancers at Texas
Christian University, Fort Worth. However, most are visual records
of JdL's student productions at Baylor University. The contents
of each subseries are arranged chronologically. |
| Box |
Folder |
| 32 |
|
JUANA de LABAN - PHOTOGRAPHS |
|
1 |
In costume ca. 1927 |
|
2 |
Three photographs - in class attire
ca. 1929 |
|
3 |
Two photographs with Rudolf von Laban
- portrait 1930 |
|
4 |
Two photographs - posed 1934 |
|
5 |
Four photographs 1934 |
|
6 |
In costume ca. 1934 |
|
7 |
In costume ca. 1934 |
|
8 |
In costume 1935 |
|
9 |
With unidentified Hungarian dancers
at 1937 ball - in costume 1937 |
|
10 |
With Hungarian delegation at 1937
ball - candid 1937 |
|
11 |
Nine photographs - in Hungarian
costume July 4, 1938 |
|
12 |
Portrait ca. 1938 |
|
13 |
In costume ca. 1938 |
|
14 |
Three photographs - in costume ca.
1938 |
|
15 |
In Hungarian costume ca. 1938 |
|
16 |
Three photographs - in Hungarian
costume ca. 1938 |
|
17 |
Three photographs of "Vorbegy
megye" ca. 1938 |
|
18 |
Six photographs of "Kalotaszegi
tanc" ca. 1938 |
|
19 |
20 photographs and 13 negatives - in
Hungarian costume ca. 1938 |
|
20 |
With two unidentified dancers - in
costume ca. 1938 |
|
21 |
27 photographs - in costume ca.
1938 |
|
22 |
16 photographs - in Spanish costume
ca. 1938 |
|
23 |
19 - in costume ca. 1938 |
|
24 |
With Erica Stolzberg and Gertrude
Doris Ulmann - posed 1939 |
|
25 |
Three photographs - in costume ca.
1939 |
|
26 |
In dance attire ca. 1939 |
|
27 |
Two photographs with unidentified
woman ca. 1939 |
|
28 |
Two photographs - candid 1939 |
|
29 |
Three photographs with Frances Bartha
- in costume ca. 1940 |
|
30 |
Three photographs - portrait ca.
1943 |
|
31 |
In costume ca. 1943 |
|
32 |
Portrait ca. 1947 |
|
33 |
With Harold Simon and Areisian ? - in
costume ca. 1949 |
|
34 |
Two photographs - portrait ca.
1950 |
|
35 |
Five photographs - Portrait ca.
1952 |
|
36 |
Three photographs with Rudolf von
Laban - candid 1954 |
|
37 |
With Rudolf von Laban and
unidentified man - candid 1954 |
|
38 |
Portrait 1955 |
|
39 |
Two photographs - candid Apr.
1961 |
|
40 |
Candid May 1961 |
|
41 |
Portrait ca. 1961 |
|
42 |
Portrait July 1962 |
|
43 |
Two photographs with unidentified
woman - candid ca. 1965 |
|
44 |
Portrait 1966 |
|
45 |
Negative of portrait ca. 1966 |
|
46 |
Candid Dec. 1976 |
| Box |
Folder |
| 33 |
|
CONTACT SHEETS AND NEGATIVES
(BINDER) |
|
1 |
Contact sheet, The Would-Be
Gentleman ca. Aug. 8, 1957 |
|
2 |
Contact sheet, The Would-Be
Gentleman ca. Aug. 8, 1957 |
|
3 |
Negatives, The Would-Be
Gentleman ca. Aug. 8, 1957 |
|
4 |
Negatives, The Would-Be
Gentleman ca. Aug. 8, 1957 |
|
5 |
Negatives, Lazarus Laughed
ca. Apr. 28, 1961 |
|
6 |
Negatives, Lazarus Laughed
ca. Apr. 28, 1961 |
| Box |
Folder |
| 34 |
|
SLIDES |
|
1 |
"Dance of the 20th
Century," No. 1-100, Pictura Dance 1978 |
|
2 |
"Dance of the 20th
Century," No. 101-200, Pictura Dance 1978 |
|
3 |
"Dance of the 20th
Century," No. 201-300, Pictura Dance 1978 |
| Box |
Folder |
| 35 |
|
SLIDES (cont.) |
|
1 |
History of notation, 52 slides |
|
2 |
Dances based on a circle, 32
slides |
|
3 |
History of the Romantic ballet, 22
slides |
| Box |
Folder |
| 36 |
|
SLIDES (cont.) |
|
1 |
|
|
|
|
a. JdL personal, 26 slides |
|
|
|
b. Iphigenia in Tauris, 18 slides |
|
|
|
c. "Kaleidoscope," 13
slides |
|
|
|
d. The Would-Be Gentleman, 17
slides |
|
|
|
e. Fulbright Lectureship, 9
slides |
|
|
|
f. Lazarus Laughed, 76 slides |
|
|
|
g. The Dawn, 33 slides |
|
|
|
h. The Caucasian Chalk Circle, 3
slides |
|
|
|
i. Charles Weidman at Baylor
University, 5 slides |
|
|
|
j. JdL with students at University of
Alberta, Edmonton, Canada, graduates of 1974, 3 slides |
|
|
|
k. Vacation in Hawaii, 5 slides |
|
2 |
|
|
|
|
a. Misc. drama, 118 slides |
|
|
|
b. Theatres, 33 slides |
|
|
|
c. Scenery/settings, 65 slides |
|
3 |
a. Dance in Art, 40 slides |
|
|
|
a. Dance in Art, 40 slides |
|
|
|
b. Africa, 15 slides |
|
|
|
c. Native American, 2 slides |
|
|
|
d. Bali, 18 slides |
|
|
|
e. Ceylon, 2 slides |
|
|
|
f. China, 93 slides |
|
|
|
g. Hungary, 19 slides |
|
|
|
h. Japan, 19 slides |
|
4 |
a. Java, 14 slides |
|
|
|
a. Java, 14 slides |
|
|
|
b. Mexico, 25 slides |
|
|
|
c. Spain, 23 slides |
|
|
|
d. Yugoslavia, 12 slides |
|
|
|
e. Misc. cultures, 11 slides |
|
|
|
f. The dance in antiquity, 109
slides |
|
5 |
a. The dance in antiquity, 71
slides |
|
|
|
a. The dance in antiquity, 71
slides |
|
|
|
b. Greek and Roman gesture codes, 53
slides |
|
|
|
d. Middle Ages - Bodelian Library,
Oxford, England, 31 slides |
|
|
|
e. Middle Ages, dated, 33 slides |
|
6 |
a. Middle Ages, not dated, 19
slides |
|
|
|
a. Middle Ages, not dated, 19
slides |
|
|
|
b. Renaissance and Baroque, dated, 83
slides |
|
|
|
c. Renaissance and Baroque, not dated,
46 slides |
| Box |
Folder |
| 37 |
|
SLIDES (cont.) |
|
1 |
|
|
|
|
a. Romantic ballet, dated, 31
slides |
|
|
|
b. Romantic ballet, not dated, 58
slides |
|
2 |
|
|
|
|
Twentieth Century Ballet, dated, 82
slides |
|
3 |
|
|
|
|
a. Twentieth Century Ballet, dated, 17
slides |
|
|
|
b. Twentieth Century Ballet, not
dated, 64 slides |
|
4 |
|
|
|
|
Social dance, 54 slides |
|
5 |
|
|
|
|
a. Stage and film, 26 slides |
|
|
|
b. Unidentified, 31 slides |
| Box |
Folder |
| 38 |
|
SLIDES (cont.) |
|
1 |
|
|
|
|
a. Early dance in America, 53
slides |
|
|
|
b. Minstrel shows, 27 slides |
|
2 |
|
|
|
|
a. Forerunners of the modern dance, 76
slides |
|
|
|
b. Modern dance, 21 slides |
|
3 |
|
|
|
|
Modern dance, 93 slides |
|
4 |
|
|
|
|
a. Modern dance, 8 slides |
|
|
|
b. Black dance, 18 slides |
|
|
|
c. Bauhaus, 36 slides |
|
|
|
d. German dance and exercise, 24
slides |
|
5 |
|
|
|
|
German dance and exercise, 77
slides |
| Box |
Folder |
| 38a |
|
NEGATIVES OF SLIDES |
|
Pages 1-19 |
Misc. negative copies of slides found
in Boxes 32-38 |
| Box |
Folder |
| 39 |
|
MOTION PICTURES |
|
Reel 1 |
Laban at Addlestone - home movie, RvL
with Lisa Ullmann and unidentified man, RvL's graveside with
Laban family members and Ullmann, b/w and color, 16mm, silent,
projection print, ca. 1958 |
|
2 |
Laban at Addlestone - home movie, RvL
with Lisa Ullmann and unidentified man, RvL's graveside with
Laban family members and Ullmann, b/w and color, 16mm, silent,
original--not for projection, ca. 1958 |
|
3 |
[South America] - home movie,
b&w, 8mm, silent, ca. 1959 |
|
4 |
[South America] - home movie,
b&w, 8mm, silent, ca. 1959 |
|
5 |
Ancestral Experiences - modern dance
in performance, choreographed by JdL, Texas Christian University,
b&w, 16mm, silent, ca. Jan. 1958 |
|
6 |
The Dawn - original mime play,
written, chroreographed, directed by JdL, Baylor University, color,
16mm, silent, ca. Dec. 1961 |
|
7 |
The Dawn - misc. clips illustrating
production aspects of the mime play, written, choreographed, and
directed by JdL, Baylor University, color, 16mm, silent, ca. Dec.
1961 |
|
8 |
Discovering the Music of the Middle
Ages - instructional film with music and dance; JdL, dance adviser;
John Biggs, music adviser; UCLA, color, 16mm, with audio, ca.
1968 |
|
9 |
Miracles (parts III and IV of a work
in five parts) in performance, choreographed by Eleanor King,
b&w, 16 mm, with audio, 1959 |
|
10 |
John Martin, Dance Critic: A Study of
His Critical Method in the Dance as Theatre Art by Thomas Barnes
Herthal, thesis (dissertation), Cornell University, microfilm June
1966 |
|
11 |
"Drums of Ghana" - film
strip, UCLA, n.d. |
|
12 |
"West African Mask" - film
strip, UCLA, n.d. |
|
13 |
[The Dance of Death] as illustrated
in woodcuts - film strip, n.d. |
|
14 |
Greek and Roman gesture codes - film
strip, n.d. |
|
|
|
|
|
|
|
|
|
|
|
|
| Series XIII - Audio Works (Boxes
40-41) |
|
|
The reel-to-reel tape recordings in this series
have been grouped under the headings EDUCATIONAL ACTIVITIES,
LECTURES, PERFORMANCES, and MISCELLANEOUS. EDUCATIONAL ACTIVITIES
includes music recordings, interviews and presentations of noted
dance professionals including Ruth St. Denis, and classroom
discussions of JdL and her students. Fourteen LECTURES given by JDL
from 1959 to 1971 make up the second subseries. Audio tapes used
for sound in some of JdL's student drama and dance productions
are grouped in PERFORMANCES. Of note in the MISCELLANEOUS subseries
are the two tapes of Alwin Nikolais, a lecture and a recording of
"Choreosonic Music." The tapes in each group are ordered
by date. |
| Box |
Folder |
| 40 |
|
EDUCATIONAL ACTIVITIES |
|
Reel 1 |
Victor Mallarino reading from the
writings of Garcia Lorca (in Spanish), Fulbright Lectureship, Mono
7 1/2 ips, ca. 1960 |
|
2 |
:"Canciones y danzas
Chilenas" (musical recording), Fulbright Lectureship, Mono 7
1/2 ips, ca. 1960 |
|
3 |
Chilean "Noche Buena" song
(musical recording), Fulbright Lectureship, Mono 7 1/2 ips, ca.
1960 |
|
4 |
South American Folk Songs (musical
recording), Fulbright Lectureship, Mono 7 1/2 ips, ca. 1960 |
|
5 |
South American Folk Songs (musical
recording), Fulbright Lectureship, Mono 7 1/2 ips, ca. 1960 |
|
6 |
South American folk tunes by Vidleta
Parra (musical recording), Fulbright Lectureship, Mono 7 1/2 ips,
ca. 1960 |
|
7 |
Dr. Robert Kinsman presents
"Overview" and Dr. Lynn T. White, Jr. expounds on
"Death and the Devil," UCLA, Lecture Series: "The
Dark Side of the Moon: The Rationality of the Renaissance,"
Mono 3 3/4 ips, Oct. 4, 1967 |
|
8 |
Excerpts from interview with Ruth St.
Denis, UCLA, Oral History Program, Mono 3 3/4 ips, ca. 1966 |
|
9 |
Ruth St. Denis reads from her poetry,
UCLA, Panorama of Dance, Mono 7 1/2 ips, ca. Nov. 20, 1966 |
|
10 |
Richard Carter and Nancy Johnson
expound upon "Contemporary Ballet," UCLA, Panorama of
Dance 2, Mono 3 3/4 ips, Jan. 21, 1968 |
|
11 |
Natalia Clare expounds upon "The
Joy of Dancing--The La Jeunesse and I," UCLA, Panorama of
Dance 2, Mono 3 3/4 ips, Jan. 28, 1968 |
|
12 |
Jan Day expounds upon the
"Synthesis of Improvisation," UCLA, Panorama of Dance 2,
Mono 3 3/4 ips, Feb. 4, 1968 |
|
13 |
Rod Alexander expounds upon "The
Modern Dance," UCLA, Panorama of Dance 2, Mono 3 3/4 ips, Feb.
18, 1968 |
|
14 |
Geraldine Dimondstein expounds upon
"Movement--A Window on the World," UCLA, Panorama of
Dance 2, Mono 3 3/4 ips, Feb. 25, 1968 |
|
15 |
Robert Rossellat expounds upon
"Ballet Technique: Architecture in Motion," UCLA,
Panorama of Dance 2, Mono 3 3/4 ips, Mar. 3, 1968 |
|
16 |
Carlton Johnson expounds upon
"Jazz and What It Is," UCLA, Panorama of Dance 2, Mono 3
3/4 ips, Mar. 10, 1968 |
|
17 |
Athan Karras expounds upon "The
World Dances," UCLA, Panorama of Dance 2, Mono 3 3/4 ips, Mar.
17, 1968 |
|
18 |
J. P. Rameau--"Les Indes
Galantes" (musical recording), UCLA, Dance 151 History of the
Dance, Mono 7 1/2 ips, ca. 1965-1973 |
|
19 |
Music for Baroque Dances (musical
recording), UCLA, Dance 151 History of the Dance, Mono 7 1/2 ips,
ca. 1965-1973 |
|
20 |
Minuets (musical recording), UCLA,
Dance 151 History of the Dance, Mono 7 1/2 ips, ca. 1965-1973 |
|
21 |
Minuets (musical recording), UCLA,
Dance 151 History of the Dance, Mono 7 1/2 ips, ca. 1965-1973 |
|
22 |
History of Social Dance (musical
recording), UCLA, Dance 151 History of the Dance, Mono 7 1/2 ips,
ca. 1965-1973 |
|
23 |
JdL and students expound upon dance
terminology and style, UCLA, Dance 210 Aesthetics, Mono 3 3/4 ips,
ca. 1964-1971 |
|
24 |
JdL and students expound upon dance
terminology and style, UCLA, Dance 210 Aesthetics, Mono 7 1/2 ips,
ca. 1964-1971 |
|
25 |
JdL and students expound upon dance
terminology and style (labelled final copy), UCLA, Dance 210
Aesthetics, Mono 3 3/4 ips, ca. 1964-1971 |
|
26 |
Students expound upon Susanne
Langer's Problems of Art, UCLA, Dance 210 Aesthetics, Mono 3
3/4 ips, ca. 1964-1971 |
|
27 |
Students expound upon Susanne
Langer's Problems of Art, UCLA, Dance 210 Aesthetics, Stereo 3
3/4 ips, ca. 1964-1971 |
|
28 |
Side 1: Various Ethnic music and Side
2: Hungarian music (musical recording), UCLA, Dance 226 Dance
Expression in Selected Culture, Mono 3 3/4 ips, ca. 1962-1970 |
|
29 |
Richard
Russell--"Requirere" (musical recording for dance concert
choreographed by S. White), UCLA, Mono 7 1/2 ips, Dec. 6, 1969 |
|
30 |
:"Eilif Song" from Prologue
of Mother Courage (musical recording), UCLA ?, Mono 7 1/2 ips,
1970 |
|
31 |
:"Nature Sounds" (musical
recording), University of Wisconsin--Milwaukee Workshop, Stereo 7
1/2 ips, Mar. 20, 1971 |
| Box |
Folder |
| 41 |
|
LECTURES |
|
Reel 1 |
JdL expounds upon "Dance and
Stage Movement" (in English), Chile, Mono 3 3/4 ips, Aug. 31,
1959 |
|
2 |
JdL expounds upon Chilean amateur
theatre festival (in Spanish), Chile, Stereo 7 1/2 ips, Oct.
1959 |
|
3 |
JdL expounds upon the "Aims and
Objectives of American Education Theatre Association" (in
German), Chile, Mono 7 1/2 ips, Dec. 29, 1959 |
|
4 |
JdL is interviewed by Carlos Surinac
(in Spanish), Chile, Stereo 7 1/2 ips, Dec. 31, 1959 |
|
5 |
JdL expounds upon "The
Contributions of Rudolf von Laban," UCLA, Mono 3 3/4 ips, Jan.
1965 |
|
6 |
JdL expounds upon Hanya Holm for
Walter Sorell's biography of Holm, UCLA, Apr. 16, 1967 |
|
7 |
JdL expounds upon "Dance and Its
Visual Dimensions" as part of "Dance in the Life of
Man" Lecture Series, UCLA, Oct. 30, 1967 |
|
8 |
JdL expounds upon "Dance
Notation," National Dance Symposium, Wichita, KS, both sides
Mono 7 1/2 ips, Aug. 22, 1968 |
|
9 |
JdL expounds upon "Dance
Notation, Part III" and Adrienne Kaeppler discusses
"Method Theory in Analyzing Dance Structure," UCLA,
Seminar, Mono 7 1/2 ips, Nov. 5, 1968 |
|
10 |
JdL expounds upon "Perspective
in Retrospect," Committee on Research in Dance Second
Conference, Mono 3 3/4 ips, ca. July 4-6, 1969 |
|
11 |
JdL expounds upon 15th and 16th
Century dances taught by Ingrid Brainard, UCLA, post Aug. 1970 |
|
12 |
JdL summarizes the day's
activities, International Stage Movement Institute, SMU, Stereo 3
3/4 ips, Aug. 9, 1971 |
|
13 |
JdL summarizes the day's
activities, International Stage Movement Institute, SMU, Aug. 9,
1971 Aug. 9, 1971 |
|
14 |
JdL summarizes the day's
activities, International Stage Movement Institute, SMU, Stereo 3
3/4 ips, Aug. 11, 1971 |
|
15 |
JdL summarizes the day's
activities, International Stage Movement Institute, SMU, Stereo 3
3/4 ips, Aug. 12, 1971 |
| 41 |
|
PERFORMANCES |
|
16 |
Ancestral Experiences, Texas
Christian University, Stereo 7 1/2 ips, Jan. 10-11, 1958 |
|
17 |
Lazarus Laughed Acts I and II, Baylor
University, Stereo 7 1/2 ips, Apr. 28-May 13, 1961 |
|
18 |
Lazarus Laughed Acts III and IV,
Baylor University, Stereo 7 1/2 ips, Apr. 28-May 13, 1961 |
|
19 |
The Dawn, Baylor University, Mono 7
1/2 ips, Dec. 1961-Feb. 15, 1962 |
|
20 |
:"The Thanksgiving Psalms,"
Baylor University, Mono 7 1/2 ips, ca. Feb. 12, 1962 |
|
21 |
Antigone, Baylor University, Mono 3
3/4 ips, Apr. 19-27, 1963 |
|
22 |
Medieval Dance Carnival, UCLA, Mono 7
1/2 ips, Oct. 16, 1966 |
|
23 |
Medieval Dance Carnival, UCLA, Mono 7
1/2 ips Oct. 16, 1966 |
|
24 |
Medieval Dance Carnival, UCLA, Mono 7
1/2 ips Oct. 16, 1966 |
|
25 |
Imagination Dead Imagine, University
of Wisconsin--Milwaukee, Mono 3 3/4 ips, May 18, 1971 |
|
26 |
Imagination Dead Imagine, University
of Wisconsin--Milwaukee, Mono 3 3/4 ips, May 18, 1971 |
|
27 |
"The Creation," institution
unidentified, Stereo 7 1/2 ips, n.d. |
| 41 |
|
MISCELLANEOUS |
|
28 |
Alwin Nikolais conducting Composition
Class and rehearsal of "Tent," Mono 3 3/4 ips, Oct. 29,
1970 |
|
29 |
Alwin Nikolais' "Choreosonic
Music" (musical recording), Mono 7 1/2 ips, n.d. |
|
30 |
Sound Effects--heart beats, sounds of
the sea, electronic noise, Stereo 7 1/2 ips, n.d. |
|
31 |
Unidentified piano selection, Mono 3
3/4 ips |
|
32 |
Unidentified flute selection, Stereo
7 1/2 ips |
|
33 |
Unidentified lecture on human
behavior by male speaker, Mono 3 3/4 |
|
|
|
|
|
|
|
|
|
|
|
|
| Series XIV - Music Scores (Boxes
42-44) |
|
|
Folders in the MUSIC SCORES series appear
alphabetically by composer. When composer names are not identified,
the titles are used for arrangement. |
| Box |
Folder |
| 42 |
|
MUSIC SCORES |
|
1 |
American Country Dance Vol. 1, edited
by Elizabeth Burchenal, piano |
|
2 |
Bela Bartok--"Album of Selected
Pieces," piano |
|
3 |
Bela Bartok--"Allegro
Barbaro," piano |
|
4 |
Bela Bartok--"Hejre Kat"
(fragment), violin and piano |
|
5 |
Bela Bartok--"Der
Holzgeschnitzte Prinz," piano |
|
6 |
Bela
Bartok--"Improvisations," piano op. 20 |
|
7 |
Bela Bartok--"Rumanische
Volkstanze," piano |
|
8 |
Bela Bartok--"Suite,"
piano, op.14 |
|
9 |
Bela Bartok--"Trois Chansons
Hongroises Populaires," piano |
|
10 |
Bela Bartok--"Der Wunderbare
Mandarin," piano, four hands |
|
11 |
Hector Berlioz--"The Damnation
of Faust," Hungarian march for piano |
|
12 |
Pedro Berruti--"Las Adoraciones
al nino dios" and "La Danza de las Cintas," music
and choreography notation |
|
13 |
Margaret Bonds--"The Negro
Speaks of Rivers," words by Langston Hughes (with
autograph) |
|
14 |
John Cage--"Amores," piano
and percussion |
|
15 |
"Cancionero de Chile,"
Chilean Folklore Association |
|
16 |
Norman Cazden--"Sonatina,"
piano; and George Frederick McKay--"Dance Suite No. 2,"
piano |
|
17 |
Henry Cowell--"The Lilt of the
Reel," piano |
|
18 |
Henry Cowell--"Maestoso,"
piano |
|
19 |
Henry Cowell--"Ostinato
Pianissimo," percussion band |
|
20 |
Ingolf Dahl--"Variations on a
Swedish Folk Tune," flute; and Edgar Varese--"Density
21.5," flute |
|
21 |
Ernst von Dohnanyi--"Ruralia
Hungarica," piano |
| Box |
Folder |
| 43 |
|
MUSIC SCORES (cont.) |
|
1 |
Arthur Farwell--"American Indian
Melodies," piano |
|
2 |
Rose Lee Finney--"Music to be
Danced," small symphony orchestra |
|
3 |
Folk Dances and Singing Games,
arranged and edited by Elizabeth Burchenal |
|
4 |
"Fusschen" (handwritten on
paper doily) May 9, 1939 |
|
5 |
Farkov Gotovac--"Ero der
Schelm" and "Massantini", piano |
|
6 |
Adda Heynssen--"Easy Music for
Movement Classes" |
|
7 |
Adda Heynssen--"Modern Dance
Accompaniment: Relationship of Music and Dance" |
|
8 |
Adda Heynssen--"Playing for
Modern Dance" |
|
9 |
Paul Hindemith--"1922 Suite fur
Klaver" |
|
10 |
Gustav Holst--"The Perfect
Fool" |
|
11 |
Arthur Honegger--"La Danse des
Morts," words by Paul Claudel |
|
12 |
Alan Hovhaness--"Mihr," for
two pianos |
|
13 |
Jeno Hubay--"Hejre Kati,"
violin and piano |
|
14 |
The Hundred Best Short Classics,
edited by Cuthbert Whitemore |
|
15 |
"Jota (Monreal),"
piano |
|
16 |
Zoltan Kodaly--"Galantai
Tancok," piano |
|
17 |
Zoltan Kodaly--"Marosszeki
Tancok," piano |
| Box |
Folder |
| 44 |
|
MUSIC SCORES (cont.) |
|
1 |
Norman Lloyd--"The Blues,"
piano |
|
2 |
Vicente T. Mendoza--"La Cancion
Chilena en Mexico" |
|
3 |
Colin McPhee--"Four Iroquois
Dances," piano |
|
4 |
Freda Miller--"Accompaniment for
Dance Technique" |
|
5 |
Freda Miller--"Accompaniment for
Dance Technique" |
|
6 |
Music for Baroque: "Bransle la
Bohemienne," "Branle des Chevauz dans les Tournois,"
"Branle d'Osseau," "La Canarie,"
"Cannary (Canarische Gigue)," "Chaconne,"
"Courante," "Gaillarde," "Englische
Gagliarde," "Gailliarde aus einemfranz,"
"Pavane," "Passacaille," "Volte,"
"Ballet des sorciers ('Der Zauberer-Dantz'),"
"Tanz der Bouffons oder Matthachins," "Pavanne fur
Gesang zu 4 Stimmen," "Branle de la Torche,"
"La Bouree," "Gavotte fur Poucefloten),"
"Pavane fu 6 Blaxinstrumente," "Gavotte," and
"Spanish Canaries" |
|
7 |
Charles Naginsky--"The
Pasture," voice and piano |
|
8 |
Old Time Dances: Familiar Dances of
Other Days, editor unidentified |
|
9 |
Percussion Pieces, editor
unidentified; Harold Davidson--"Auto Accident," Ray
Greer--"Three Inventories of Casey Jones," Doris
Humphrey--"Dance Rhythm," William Russell--"Three
Dance Movements," Gerald Strang--"Percussion
Music" |
|
10 |
Radiant Call, edited by Gertrude
Kurath |
|
11 |
Wallingford Reiger--"Finale from
the New Dance," piano |
|
12 |
Markus Rozsavolgyi--"Erster
Ungarischer Kor-tanz" |
|
13 |
Mildred T. Souers--"Melodies,
Bar [sic] and Technique for the Dance Studio," Bar and
Technique by Ethel V. Schmidt |
|
14 |
Igor Stravinsky--"Le Sacre du
Printemps" |
|
15 |
Ron Streicher--"Tempo ad
Libitum" |
|
16 |
Edgard
Varese--"Ionisation" |
|
17 |
Rodger Vaughan--"Dream of
Peace," Frederic Vouee ?--"Bethoven" ? and
Fuge--"Goliardt Dance" ? |
|
18 |
Betty Wahberg--"Accompaniment
for the Modern Dance," piano |
|
19 |
Leo Weiner--"Sechs Ungarische
Bauernlieder" |
|
20 |
Leo Weiner--"Lakodalmas,"
piano |
|
21 |
Leo Weiner--"Ungarische
Bauernlieder (Zweite Folge)" |
|
22 |
"Zwei Ballette,"
"Balletto 1," and "Balletto 2," composer
unidentified |
|
23 |
Misc. seven pieces: |
|
23 |
a. unidentified fragment |
|
23 |
b. Four sheets MM. d = 72 |
|
23 |
c. Dreydl Dance |
|
23 |
d. Rumanian dances (handwritten) |
|
23 |
e. "Nuneaica," piano |
|
23 |
f. "Vita and Rata,"
piano |
|
23 |
g. 2 sheets: "Troaca,
Droboleanca, Ciobanasul" |
|
24 |
Misc. Intro for dance performed by
Sylvia Bodmers |
|
25 |
Misc. three pieces: |
|
25 |
a. "Ballado ?" |
|
25 |
b. "Poruortonc-uoto ?" |
|
25 |
c. "Morosszeki dalgyujtememy
?" |
|
26 |
Misc. four pieces: |
|
26 |
a. "Dominica Prima in
Quadragesima" |
|
26 |
b. "Out of the Depths" |
|
26 |
c. Domenica Scarlatti--"Complete
Keyboard Works" (fragment) |
|
26 |
d. "No. 3 Waltz" |
|
|
|
|
|
|
|
|
|
|
|
|
| SERIES XV - RUDOLF von LABAN (Boxes
45-46) |
|
|
This series is divided into six categories. The
first subseries, WORKS BY, is separated between published works
from 1924 to 1957, plus a 1971 reprint, and performances arranged
from 1917 to 1958. WORKS ABOUT includes articles, reviews,
clippings, and broadsides about RvL spanning the years from 1921 to
1977. Promotional materials and study guides from his schools in
England were placed chronologically in LABAN SCHOOLS. The
CONTEMPORARIES section includes papers, programs, and clippings by
and about RvL colleagues. Most of these are by Albrecht Knust.
Ephemerata is found in MISCELLANEOUS. The photographs in the VISUAL
WORKS subseries span the years 1880 to 1955. These include some
rare personal photographs of RvL ca. 1900. In addition, this
subseries includes pencil drawings, silhouette art, and a bronze
medallian of RvL in profile. See also oversized box 58, folders
1-3. |
| Box |
Folder |
| 45 |
|
WORKS BY |
|
1 |
"Das Tanztheater" (fragment
in German). In: Gross Berliner Illustrierte, Berlin Feb.
14 ?, 1924 |
|
2 |
"Der Tanz als Eigen Kunst"
(reprint in German). In: Zeitschrift fur Aesthetetik und
allgemeine Kunstwissenschaft, Stuttgart, 1925, pp. 356-365
1925 |
|
3 |
"Tanztheater und
Bewegungschor" (reprint in German). In: Tanz und
Reigen, Berlin, 1927 or 1928 ?, pp. 1-8 1927-28 |
|
4 |
"Wege und Ziele der
Tanzschrift" (fragment in German) In: Der Neue Weg
June 16, 1928 |
|
5 |
"Deutsche Tanzerschaft!"
(broadside in German). In: Der Kunstausschuk des
Tanzerbundes, Berlin 1928 |
|
6 |
"Ballettmusik und Neuer
Tanz" (in German). In: Neue Musik--Zeitung,
Stuttgart, Germany, 1928, pp. 214-215 1928 |
|
7 |
"Theater und Tanzkunst" (in
German) . In: Singchor und Tanz, Mannheim, Germany, 1928,
pp. 119-121 1928 |
|
8 |
"Anna Pawlowa zum Gedenken"
(program in memory of Anna Pavlova in German). In: Anna
Pawlowa, Berlin, 1 Marz 1931, pp. 10-11 March 1, 1931 |
|
9 |
"Milyen feladat harul a
tancmuveszetre a nepneveles teren?" (in Hungarian). In: A
Mozgasmuveszet Utja, Budapest, Hungary, Junius 1935, p. 2 June
1935 |
|
10 |
[Letter to Kurt Jooss] (reprint of
book cover). In: souvenir book produced by the Ballets Jooss, dated
"on my way to Geneva, Christmas, 1938" 1938 |
|
11 |
[Thank you note written following
RvL's 70th birthday (photostat), Manchester, England 1950 |
|
12 |
"Correspondence course on Laban
Movement Observation Third Basic Instruction Letter"
(mimeograph) ca. 1953 |
|
13 |
"Education and the Art of
Movement." In: Education Through the Arts Report: A
Consideration of Humanity Technology and Education in Our
Time, London, Apr. 23, 1957, pp. 14-17 April 23, 1957 |
|
14 |
Rudolf Laban Speaks About
Movement and Dance (monograph), Laban Art Movement Center,
Addlestone, Surrey, England 1971 |
|
15 |
"Kunstwille an Rhein und
Ruhr" (fragment in German). In: West-Woche, Nov. 26,
n.y., pp. 10-11 November 26, ? |
|
16 |
"Das chorische Kunstwerk"
(mimeograph) n.d. |
|
17 |
Notes (holograph in German) pasted in
Und Pippa tanzt (German play) by Gerhart Hauptmann, annotations
probably by RvL n.d. |
|
18 |
:"Programme des festivites et
confences pendant le Congres Anational" (program in French),
At:Ascona, Switzerland, August 15-17, 1917 |
|
19 |
Gaukelei (program in German),
At:Hannover, Germany, Oct. 5, 1923 |
|
20 |
:"Rudolf von Laban und Gert Ruth
Loeszer" (program in German), At:Berlin, Jan. 22, 1925 |
|
21 |
:"Rudolf von Laban und Gert Ruth
Loeszer" (program in German), At:St. Gallen, Germany, Apr. 25,
1925 |
|
22 |
:"Exposition Internationale des
Arts Decoratifs et Industriels Modernes" (program in French),
At: Paris, Sept. 22-23, 1925 |
|
23 |
Don Juan (program in German),
At:Hamburg, Germany, Dec. 4, 1925 |
|
24 |
"Repertoire der Kammertanzbuhne
Rudolf von Laban" (program in German), At:Hamburg, Germany,
Mar. 26-27, 1926 |
|
24a |
Don Juan (program in German),
At:Berlin, ca. 1926 |
|
25 |
"3 Urauffuhrungen des
Tanztheaters Laban" (program in German) , 1927 |
|
26 |
Titan (program in German),
At:Hamburg, Germany, Jan. 29, 1928 |
|
27 |
Tannhauser (program in German),
At:Wagner Buhnenfestspiele Bayreuth, Aug. 20, 1930 |
|
28 |
:"Reigentanzfest" (program
in German), At:Rangsdorf, Germany, Aug. 17, 1935 |
|
29 |
"The Art of Movement
Studio" (program), At:Manchester, England, Mar. 15, 1947 |
|
30 |
"Masques of the Past and the
Present in Dance-Dramatic Form" (program), At:London, Nov. 23,
1957-Feb. 22, 1958 |
|
31 |
Narrenspiegel (program in German),
At:Berlin, n.d. |
| 45 |
|
WORKS ABOUT |
|
32 |
Maria Laban von Varalja's
reflections on RvL's life (carbon copy in German), ca.
1921 |
|
33 |
"Resolution der auf dem 2.
Deutschen Tanzerkongress versammelten Balletmeister un
Tanzleiter" (typescript in German), June 22-26, 1928 |
|
34 |
Dust jacket for Tanz fur Alle by
Martin Gleisner |
|
35 |
"Kinetographie Laban
(Bewegungsschrift)" (in German) In:Der Tanz, Berlin, p. 8,
March 1929 |
|
36 |
"Festnummer Laban" (special
issue in German), In:Singchor und Tanz, Mannheim, Germany, Dec. 15,
1929 |
|
37 |
[Visual works by and about RvL] (in
German), Dec. 1929 |
|
38 |
"Volksfeier im Stadion" (in
German), In:Singchor und Tanz, Mannheim, Germany, pp. 177-178,
1929 |
|
39 |
"Tanzerkongress in Munchen"
(in German) by Hans Brandenburg, pp. 923-924 Nov. 27, 1930 |
|
40 |
"Was auch uns interessiert
Zeitfchriftenfpiegel von" (fragment in German), In:Singchor
und Tanz, Mannheim, Germany, 1930 |
|
41 |
"Beginn der Festspiele in
Bayreuth" (in German), In:Das Bunte Blatt, p. 719 1930 |
|
42 |
"Tanz als Volkserziehung"
(in German), In:Singchor und Tanz, Mannheim, Germany, p. 144, June
10, 1931 |
|
43 |
"Neue Tanzschritte" (in
German) by Von Victor Sylvester, pp. 11-12 Aug. 1931 |
|
44 |
"Die Bewegungsschrift von Rudolf
von Laban" (in German) by Azra von Laban, In:Die
Leibesubungen, pp. 557-559, 1931 |
|
45 |
"Rundschau" (in German) by
Dr. Walter Eggert, In:Singchor und Tanz, Mannheim, Germany, pp.
191-192, 1931 |
|
46 |
"Musiker und Tanzer und die
Tanzschrift Rudolf von Laban" (in German) by Edith Walcher,
In: Singchor und Tanz, Mannheim, Germany, p. 87 1931 |
|
47 |
"Was auch uns interessier t.
Zeitschriften" (fragment in German), 1931 |
|
48 |
[Sculptures by Leo Ziemssen inspired
by Rudolf von Laban] (fragment reprint), In:Theatre Arts Monthly,
Nov. 1931 |
|
49 |
"Querschnitt durch die Welt des
Tanzes" (reprint in German) by Fritz Bohme, In: Deutsche
Tanz-Zeitschrift, Berlin, pp. 85-90 Aug. 1936 |
|
50 |
"Dem tanzerischen Nachwuchs
gewidmet" (in German) by Rolf Cunz, In: Deutsche
Tanz-Zeitschrift, Berlin, pp. 105-107 May 1937 |
|
51 |
"Mind and Medium in the Modern
Dance" by Katharine Everett Gilbert, In: Journal of Aesthetics
and Art Criticism, New York, pp. 106-129 Mar. 1941 |
|
52 |
"Rudolf Laban" by Deryck
Lynham, In:The Dancing Times, London, p. 155 Dec. 1941 |
|
53 |
:[My Experience as One of Rudolf von
Laban's Students] (holograph in German) by Elizabeth
Lang-Corret, Sept. 8, 1953 |
|
54 |
"My Teacher Laban" by Mary
Wigman, In: Dance Magazine, New York, pp. 27-28, 71-77, Nov.
1956 |
|
55 |
"In Memoriam Rudolf von
Laban" (typescript in German) by Albrecht Knust, ca. July
1958 |
|
56 |
:"Rudolf Laban Dies at 78"
(fragment) by Selma Jeanne Cohen, In: Dance Magazine, New York,
Aug. 1958 |
|
57 |
"In Memoriam Rudolf von
Laban" (in German) by Kurt Peters, In: Die
Buhnengenossenschaft, Hamburg, pp. 173-174, Aug. 1958 |
|
58 |
"Rudolf Laban" (special
issue), In: The New Era in Home and School, London, May 1959 |
|
59 |
"Laban: His Contribution to the
World of Movement" (monograph) by Diane Gaumer, In: Focus on
Dance II, American Association for Health, Physical Education, and
Recreation Conference Report, Washington D.C., pp. 10-14 1962 |
|
60 |
"Philosophic Foundations and
Laban's Theory of Movement" (reprint) by Roderyk Lange,
In: The Laban Art of Movement Guild Magazine, Surrey, England, Nov.
1969 |
|
61 |
Correspondence - Vivien Bridson/Lisa
Ullmann, Oct. 26, 1973 |
|
62 |
Correspondence - Joan Pikula/Vivien
Bridson, Nov. 10, 1973 |
|
63 |
"Rudolf Laban's Work in
Relation to Movement in Physiotherapy" (reprint) by Lisa
Ullmann, In: Physiotherapy, June 1974 |
|
64 |
"Rudolph Laban: His Influence on
Physical Education Through Movement Education" (typescript) by
Lee Allsbrook and George M. Graham, At: American Association for
Health, Physical Education and Recreation National Convention,
Atlantic City, NJ, Mar. 18, 1975 |
|
65 |
"Berichte: Berlin"
(fragment in German), In: journal unidentified, n.d. |
|
66 |
"Tanz als Volkserziehung"
(fragment in German), pp. 144-148 (Originally appeared in Singchor
und Tanz, Mannheim, Germany, 1931, p. 106), n.d. |
|
67 |
Clippings (in German and English),
Oct. 28, 1925-ca. Dec. 1954 |
|
68 |
Clippings (in German and English),
July 2, 1958-Feb. 17, 1977 |
|
69 |
Clippings (in German and English),
n.d. |
|
70 |
Broadsides (in German and English),
1925-Feb. 11, 1952 |
|
71 |
Broadsides (in German and English),
n.d. |
|
72 |
MacDonald and Evans Catalogues on
Dance and Movement (RvL publisher), n.d. |
| 45 |
|
LABAN SCHOOLS |
|
73 |
Laban Art of Movement Guild, business
documents, 1953-1970 |
|
74 |
Laban Art of Movement Guild, Annual
Reports, 1962-1969 |
|
75 |
Laban Art of Movement Guild, Lists of
Members, 1952-1976 |
|
76 |
Laban Art of Movement Guild, course
descriptions and registration information, 1953-1977 |
|
77 |
Laban Art of Movement Guild, Annual
Conferences, 1963-1970 |
|
78 |
Laban Art of Movement Guild, Dance
Festival, May 1970 |
|
79 |
"The Nature of the Dance"
by Roderyk Lange (reprint), In: The Laban Art of Movement Guild
Magazine, Surrey, England, pp. 1-17 May 1970 |
|
80 |
Laban Art of Movement Centre, program
description, 1954 |
|
81 |
Laban Art of Movement Centre, course
descriptions and registration information, 1957-1976 |
|
82 |
"Ritual Dance Drama"
(program), At: Laban Art of Movement Centre, Surrey, England, Nov.
15, 1958-Feb. 21, 1959 |
|
83 |
Laban Centre for Movement and Dance,
program description, 1977 |
|
84 |
Laban Centre for Movement and Dance,
course descriptions and registration information, 1977 |
|
85 |
Laban Movement Study Aids, n.d. |
|
86 |
Art of Movement Studio, course
descriptions and registration information, ca. 1955 |
|
87 |
Art of Movement Studio,
correspondence to teachers from Lisa Ullmann, May 7, 1958 |
|
88 |
"Festival of Movement and
Dance" (program), At: Art of Movement Studio, Wembley,
England, May 15, 1958 |
|
89 |
Art of Movement Studio, Studio 25
(monograph) celebrating the studio's 25th Anniversary,
1971 |
|
90 |
Beechmont Movement Study Centre,
program and course descriptions, 1966 |
| Box |
Folder |
| 46 |
|
CONTEMPORARIES |
|
1 |
Albrecht Knust,
"Vorschlage" (typescript in German), May 1931 |
|
2 |
Albrecht Knust, "Die Entwicklung
der chorischen Idee"(typescript in German), March 3, 1934 |
|
3 |
Albrecht Knust, [List of scores and
prices] (carbon copy in German), June 1953 |
|
4 |
Albrecht Knust, "The Principles
and Basic Ideas of Kinetography" (carbon copy), June 1953 |
|
5 |
Albrecht Knust, "The Fixed
Points" (typescript in English and German), ca. 1964 |
|
6 |
Albrecht Knust, "The Fixed
Points and the Crosses of Axes" (typescript in English and
German), ca. 1964 |
|
7 |
Albrecht Knust, "The Term:
Personal Cross of Axes" (typescript in English and German),
ca. 1964 |
|
8 |
Albrecht Knust, "The Three
Crosses of Axes" (typescript in English and German), ca.
1964 |
|
9 |
Albrecht Knust, "Supplement to
my papers about the three Crosses of Axes and the Fixed Points of
April 1964" (typescript in English and German), April
1964 |
|
10 |
Albrecht Knust, "Ubersetzung der
Einfuhrung zum Labanotator No. 18" (typescript in German),
translation from Ann Hutchinson's Labanotation, ca. 1964 |
|
11 |
Albrecht Knust, "Die vier
Achsenkreuze" (typescript in German), translation from Ann
Hutchinson's Labanotation, ca. 1964 |
|
11a |
Albrecht Knust, "Preface for
Kinetographical Dictionary of the Classical Dance Technique"
(typescript), 1965 |
|
12 |
Albrecht Knust, "Die
Beckenbewegungen" (typescript in German, 1965 |
|
13 |
Albrecht Knust, "The New Rule
for Retention Signs in the Support of Columns" (typescript in
English and German), 1965 |
|
14 |
Albrecht Knust, "Supplement 1965
to 'Handbook of Kinetography Laban'" (typescript in
English and German), 1965 |
|
15 |
Albrecht Knust, "Die neue Regel
fur Pausenzeichen in der Ubertragungsspalte" (typescript in
German), Apr. 1, 1966 |
|
16 |
Albrecht Knust, "The New Rules
for Retention Signs in the Support Columns" (typescript), Apr.
1, 1966 |
|
17 |
Albrecht Knust, "Report on the
development of Kinetography at the Folkwang Hochschule,
Essen-Werden" (typescript in English and German), June
1967 |
|
18 |
Albrecht Knust, "Additions to
and corrections in the paper on 'Planned and Accepted Changes
in Kinetographic Rules and Symbols'" (typescript in
English and German), 1967 |
|
19 |
Albrecht Knust, "Geplante und
vorgenommene Anderungen der kinetographischen Regeln und
Schriftzeichen" (typescript in German), 1967 |
|
20 |
Albrecht Knust, "Planned and
Accepted Changes in Kinetographic Rules and Symbols"
(typescript), 1967 |
|
21 |
Albrecht Knust, "Relating to the
Direction of the Path" (typescript), 1967 |
|
22 |
Albrecht Knust, "Handbuch der
Kinetographic Laban: Dictionary of Kinetographic Laban"
(typescript), n.d. |
|
23 |
Albrecht Knust, "Pelvic
Movements" (notation examples), n.d. |
|
24 |
Albrecht Knust, "Shape
Writing" (photostat), n.d. |
|
25 |
Albrecht Knust, "The Visuality
of Kinetography Laban (Labanotation)" (typescript in English
and German), n.d. |
|
26 |
Albrecht Knust, broadside, 1958 |
|
27 |
Albrecht Knust, clipping (in German),
n.d. |
|
28 |
Hertha Feist, programs (in German)
Nov. 1926-1934 |
|
29 |
Hertha Feist, clipping (in German)
n.d. |
|
30 |
Mary Wigman, "Who is Mary
Wigman?" (fragment) by Hanya Holm. In: Dance
Magazine, New York, Nov. 1956, pp. 22-26 November 1956 |
|
30a |
Mary Wigman, program (in German)
1950 |
|
31 |
Mary Wigman, broadside 1932 |
|
32 |
Mary Wigman, clipping 1960 |
|
33 |
Margarete Wallmann, broadside (in
English and German) ca. 1930 |
| 46 |
|
MISCELLANEOUS |
|
34 |
Miscellaneous |
|
35 |
Miscellaneous (in German) |
| 46 |
|
RUDOLF von LABAN - VISUAL WORKS |
|
36 |
With mother, photograph - posed ca.
1880 |
|
37 |
In front of villa in Garsches,
photograph - posed ca. 1900 |
|
38 |
In his work clothes, photograph -
posed ca. 1900 |
|
39 |
Portrait ca. 1900 |
|
40 |
With unidentified man, photograph -
portrait ca. 1900 |
|
41 |
Candid ca. 1900 |
|
42 |
With dancers, three photographs - in
dance attire ca, 1930 |
|
43 |
Laban dancers, four photographs - in
class ca. 1930 |
|
44 |
Portrait ca. 1950 |
|
45 |
Candid 1950 |
|
46 |
With two unidentified women,
photograph - candid ca. 1950 |
|
47 |
With unidentified man, photograph -
candid ca. October 1954 |
|
48 |
Portrait ca. 1955 |
|
49 |
With Lisa Ullmann, photograph -
candid ca. 1955 |
|
50 |
Candid ca. 1955 |
|
51 |
With JdL's Auntie Renee,
photograph - candid 1955 |
|
52 |
Portrait n.d. |
|
53 |
Portrait n.d. |
|
54 |
Six candid n.d. |
|
55 |
With students, photograph - in class
n.d. |
|
56 |
Portrait n.d. |
|
57 |
Sculptures and drawings, ten
photographs n.d. |
|
58 |
Dancers in Prince Igor (R. Laban),
photograph - posed n.d. |
|
59 |
Pencil drawing n.d. |
|
60 |
Colored pencil drawing n.d. |
|
61 |
Colored pencil drawing n.d. |
|
62 |
Reproductions of silhouette art
n.d. |
|
63 |
Rectangular bronze medallion of RvL
in profile n.d. |
|
|
|
|
|
|
|
|
|
|
|
|
| Series XVI Notation (Box
47) |
|
|
At an early age, JdL learned her father's
movement notation system. This foundation was instrumental in
fostering her curiosity in the history and practice of writing
movement; hence, the four broad subject headings in this series
reflect her abiding interest in this topic. Materials within the
DANCE NOTATION BUREAU are arranged both hierarchically and
chronologically. The folders begin with general information
including by-laws, course descriptions, conferences, reports and
informational handouts. They are then followed by specific
newletters and journals, such as the DNB Newsletter and Dance
Notation Record. SYSTEMS includes information on specific notation
systems, such as Babitz, Benesh, and Labanotation. Folders within
this subgroup are ordered by the name of the notation system first
and then by date on each document. See also oversized box 59,
folders 1-3. The third subseries contains notation ARTICLES found
in numerous dance journals and magazines ordered from 1939 to 1968.
Miscellaneous RESOURCE MATERIALS are found in the final group. |
| Box |
Folder |
| 47 |
|
DANCE NOTATION BUREAU |
|
1 |
By-Laws ante 1973 and 1973 |
|
2 |
Misc. correspondence 1950-1973 |
|
3 |
Course descriptions 1953-1974 |
|
4 |
Conference June 12-18, 1966 |
|
5 |
Report to Ambassadress-at-large
1952 |
|
6 |
Report to the members 1969 |
|
7 |
Report to the Ford Foundation Dec.
1972 |
|
8 |
Ford Foundation Grant Dec. 15,
1975 |
|
9 |
Misc. informational handouts
1951-1971 |
|
10 |
Misc. informational handouts
n.d. |
|
11 |
Bibliography of relevant materials
and exhibit n.d. |
|
12 |
Misc. broadsides Jan. 26, 1958 |
|
13 |
Ohio State University 1969 |
|
14 |
Newsletter of the Dance Notation
Bureau July 1949-Dec. 1951 |
|
15 |
Newsletter of the Dance Notation
Bureau June 1952-1954 |
|
16 |
Newsletter of the Dance Notation
Bureau Apr. 1961-Oct. 1962 |
|
17 |
Dance Notation Record Mar. 1943-Dec.
1945 |
|
18 |
Dance Notation Record Nov. 1951-Mar.
1952 |
|
19 |
Dance Notation Record May 1956-Dec.
1956 |
|
20 |
Dance Notation Record Mar. 1957-Dec.
1957 |
|
21 |
Dance Notation Record Mar. 1958-Dec.
1958 |
|
22 |
Dance Notation Record Mar. 1959-Dec.
1959 |
|
23 |
Dance Notation Record Mar. 1960-Dec.
1960 |
|
24 |
Dance Techniques and Studies: Book I
1950 |
|
25 |
"Elementary Steps in
Labanotation" (mimeograph) by Katrine Amory Hooper, from Ann
Hutchinson's Labanotation n.d. |
|
26 |
"Qualifications for a Score
Submitted for DNB Certification" (photostat) 1962-1963 |
|
27 |
"A Language for Movement"
(reprint) by Cecily Dell post Oct. 1966 |
|
28 |
Clippings July 19, 1953-Apr. 18,
1972 |
| 47 |
|
SYSTEMS |
|
29 |
[Airplane acrobatics], "Blue Sky
Ballet" by Gene Booth In: Science and Mechanics, Aug.
1970, pp. 64-68, 82-83 August 1970 |
|
30 |
Babitz, Dance Writing: Preliminary
Outline of a Practical System of Movement Notation (typescript with
autograph) Aug. 1939 |
|
31 |
Benesh, "Choreology"
(broadside) 1955 |
|
32 |
Kineseography, Kineseography: The
Loring System of Dance Notation 1955 ? |
|
33 |
Labanotation, "Grundlangen der
Kinetografie" (fragment in German) n.d. |
|
34 |
Labanotation, Children's
Examinations Syllabus for Girls and Boys 1973 |
|
35 |
Labanotation, correspondence used to
request funds for the establishment of notation course taught by
Irmgard Bartenieff, ?/Mrs. Elmhirst Jan. 2, 1927 |
|
36 |
Labanotation, misc. informational
materials n.d. |
|
37 |
Labanotation, clippings (fragment)
n.d. |
|
38 |
Scoreography, "Scoreography: A
System of Dance Notation Based on the Musical Scale"
(pamphlet) 1964 |
| 47 |
|
ARTICLES |
|
39 |
"Write Your Dances" by Sol
Babitz. In: The American Dancer, New York, Nov. 1939, pp.
16, 39 November 1939 |
|
40 |
"Dance Notation at
U.C.L.A." by Sol Babitz. In: Dance Observer, New
York, Dec. 1940, p. 143 December 1940 |
|
41 |
"The History of Dance
Notation" by Nancy Brock. In: Dance Observer, New
York, Mar. 1942, pp. 36-38 March 1942 |
|
42 |
"Movement Notation" by Lila
Bauer; "The Dance Script" by John Martin; and "The
Development of the Laban Kinetography (Part I)" by Albrecht
Knust. In: Movement, London, Summer 1948, pp. 19-21,
22-23, and 28-29 respectively |
|
43 |
"Movement Notation" by Lila
Bauer and "The Development of the Laban Kinetography (Part
II)" by Albrecht Knust. In: Movement, London, Winter
1948, pp. 15-17 and 27-28 respectively 1948 |
|
44 |
"Dance Notation - - - the new
profession" by Eve Gentry. In: Journal of the American
Association for Health, Physical Education, and Recreation,
Washington D.C., Feb. 1949, pp. 81-84 February 1949 |
|
45 |
"A New Method of Choreographic
Notation" (reprint) by Gertrude P. Kurath. In: American
Anthropologist, Jan.-Mar., 1950, pp. 120-123 1950 |
|
46 |
"A New Approach to Teaching
Ballet: Part III" by Ann Hutchinson. In: Dance Magazine, New
York, Feb. 1956, pp. 68-72, 74-75 February 1956 |
|
47 |
"The Dance Notation Field Here
and Abroad" by Ann Hutchinson. In: Dance Magazine,
New York, Nov. 1956, pp. 36-37, 55-59 November 1956 |
|
48 |
"Towing the Lines" by C. B.
Mortlock. In: Punch, Mar. 6, 1957, pp. 324-325 March 6,
1947 |
|
49 |
:"Arbeitsgestaltung,
Kineotographie und Bewegungsharmonie" (in German) by Manfred
Knayer, In:Nachrichten, pp. 14-16, March 1957 |
|
50 |
:"Dance Notation" by Ann
Hutchinson, In:The Juilliard Review, New York, pp. 28-38,
Winter 1957-1958 |
|
51 |
"Introduction to Dance Notation:
Chapter II" by Regina Woody, In:Dance Magazine, New
York, p. 61, February 1959 |
|
52 |
"Introduction to Dance Notation:
Chapter VIII" by Regina Woody, In:Dance Magazine, New
York, p. 55 August 1959 |
|
53 |
"Introduction to Dance Notation:
Chapter IX" by Regina Woody, In:Dance Magazine, New
York, p. 59 September 1959 |
|
54 |
"Introduction to Dance Notation:
Chapter XI" by Regina Woody, In:Dance Magazine, New
York, p. 53 November 1959 |
|
55 |
"Introduction to Dance Notation:
Chapter XIII" by Regina Woody, In:Dance Magazine, New
York, p. 49 March 1960 |
|
56 |
"Notation, anyone?" by
Selma Jeanne Cohen, In: Dance Magazine, New York, pp.
44-45, 61 July 1960 |
|
57 |
"Ballets in Symbol: Dance
Notation" (fragment),In: Mademoiselle Magazine, New
York, November 1961 |
|
58 |
"A 20th Century School of
Dance" by Barbara Kevles, In:Dance Magazine, New
York, pp. 20-22 May 1964 |
|
59 |
"Copyrighting Choreography"
by Lee Silvian, In: Bravo Magazine, pp. 28-29 November 2,
1965 |
|
60 |
Kinetographisches Lexikon der
klassischen Tanztechnik, (in German) by Albrecht Knust and Kurt
Peters, Vol. 6, 1965 |
|
61 |
"Dance Notation Makes Legend
into History" by Elizabeth Burtner, In: George Washington
University Magazine, Washington D.C., pp. 35-40 Spring
1967 |
|
62 |
"The Use of Benish Notation in
the Royal Ballet," interview of John Field by Fernau Hall,
In:Dancing Times, London, p. 589, 596 August 1968 |
|
63 |
"Trattato Teorico--Prattico di
Ballo" (fragment in Italian) by Magri Gennaro, In: Libri
Autografi Stampe |
|
64 |
clipping n.d. |
|
65 |
Miscellaneous 1940-1954 |
| 47 |
|
RESOURCE MATERIALS |
|
66 |
Catalog of books on dance notation
(broadside) at the Kamin Dance Book Shop, n.d. |
|
67 |
Miscellaneous (in German), n.d. |
|
|
|
|
|
|
|
|
|
|
|
|
| SERIES XVII - Miscellaneous Notated Scores
(Boxes 48-49) |
|
|
Folders in the MISCELLANEOUS NOTATED SCORES series
are arranged alphabetically by the title of the work given on the
score or the supplied descriptive title. If the score is listed in
Laban Notation Scores: An International Bibliography by Mary Jane
Warner and Frederick E. Warner (1984) or Laban Notation Scores: An
International Bibliography, Volume II (M. J. Warner, 1988) an
identifying score number is bracketed following the title. These
texts provide bibliographic information on known score materials in
institutional and private collections in North America and Europe.
Of the 88 scores in the collection, 22 are not listed in these
reference books. |
| Box |
Folder |
| 48 |
|
MISCELLANEOUS NOTATED SCORES |
|
1 |
"Adages" |
|
2 |
"Akrobatische Ubungen"
[0044] |
|
3 |
"Aus einem festlichen Marsch fur
Laienchor" |
|
4 |
"Aus einem Reigen" |
|
5 |
"Beitraze zur Orthographie von
Bewegungen" [0207] |
|
6 |
"Bodenubungen von Yuriko
Kikuchi" [0250] |
|
7 |
"La Bourgogne" [0275] |
|
8 |
"Ca la Breaza" [0330] |
|
9 |
"Chopiniana
'Prelude'" [0426] |
|
10 |
"Choreutics Studies"
(fragment) [0436] |
|
11 |
"Circles in the Dime"
[0452] |
|
12 |
"Courante Simple von der
Hand" [0524] |
|
13 |
"Danina Oder Joko der
Brasilianische Affe" [0614] |
|
14 |
"Dyravisur" [0730] |
|
15 |
"The Earth 'Seventh Group
Dance'" [0734] |
|
16 |
"Ero. 'General
Kolo'" |
|
17 |
"Etude" |
|
18 |
"Etudes # 1, 2, 3" |
|
19 |
"Exercises and Studies in
Laban's Space Harmony" [0838] |
|
20 |
"Exercises of the Eight Basic
Efforts" [0843] |
|
21 |
"Feierlicher Kanon"
[0874] |
|
22 |
"Folkwang--Etuden"
[0932] |
|
23 |
"Gigue a Deux" [1031] |
|
24 |
"Group Study of 'B'
Scale" [1103] |
|
25 |
"Gruppenspiel fur Schrifttanz
(Anfanger)" [1104] |
|
26 |
"Gymnastic Exercises"
[1116] |
|
27 |
"Highland Dances: I Sword
Dance" |
|
28 |
"Highland Dances: II Highland
Fling" [1169] |
|
29 |
"Highland Dances: III Foursome
Reel and Reel of Tullouch" |
|
30 |
"Highland Dances: IV Shean
Truabhs" |
|
31 |
"Highland Dances: Sailor's
Hornpipe" |
|
32 |
"Highland Dances: Highland
Scottische" [1174] |
|
33 |
"Highland Dances:
Music" |
|
34 |
"Jota" [1379] |
|
35 |
"Judo Forms" [1394] |
|
36 |
"Klein--Gross (Fur Kinder)"
[1482] |
|
37 |
"Kurant dla pary z ujeciem za
rece" |
|
38 |
"Laban Six Scales"
[1559] |
|
39 |
"Lesnoto Oro" [1619] |
|
40 |
"Maispiel" [1694] |
|
41 |
"Manninn Hatt a Himni Skin"
[1714] |
|
42 |
"Maschinenspiel"
[1736] |
|
43 |
"Le Menuet" |
|
44 |
"Menuett" [1782] |
|
45 |
"Menuetts" |
|
46 |
"Movement Notation Sheets,
Series A (Fur Anfanger)" [1865] |
|
47 |
"Movement Notation Sheets,
Series B Fortgeschrittene" [1866] |
|
48 |
"Mudras auf Dali, Handhaltungen
Nach Zeichnungen" [1871] |
|
49 |
"Nu er Glatt I Hwerjum Hol"
[1955] |
|
50 |
"Nu er Glatt I Hwerjum Hol"
[1957] |
|
51 |
"'Pad er Svo Margt ef ad er
Gad" [2031] |
|
52 |
"Posavski Drmez"
[2161] |
|
53 |
"Presekaca" [2197] |
|
54 |
"Le Rigaudon de la
Paix" |
|
55 |
"Saltarello" [2398] |
|
56 |
"Sarabanda dla damy" |
|
57 |
"Schneeflockenspiel (Fur
Kinder)" [2439] |
|
58 |
"Schriftprobe Aus II: Ubungen
und Bewegungsfolgen" |
|
59 |
"Schrifttanz Ubungen"
[2448] |
|
60 |
"Schriftmotive" [2449] |
|
61 |
"Schwngtanz" [2456] |
|
62 |
"Sevillanas" [2513] |
|
63 |
"Soft Shoe" [2633] |
|
64 |
"Study on Lemniscat
Movement" [2737] |
|
65 |
"Study on Volutes of the
'A' Scale" [2740] |
|
66 |
"Tango" [2861] |
|
67 |
"Tasino Kolo" [2888] |
|
68 |
"Three Blind Mice"
[2946] |
|
69 |
"Der Titan,
'Walzer'" [2997] |
|
70 |
"Totengeleit" |
|
71 |
"Two Choreutic Studies"
[3074] |
|
72 |
"Two Choreutische Edtuden"
[3075] |
|
73 |
"Ungarische
Schrittkombination" [3096] |
|
74 |
"Variationen der a
Skala--Voluten" [3125] |
|
75 |
"Die Vier Formen der
Courante" [3153] |
|
76 |
"Vorzeichen und
Formeln" |
|
77 |
"Die Waage" [3199] |
|
78 |
"Die Welle" [3236] |
|
79 |
"Yale Blues" [3262.5] |
|
80 |
"Zeitbild" [3291] |
|
81 |
Miscellaneous |
|
82 |
In Feuillet notation: |
|
|
|
a. "Passacaille pour un Homme et
un Femme" |
|
|
|
b. "Bouree de Percee" |
|
|
|
c. "Sarabande pour
Femme" |
|
|
|
d. "Courante Simple an der
Hand" |
|
83 |
In unidentified notation: |
|
|
|
a. "Valse" |
|
|
|
b. "Barcarolle" |
|
|
|
c. "Musique Religieuse" |
|
|
|
d. "March Militaire et
Orientale" |
|
|
|
e. "Ronde Tarentelle" |
| Box |
Folder |
| 49 |
|
MISCELLANEOUS NOTATED SCORES
(cont.) |
|
1 |
"Lichtwende,
'Reigen'" [1624] |
|
2 |
"Christgeburt" [0442] |
|
3 |
"Elementary Studies in
Laban's Dance Script" [0778] |
|
4 |
"Die Feenkonigen"
[0873] |
|
5 |
"Typova forma menueta z poczatku
XVIII Vieku" |
|
|
|
|
|
|
|
|
|
|
|
|
| Series XVIII - Ruth St. Denis (Boxes
50-51) |
|
|
The Ruth St. Denis materials, although limited in
quantity, have been divided into five groups. The headings for
these subseries are WORKS BY, WORKS ABOUT, TED SHAWN,
SCHOOLS/SOCIETY OF SPIRITUAL ARTS CHURCH, and PHOTOGRAPHS.
Writings, programs, and broadsides by and about St. Denis span the
years 1917-1967. Miscellaneous materials about her studios, church,
and husband have been placed in the appropriate categories. The
bulk of the materials in this series are PHOTOGRAPHS. The name of
the choreographer is placed in parentheses after the title of the
work. In addition, a substantial number of photographs of St. Denis
are stored in oversized boxes 60-61. |
| Box |
Folder |
| 50 |
|
WORKS BY |
|
1 |
"Credo for the Rhythmic
Choir" (typescript) 1930 |
|
1a |
"Seeds of a New Order"
(fragment). In: Motive, Nashville, TN ca. 1949 |
|
2 |
"Wisdom Comes Dancing"
(typescript) July 1957 |
|
3 |
"Current Biography"
(typescript) May 27, 1959 |
|
4 |
"Current Biography" and
"Poems" (typescript) Jan. 1, 1963 |
|
5 |
[Outline of Activities in San
Francisco] (typescript) Apr. 9, 1964 |
|
6 |
"Preface" (typescript) Aug.
1964 |
|
7 |
"Dialogue for a Temple and
Prayer for Artists" (typescript) n.d. |
|
8 |
"The Dance as Worship"
(typescript) n.d. |
|
9 |
Programs 1917 ?-1966 |
|
10 |
Lakme, music score for Radha, by Leo
Delibes n.d. |
| 50 |
|
WORKS ABOUT |
|
11 |
Correspondence - Rudolf Ellington
Abel/Louise Jackson Sept. 11, 1924 |
|
12 |
"Why Have a Religious Dance
Choir?" (typescript) by Jean B. Miller June 12, 1957 |
|
13 |
The Tenth Annual Capezio Dance Award
(souvenir program) 1961 |
|
14 |
Correspondence - Adam A. Pinsker/Ruth
St. Denis Feb. 12, 1964 |
|
15 |
Correspondence - Rudolf Ellington
Abel/Ruth St. Denis and Ted Shawn n.d. |
|
16 |
Correspondence - Gertrude C. Moore/?
n.d. |
|
17 |
Clippings 1947-1967 |
|
18 |
Clippings n.d. |
|
19 |
Broadsides 1941-1964 |
|
20 |
Broadsides n.d. |
| 50 |
|
TED SHAWN |
|
21 |
Programs 1935-1949 |
|
22 |
Clippings May 9-July 17, 1948 |
|
23 |
Boradside ca. 1935 |
| 50 |
|
SCHOOLS/SOCIETY OF SPIRITUAL
ARTS |
|
24 |
Course descriptions and fees
1925-1961 |
|
25 |
Ruth St. Denis Center (broadsides)
1962-Jan. 20, 1966 |
|
26 |
Society of Spiritual Arts Church
(broadsides) n.d. |
|
27 |
Ruth St. Denis Foundation n.d. |
| Box |
Folder |
| 51 |
|
RUTH ST. DENIS (cont.) - RUTH ST.
DENIS - PHOTOGRAPHS |
|
1 |
At age 12 - portrait 1892 |
|
2 |
Radha (St. Denis), two
photographs, one postcard photograph, one reproduction, and one
souvenir program cover - in costume 1906 |
|
3 |
The Nautch (St. Denis) - in
costume 1911 |
|
4 |
With Ted Shawn in Tillers of the
Soil (St. Denis-Shawn) - in costume 1916 |
|
5 |
With Ted Shawn in Egyptian
Ballet (Shawn) - in costume 1916 |
|
6 |
In Dance Pageant of Egypt,
Greece, and India (St. Denis-Shawn) - in costume June 29,
1916 |
|
7 |
In Dance of Black and Gold
Sari (St. Denis) - in costume 1918 |
|
8 |
In costume for a North African play -
in costume 1920 |
|
9 |
In Dance of Theodora (St.
Denis) - in costume 1922 |
|
10 |
With Ted Shawn in Cuadro
Flamenco (Shawn) - in costume 1923 |
|
11 |
In Algerian Dance Drama (St.
Denis-Shawn) - in costume ca. 1925 |
|
12 |
Sculpture of Ruth St. Denis in
Incense (St. Denis) photograph ca. 1925 |
|
13 |
With dancers in Prophetess
(St. Denis) - in costume Nov. 5, 1931 |
|
14 |
With dancers in Angkor-Vat
(St. Denis) - in costume ca. 1935 |
|
15 |
With dog "Po" in Japanese
dress - in costume n.d. |
|
16 |
In front of Ruth St. Denis Center -
portrait n.d. |
|
17 |
In Green Nautch (St. Denis)
- in costume n.d. |
|
18 |
Portrait of St. Denis' feet
n.d. |
|
19 |
Portrait of St. Denis' hands
n.d. |
|
20 |
In Greek Veil Plastique
Dance (St. Denis) - in costume n.d. |
|
21 |
In costume n.d. |
|
22 |
Dancers, including Doris Humphrey in
Ishtar of the Seven Gates (St. Denis) - in costume
n.d. |
|
23 |
With dancers, including Doris
Humphrey in Ishtar of the Seven Gates (St. Denis) - in
costume n.d. |
|
24 |
In costume n.d. |
|
25 |
In costume n.d. |
|
26 |
In Legend of the Peacock
(St. Denis) - in costume n.d. |
|
27 |
In costume n.d. |
|
28 |
In costume n.d. |
|
29 |
In costume n.d. |
|
30 |
In costume n.d. |
|
31 |
In The Cobras (St. Denis) -
in costume n.d. |
|
32 |
In costume n.d. |
|
33 |
Two in costume n.d. |
|
34 |
Two in costume n.d. |
|
35 |
With Spanish dancers and musicians -
in costume n.d. |
|
36 |
In Dance of Theodora (St.
Denis), two photographs -in costume n.d. |
|
37 |
With Ted Shawn - in costume n.d. |
|
38 |
In White Jade (St. Denis) -
in costume n.d. |
|
39 |
In Tagore Poem (St. Denis),
two photographs n.d. |
|
40 |
With her brother, Dorothy Lee, and
Karoun Tootikian at opening of Ruth St. Denis Center n.d. |
|
41 |
With dancers in Cuadro
Flamenco (Shawn) - in costume n.d. |
|
42 |
In costume n.d. |
|
43 |
With Rhythmic Choir - in costume
n.d. |
|
44 |
With unidentified family members,
four photographs - candid n.d. |
|
45 |
Dancers in Siamese Ballet (Shawn),
two photographs - in costume n.d. |
|
46 |
Dancers in Xochitl (St.
Denis) - in costume n.d. |
|
47 |
Statue of Buddha, photograph
n.d. |
|
48 |
Martha Graham (with autograph) - in
costume n.d. |
|
49 |
Ted Shawn with Denishawn dancer -
posed n.d. |
|
|
|
|
|
|
|
|
|
|
|
|
| Series XIX MISCELLANEOUS VISUAL WORKS (Boxes
52-54) |
|
|
PHOTOGRAPHS, REPRODUCTIONS/ENGRAVINGS/LITHOGRAPHS,
and GLASS TRANSPARENCIES are ordered in this series. The materials
here have been divided by type. All items within each group have
been arranged alphabetically by the title of the piece first and by
artist name when the title is not known. The name of the
choreographer, when identified, has been placed in parentheses
after the title. The names of known artists have been placed after
the parentheses. See also oversized boxes 62-63. |
| Box |
Folder |
| 52 |
|
PHOTOGRAPHS |
|
1 |
Joshio Aoyama - in costume |
|
2 |
Apparitions (Ashton) with
Margot Fonteyn and Robert Helpmann and corps, two photographs - in
costume |
|
3 |
William Bales, two photographs - in
costume |
|
4 |
William Bales with two male dancers -
in costume |
|
5 |
William Bales with Sophie Maslow and
Jane Dudley - in costume |
|
6 |
A Ball in Old Vienna (Jooss)
dancers - in costume |
|
7 |
Die Barberina with Ilse
Menudtner, Franz Lutz, and corps - in costume |
|
8 |
Karl Bergeest, postcard photograph -
in costume |
|
9 |
Birth of the Work (Weinicke)
dancers, six photographs - in costume |
|
10 |
Birth of the Work (Weinicke)
dancers, six photographs - in costume |
|
11 |
Rudolf Brada, postcard photograph -
portrait |
|
12 |
Rudolf Brada with unidentified dancer
- in costume |
|
13 |
Carmen dancers - in costume |
|
14 |
Jolli Caspar - in costume |
|
15 |
Chopiniana (Troyanoff) dancers - in
costume |
|
16 |
Choral (Kreutzberg), Harald
Kreutzberg - in costume |
|
17 |
Darja Collin - in costume |
|
18 |
Darja Collin - in costume |
|
19 |
Darja Collin - in costume |
|
20 |
Darja Collin - in costume |
|
21 |
Darja Collin - in costume |
|
22 |
Cleopatra (Fokine), Vera
Fokina, postcard photograph - in costume |
|
23 |
Merce Cunningham - in costume |
|
24 |
Czizmas Janko (Harangozo)
cast members, three photographs - in costume |
|
25 |
Lisa Czobel, postcard photograph - in
costume |
|
26 |
Emile Jaques Dalcroze with children,
postcard photograph - candid |
|
27 |
Emile Jaques Dalcroze, two postcard
photographs - portrait |
|
28 |
Dancing dolls, ten photographs - in
costume |
|
29 |
Dancing dolls, ten photographs - in
costume |
|
30 |
Dancing dolls, ten photographs - in
costume |
|
31 |
Dancing dolls, ten photographs - in
costume |
|
32 |
Dancing dolls, ten photographs - in
costume |
|
33 |
Dancing dolls, 12 photographs - in
costume |
|
34 |
Ursula Deinert - in costume |
|
35 |
Don Juan with Joachim Stahl
and Liselotte Koster - in costume |
|
36 |
Don Juan with Joachim Stahl,
Liselotte Koster and cast - in costume |
|
37 |
Dorfmusik, 'Baurischen
Suite,' Niddy Jampekoven, postcard photograph - in costume |
|
38 |
Drei lustige Tanze fur
Kinder (Kreutzberg), Harald Kreutzberg - in costume |
|
39 |
Takaya Eguchi - in costume |
|
40 |
Manon Ehrfur - in costume |
|
41 |
Angna Enters - in costume |
|
42 |
Fanny Elssler, 'Javanese
ballet,' Hubert Julian Stowitts with cast - in costume |
|
43 |
Fanny Elssler, 'Javanese
ballet,' cast members - |
|
44 |
Fanny Elssler, cast members,
three photographs - |
|
45 |
Fantasie, (Zullig) dancers -
in costume |
|
46 |
Tina Feade, postcard photograph - in
dance attire |
|
47 |
Folksay (Maslow) with
William Bales and Sophie Maslow, two photographs - in costume |
|
48 |
Folkwangschule in Essen-Werden, two
postcard photographs |
|
49 |
Willj Fromzl (with autograph) -
portrait |
|
50 |
Willj Fromzl (with autograph) - in
costume |
|
51 |
Gavotte, Anna Pavlova, postcard
photograph - in costume |
|
52 |
Yvonne Georgi - in costume |
|
53 |
Goyescas, La Meri - in costume |
|
54 |
Martha Graham - in costume |
|
55 |
The Green Table (Jooss)
dancers, three photographs - in costume |
|
56 |
Gsovsky dancers - in costume |
|
57 |
Ljena Gsovsky, Gerda Schulze, and
Lenia Ugrinsky ? - in costume |
|
58 |
Gunther Tanzgruppe - in costume |
|
59 |
H. Moll Walzer von Chopin with
Clotilde von Derp and Alexander Sacharoff, postcard photograph - in
costume |
|
60 |
Gyula Harangozo - in costume |
|
61 |
Gyula Harangozo, Ilona Vera, Karoly
Zsedenyi, Laszlo Csanyi, Zoltan Sallay, and Karoly Szalay, three
photographs - in costume |
|
62 |
Gyula Harangozo, Zoltan Sallay, and
Ferenc Koszegi - in costume |
|
63 |
Harmonica Breakdown (Dudley)
with William Bales, Jane Dudley, and Sophie Maslow - in
costume |
|
64 |
Loraine Hillmann and Nikolai Orloff -
in costume |
|
65 |
Loraine Hillmann with female dancers
- in costume |
|
66 |
Loraine Hillmann with male dancers -
in costume |
|
67 |
Loraine Hillmann, two photographs -
in costume |
|
68 |
Hanya Holm, postcard photograph - in
costume |
|
69 |
Hanya Holm, postcard photograph -
portrait |
|
70 |
Horoscope (Ashton) with
Margot Fonteyn, Michael Somes, and Sadler's Wells corps - in
costume |
|
71 |
Niddy Impekoven - in costume |
|
72 |
Rolf Jahnke - in costume |
|
73 |
Jamuna Tatha Nrittya, Zohra - in
costume |
|
74 |
Kurt Jooss, postcard photograph -
portrait |
|
75 |
Josephs legende
(Kessler/Hofmannsthal), Rolf Arco - in costume |
|
76 |
Kriegertanz ? Kawalski - in
costume |
|
77 |
Pauline Koner - in costume |
|
78 |
Iva Kitchell, two photographs - in
costume |
|
79 |
Jutta Klamt Gruppe - in costume |
|
80 |
Fritz Klingbeck, postcard photograph
- portrait |
|
81 |
Irina Koneff - in costume |
|
82 |
Konigstanz (Kreutzberg), Harald
Kreutzberg - in costume |
|
83 |
Helen Kraus, postcard photograph - in
costume |
|
84 |
Lisa Kresse, postcard photograph - in
costume |
|
85 |
Harald Kreutzberg - in costume |
|
86 |
Landsknechtslied (Kreutzberg), Harald
Kreutzberg - in costume |
|
87 |
Jose Limon and Letitia Ide - in
costume |
|
88 |
Bambi Linn - in costume |
|
89 |
Marcelle Luipart (with autograph) -
in dance attire |
|
90 |
Madchen, Yvonne Georgi - in
costume |
|
91 |
Mattlot, Leon Wozikowski - in
costume |
|
92 |
Ilse Meudtner - in costume |
|
93 |
Ilse Meudtner and Rolf Jahnke - in
costume |
|
94 |
Mirages (Lifar) dancers - in
costume |
|
95 |
Mondscheinsonate, Niddy Impekoven,
postcard photograph - in costume |
|
96 |
Moor's Pavane (Limon) with Jose
Limon and Betty Jones - in costume |
|
97 |
Haydee Morini - in costume |
|
98 |
Haydee Morini - in costume |
|
99 |
Haydee Morini - portrait |
|
100 |
Adolph Mylius, postcard photograph -
in costume |
|
101 |
Adolph Mylius, postcard photograph -
portrait |
|
102 |
Ozark Set (Holm) dancers, four
photographs - in costume |
|
103 |
Ozark Set (Holm) dancers, 27
photographs - in costume |
|
104 |
Ozark Set (Holm) dancers, 25
photographs - in costume |
|
105 |
Ozark Set (Holm) notes
(holograph) |
|
106 |
Grett Palucca, two photographs - in
costume |
|
107 |
Paris Opera Ballet students - in
dance attire |
|
108 |
Passo D'Addio (Ruskaja) dancers -
in costume |
|
109 |
Les Patineurs (Ashton) dancers - in
costume |
|
110 |
Anna Pavlova - in costume |
|
111 |
Anna Pavlova, postcard photograph -
in costume |
|
112 |
Perhaps, To-morrow . . .
(Harangozo) dancers, seven photographs - in costume |
|
113 |
Pillar of Fire (Tudor) with
Nora Kaye and Hugh Laing - in costume |
|
114 |
Piros Bugyellaris cast
members, three photographs - in costume |
|
115 |
Polowetzer Tanze (cast
members, three photographs - in costume |
|
116 |
Prayer, unidentified dancer - in
costume |
|
117 |
Pearl Primus - portrait |
|
118 |
Pearl Primus - in costume |
|
119 |
Pearl Primus - in costume |
|
120 |
Pearl Primus with musicians -
candid |
|
121 |
Pearl Primus male dancers - in
costume |
|
122 |
Prodigal Son (Uthoff) with
Ernst Uthoff and Lola Botka - in costume |
|
123 |
Prodigal Son (Jooss) with
Rudolph Pescht and three dancers - in costume |
|
124 |
Prodigal Son (Jooss),
Rudolph Pescht in costume |
|
125 |
Anka Radovan (with autograph)
postcard photograph - in costume |
|
126 |
Anka Radovan (with autographs) two
postcard photographs - in dance attire |
|
127 |
Anka Radovan (with autograph) - in
costume |
|
128 |
Romeo and Juliet (Lavrovsky
?) with Nicholas Orloff and Gisela Free - in costume |
|
129 |
Jia Ruskaja dancers - candid |
|
130 |
Scherazade with Rudolf Brada
and Karoly Szalay - in costume |
|
131 |
Der Schwingende Temple dancers - in
costume |
|
132 |
Sent M'Ahesa - in costume |
|
133 |
Marianne Simson - costume |
|
134 |
Marianne Simson and Kai Molvig - in
costume |
|
135 |
Skippity Skoop, unidentified
dancer, two photographs - in costume |
|
136 |
Slavische Hochzeitstanze, Leonore
Karre - in costume |
|
137 |
Slavische Hochzeitstanze, Nicholai
Orloff - in costume |
|
138 |
Sleeping Beauty (Sergeyev after
Petipa) with Robert Helpmann and Violetta Elvin - in costume |
|
139 |
Spanisches Strassenlied (Kreutzberg),
Harald Kreutzberg - in costume |
|
140 |
Werner Stammer - in costume |
|
141 |
Ruth Stormer - candid |
|
142 |
Ruth Stormer - portrait |
|
143 |
Ruth Stormer, two portraits |
|
144 |
Alexander von Swaine - in
costume |
|
145 |
Alexander von Swaine - in
costume |
|
146 |
Alexander von Swaine - in
costume |
|
147 |
Alexander von Swaine - in
costume |
|
148 |
Alexander von Swaine - in
costume |
|
149 |
Alexander von Swaine - in
costume |
|
150 |
Alexander von Swaine - in
costume |
|
151 |
Alexander von Swaine - in
costume |
|
152 |
Alexander von Swaine - in
costume |
|
153 |
Alexander von Swaine with Darja
Collin - in costume |
|
154 |
Alexander von Swaine with Darja
Collin - in costume |
|
155 |
Alexander von Swaine with Darja
Collin - in costume |
|
156 |
Alexander von Swaine with Darja
Collin - in costume |
|
157 |
Swaine/Collin program cover |
|
158 |
Alexander von Swaine with
unidentified dancer - in costume |
|
159 |
Swan Lake with Nora Kaye and
Igor Youskevitsch - in costume |
|
160 |
Karoly Szalay and Zoltan Sallay - in
costume |
|
161 |
Karoly Szalay, Ferenc Koszegi, Gyula
Harangozo, and Laszlo Czanyi - in costume |
|
162 |
Take Me Back to My Boots and
Saddle, unidentified dancer - in costume |
|
163 |
Tanz de Zeremonienmeisters
(Kreutzberg), Harald Kreutzberg - in costume |
|
164 |
Trend (Holm) dancers, postcard
photograph - in costume |
|
165 |
Genia ? Ugrinsky - in costume |
|
166 |
Van Gott, George Lorine - in
costume |
|
167 |
Ilona Vera - in costume |
|
Box |
Folder |
|
168 |
Ilona Vera with Gyula Harangozo - in
costume |
|
Box |
Folder |
|
169 |
Ilona Vera with Laszlo Czanyi - in
costume |
|
170 |
Marianne Volgelsang - in costume |
|
171 |
Waltzes, unidentified dancer - in
costume |
|
172 |
Lotte ? Weinicke - in costume |
|
173-210 |
72 photographs of unidentified dances
or dancers |
| 52 |
|
REPRODUCTIONS/ENGRAVINGS/LITHOGRAPHS |
|
210a |
Mons. and Mme. Achille, postcard
reproduction - in costume |
|
211 |
Mr. Carelle, reproduction - in
costume |
|
212 |
Celebrated Ballet with Marie Taglioni
and Antonio Guerra, reproduction - in costume |
|
213 |
Fanny Cerrito, reproduction - in
costume |
|
214 |
Fanny Elssler, reproduction - in
costume |
|
215 |
Fanny Elssler with Heir Stullmuller,
reproduction - in costume |
|
216 |
La Favorite, Carlotta Grisi,
reproduction - in costume |
|
217 |
La Fille du Danube (with Marie
Taglioni and Joseph Mazilier, reproduction - in costume |
|
218 |
Gustave III; Ou le Ball
Masque, Amalia Galster Taglioni and Paul Taglioni, reproduction -
in costume |
|
219 |
Mlle. Henry, reproduction -
portrait |
|
220 |
Dominque Mattis, reproduction -
portrait |
|
221 |
Pauline Mattis, reproduction -
portrait |
|
222 |
Mazurka Posnania, Marie Taglioni,
reproduction - in costume |
|
223 |
La Peri (Coralli), Carlotta
Grisi, reproduction - in costume |
|
224 |
La Sylphide (F. Taglioni),
Marie Taglioni, reproduction - in costume |
|
225 |
Marie Taglioni, reproduction - in
costume |
|
226 |
Paul Taglioni, reproduction -
portrait |
|
227 |
"Tarantella" dancers, four
postcard reproductions - in costume |
|
228 |
Terpsichore (Vigano),
unidentified dancer, reproduction - in costume |
|
229 |
Mme. Wirdilch, reproduction - in
costume |
|
230 |
Le Zingaro with Carlotta
Grisi and Jules Perrot, reproduction - in costume |
|
231-235 |
Six unidentified reproductions of
dances or dancers |
|
236 |
Mlle. Clairon, colored engraving -
portrait |
|
237 |
Charlotte Ackermann, lithograph -
portrait |
|
238 |
A Wedding at Orsova by W. Mossman,
lithograph |
| Box |
Folder |
| 53 |
|
GLASS TRANSPARENCIES |
|
Unit 1 |
Nos. 1-20, unidentified
transparencies from Pre-history - the 1800s |
|
2 |
Nos. 1-19, unidentified
transparencies from the Middle Ages to the 1800s |
|
Box |
Folder |
|
3 |
|
|
Box |
Folder |
|
|
|
Nos. 1-12, unidentified transparencies
from the 20th Century |
|
|
|
No. 13, Afternoon of a Faun (Fokine)
with Vaslav Nijinsky with corps - in costume |
|
|
|
No. 14, Afternoon of a Faun (Fokine)
set design |
|
|
|
No. 15, Afternoon of a Faun (Fokine),
Vaslav Nijinsky - in costume |
|
|
|
No. 16, Antonio - in costume |
|
|
|
No. 17, Ball for the Duc de Joyeuse
performers and observers |
|
|
|
No. 18, The Ballet of Renaud's
Deliverance (M. de Velleville) performers - in costume |
|
|
|
No. 19, The Big City (Jooss) dancers -
in costume |
|
|
|
No. 20, Jean Cocteau - caricature |
|
|
|
No. 21, Contredanses program |
|
4 |
No. 1, Merce Cunningham - in
costume |
|
|
|
No. 2, Merce Cunningham - in
costume |
|
|
|
No. 4, The Desperate Heart (Bettis),
Valerie Bettis - in costume |
|
|
|
No. 5, Isadora Duncan - in
costume |
|
|
|
No. 6, Isadora Duncan - in
costume |
|
|
|
No. 7, Equestrian ballet |
|
|
|
No. 8, Loie Fuller - in costume |
|
|
|
No. 9, The Generous Turk (J. P.
Rameau) performers and audience |
|
|
|
No. 10, Giselle (Petipa after Perrot
and Coralli), with Tamara Karsavina and Vaslav Nijinsky - in
costume |
|
|
|
Nos. 11-13, Ekstasis (Graham), Martha
Graham - in costume |
|
|
|
No. 14, The Green Table (Jooss)
dancers - in costume |
|
|
|
Nos. 15-16, Hanya Holm - in
costume |
|
|
|
No. 17, Doris Humphrey - in
costume |
|
|
|
No. 18, Jeux (Nijinsky), Vaslav
Nijinsky - in costume |
|
|
|
No. 19, Kinetic Molpai (Shawn) dancers
- in costume |
|
|
|
No. 20, Harald Kreutsberg - in
costume |
|
|
|
No. 21, Rudolf von Laban with dancers
- posed |
|
|
|
No. 22, Carmelita Maracci - in
costume |
|
|
|
Nos. 23-26, Agnes de Mille - in
costume |
| Box |
Folder |
| 54 |
|
GLASS TRANSPARENCIES (cont.) |
|
5 |
No. 1, Agnes de Mille - in
costume |
|
|
|
No. 2, Narcisse (Fokine), Vaslav
Nijinsky - in costume |
|
|
|
Nos. 3-4, Vaslav Nijinsky - in
costume |
|
|
|
No. 5, Les Noces (Nijinska) dancers -
in costume |
|
|
|
Nos. 6-7, Pearl Primus - in
costume |
|
|
|
No. 8, Prodigal Son (Balanchine) with
Serge Lifar and dancers - in costume |
|
|
|
No. 9, Ramonda, Vaslav Nijinsky - in
costume |
|
|
|
No. 10, St. Petersburg School dancers
- posed |
|
|
|
No. 11, Shakers (Humphrey) dancers -
in costume |
|
|
|
No. 12, Les Spectre de la Rose
(Fokine), Vaslav Nijinsky - in costume |
|
|
|
No. 13, Helen Tamiris - in
costume |
|
|
|
No. 14, Totenmal (Wigman) dancers - in
costume |
|
|
|
No. 15, Trend (Holm) dancers - in
costume |
|
|
|
Nos. 16-17, Triadic Ballet (Schlemmer)
costume and set design |
|
|
|
No. 18, Triadic Ballet (Schlemmer)
dancers - in costume |
|
|
|
No. 19, Tyl Eulenspiegel (Nijinsky)
dancers - in costume |
|
|
|
No. 20, Tyl Eulenspiegel (Nijinsky),
Lydia Sokolova - in costume |
|
|
|
Nos. 21-23, Charles Weidman - in
costume |
|
|
|
No. 24, Mary Wigman - in costume |
|
|
|
No. 25, With My Red Fires (Humphrey),
Doris Humphrey - in costume |
|
6 |
Nos. A1-A27, students demonstrating
Bess Mensendieck's exercise system |
|
7 |
No. B1, student demonstrating
Loheland's gymnastic exercise |
|
|
|
Nos. C1-C7, students demonstrating
Laban exercises and dancing |
|
|
|
Nos. D1-D4, Mary Wigman and students
at the Mary Wigman School |
|
|
|
Nos. E1-E3, students and buildings at
the Rhythmische Schulgeneinde, Dusseldorf, Germany |
|
|
|
Nos. G1-G2, students at the Munich
School of Gymnastics |
|
8 |
Nos. H6-H9, Bode gymnastics and
dancing |
|
|
|
Nos. J1-J3, Dalcroze exercises and
dancing |
|
|
|
Nos. K2-K13, misc. transparencies from
Germany |
|
|
|
|
|
|
|
|
|
|
|
|
| Series XX - MISCELLANEOUS (Box
55) |
|
|
The MISCELLANEOUS series is comprised of five small
subgroups of materials arranged in a basically chronological order:
Eleanor King, Riki Raab, Rechtschaffener Tanzmeister, book plate
materials, and ephemerata. |
| Box |
Folder |
| 55 |
|
MISCELLANEOUS |
|
1 |
Misc. clippings from Chile Aug. 30,
1959- Apr. 1960 |
|
2 |
Clippings, disaster in Chile, May 26,
1960-June 10, 1960 |
|
3 |
Eleanor King, "Another Way"
(fragment) In: Journal of Health, Physical Education, and
Recreation, Washington D.C. December 1962 |
|
4 |
Eleanor King, program 1963 |
|
5 |
Eleanor King, press kit n.d. |
|
6 |
Eleanor King, clippings n.d. |
|
7 |
Riki Raab, "Wechselbeziehungen
im Tanze" (fragment in German) 1961 |
|
8 |
Riki Raab, "Hermine Elssler und
die Universitat" (fragment in German) 1965 |
|
9 |
Riki Raab, "Hundert Jahre Wiener
Opernballett" (in German). In: Wiener
Geschichtsblatter, Wien, Germany, Jan. 1969, pp. 487-493
January 1969 |
|
10 |
Riki Raab, "Ewig junges Wiener
Opernballett" (fragment in German). In: Osterreichische
Arztezeitung, pp. 1201-1208 May 25, 1969 |
|
11 |
"Riki Raab Zum 70.
Geburtstag" (fragment in German). In: Die Kleine
Galerie, pp. 3-4 1968/1969 |
|
12 |
Riki Raab, clippings Jan. 19,
1969-Mar. 18, 1970 |
|
13 |
Riki Raab, caricature n.d. |
|
14-24 |
Rechtschaffener Tanzmeister (fragment
in German) n.d. |
|
25 |
Camera ready artwork for Laban
Collection book plate ca. 1980 |
|
26 |
Gravure printing plate for Laban
Collection book plate ca. 1980 |
|
27 |
Ephemerata (holograph and
typescript) |
|
|
|
|
|
|
|
|
|
|
|
|
| Series XXI - OVERSIZED (Boxes
56-63) |
|
|
The order of the materials in the OVERSIZED series
follows the same overall pattern of the collection. A hierarchical,
alphabetical, or chronological arrangement has been duplicated in
each group to match those in the collection. |
| Box |
Folder |
| 56 |
|
EDUCATIONAL TRAINING |
|
1-3 |
Historical research materials used
for JdL's dissertation (photostat) ca. 1946 |
| 56 |
|
EDUCATIONAL ACTIVITIES |
|
4 |
Henry Street Playhouse (broadside)
1949-1950 |
|
5 |
UCLA, Latin American Play Competition
(carbon copy and music score) ca. 1966 |
|
6 |
Institution unidentified, guide for
the analysis of movement 1950 |
|
7 |
Institution unidentified, icosahedron
drawings and misc. notes (holograph) n.d. |
|
8 |
Institution unidentified,
unidentified costume plates n.d. |
| 56 |
|
WRITINGS |
|
9 |
Newspapers used as reference
materials for article on Festival of the Pearl October 1936 |
| 56 |
|
PERFORMANCES |
|
10 |
Music scores for Renaissance dances
at University of Michigan May 12-13, 1948 |
|
|
|
|
Anonymous--"Celle qui ma le nom damy donne"
Nicholaus Ammerbach--"Passamezzo Antico"
Giovanni Picchi--"Saltarello"
Anonymous--"My Lady Carey's Dompe"
Hans Weck--"Spanyoler Tancz"
|
|
|
|
11 |
Music score for "Musical Dances
of the Sixteenth, Seventeenth, and Eighteenth Centuries,"
Anonymous--"Par fur desfit ?" Composers and music
unidentified July 30, 1948 |
|
12 |
Music score for The Trojan Women,
Grant Beglarian--"Women of Troy" June 28-29, 1949 |
|
13 |
Music score for Ancestral
Experiences, Peggy Glanville-Hicks--"Sonata for piano and
percussion" June 10-11, 1958 |
|
14 |
Lazarus Laughed (broadside) Apr.
28-May 13, 1961 |
|
15 |
Lazarus Laughed, photographic
reproduction of an illuminated manuscript Apr. 28-May 13, 1961 |
| Box |
Folder |
| 57 |
|
OVERSIZED (cont.) |
| 57 |
|
VISUAL WORKS |
|
1 |
Pastel portrait n.d. |
|
2 |
With Frances Bartha, photograph - in
costume ca. 1940 |
|
3 |
With Frances Bartha, photograph - in
costume ca. 1940 |
| Box |
Folder |
| 58 |
|
OVERSIZED (cont.) |
| 58 |
|
RUDOLF von LABAN |
|
1 |
Pastel portrait n.d. |
|
2 |
Tannhauser (program in German). At:
Wagner Buhnenfestspiele Bayreuth Aug. 9, 1930 |
|
3 |
Broadsides (in German) ca.
1925-1926 |
| Box |
Folder |
| 59 |
|
OVERSIZED (cont.) |
| 59 |
|
NOTATION SYSTEMS |
|
1 |
Choroscript, "Movement Analysis
and Notation" by Alwin Nikolais (compiled by Luke Vragg)
1948 |
|
2 |
Labanotation, study board n.d. |
|
3 |
Labanotation, study board n.d. |
| Box |
Folder |
| 60 |
|
OVERSIZED (cont.) |
| 60 |
|
RUTH ST. DENIS |
|
1 |
Broadsides 1927-1964 |
|
2 |
Clipping Dec. 19, 1967 |
|
3 |
Ted Shawn, broadside n.d. |
|
4 |
Radha (St. Denis) with performers,
photograph and three reproductions July 5, 1906 |
|
5 |
O-Mika (St. Denis), portrait
1913 |
|
5a |
O-Mika (St. Denis), with
performers, two photographs 1913 |
|
6 |
Portrait - in costume 1917 |
|
7 |
Portrait 1917 |
|
8 |
Photograph - in costume 1917 |
|
9 |
Dance of Theodora (St.
Denis), photograph 1919 |
|
10 |
Black Nautch (St. Denis),
three reproductions 1927 |
|
11 |
White Jade (St. Denis), two
photographs and three reproductions 1927 |
|
12 |
Portrait - in costume 1929 |
|
13 |
Tagore Poem (St. Denis),
photograph and two reproductions 1929 |
|
14 |
Reproduction - in costume 1950 |
|
15 |
With Rhythmic Choir - in costume
1958 |
|
16 |
Reproduction - portrait 1961 |
| Box |
Folder |
| 61 |
|
OVERSIZED (cont.) |
| 61 |
|
RUTH ST. DENIS n.d. |
|
1 |
Portrait |
|
2 |
Photograph - in costume |
|
3 |
With Ted Shawn - portrait |
|
4 |
Portrait |
|
5 |
Portrait |
|
6 |
Egyptian study - in costume |
|
7 |
Dance of the Royal Ballet of
Siam (Shawn), photograph |
|
8 |
Cuadro Flamenco (Shawn),
with performers, photograph |
|
9 |
With unidentified dancer - in
costume |
|
10 |
Advertisement for jewelry company,
photograph - in costume |
| Box |
Folder |
| 62 |
|
OVERSIZED (cont.) |
| 62 |
|
MISCELLANEOUS VISUAL WORKS |
|
1 |
Engraving 1753 |
|
2 |
Engraving n.d. |
|
3 |
Engraving n.d. |
|
4 |
Hand colored engravingN.D. |
|
5 |
Lalit Kala Series Portfolio No. 3,
Gita Govinda |
|
6 |
Lalit Kala Series Portfolio No. 9,
Mewar painting |
|
7 |
Lalit Kala Series Portfolio No. 14,
The Bhagavata Purana in Kangra painting |
|
8 |
Water color of dancer, Hanne Lore
Ziegler ?, by H. Heuser |
|
9 |
Budapester Ballet ?, three
photographs and one reproduction |
|
10 |
Budapester Ballet ?, two
photographs |
|
11 |
Budapester Ballet ?, five
photographs |
| Box |
Folder |
| 63 |
|
OVERSIZED (cont.) |
| 63 |
|
MISCELLANEOUS VISUAL WORKS
(cont.) |
|
1-38 |
Misc. postcard photographs and
clippings of dancers from around the world mounted on poster
board |
|